Alessandro Borin (42 results)

Condition: New. Brand New.

Condition: New. Brand New.

Condition: New. Brand New.

Condition: New. Brand New.

Paperback. Condition: new. Paperback. (String). 6 Sonatas by Fortunato Chelleri, Antonio Martinelli and anonymous composers. The three Martinelli sonatas are his only compositions for cello and continuo that survive today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. critical edition. 49 pages. 10.75x8.00x0.29 inches. In Stock.

Condition: New. 2014. paperback. . . . . .

Paperback. Condition: Brand New. bilingual edition. 184 pages. Italian language. 10.50x8.00x0.75 inches. In Stock.

Paperback. Condition: new. Paperback. (Vocal Score). Reduction for voice and piano based on the critical edition. Includes historical introduction and critical commentary. Ed Critica ABorin Riduzione Per Canto e Pianoforte. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 12.00x9.25x0.36 inches. In Stock.

Condition: New. 2014. paperback. . . . . . Books ship from the US and Ireland.

Sheet music. Condition: VG. 1 partition (124 p.) : facsim. ; 23 cm. Very nice and clean. Text free of highlighting and writing. Tightly bound.

Condition: NEW.

Paperback. Condition: Brand New. critical edition. 332 pages. 10.75x8.00x0.85 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware - (Vocal Score). The present reduction derives from the critical edition of the score of La Gloria e Imeneo, published in this catalog. The opera belongs to a group of the so-called 'French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador s garden on the evening of 12 September 1725. This edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It includes a brief Introduction and a critical apparatus that records all the variants between the autograph score and the secondary collate sources.…

Taschenbuch. Condition: Neu. Neuware - (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.…

Taschenbuch. Condition: Neu. Neuware - (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.…

Taschenbuch. Condition: Neu. Neuware - (Vocal Score). Reduction for voice and piano based on the critical edition. Includes historical introduction and critical commentary.

Taschenbuch. Condition: Neu. Neuware - (String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.…

Taschenbuch. Condition: Neu. Neuware - (Vocal Score). Composed and performed in Venice in the spring of 1735. Includes historical introduction and critical commentary.

Condition: New.

Condition: New. Ed Critica A Borin Riduzione Per Canto E Pianoforte A Cura Di A Frige.Klappentext(Vocal Score). Reduction for voice and piano based on the critical edition. Includes historical introduction and critical commentary.

Paperback. Condition: Brand New. 288 pages. French language. 10.75x8.00x1.09 inches. In Stock.

Kartoniert / Broschiert. Condition: New.

Taschenbuch. Condition: Neu. Neuware - (Vocal Score). Reduction for voice and piano based on the critical edition. Includes historical introduction and critical commentary.

Condition: New. Ed critica delle opere di A Vivaldi Riduzione per canto e pianoforte di A Frig.

Paperback. Condition: new. Paperback. (String). 6 Sonatas by Fortunato Chelleri, Antonio Martinelli and anonymous composers. The three Martinelli sonatas are his only compositions for cello and continuo that survive today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condition: Neu. Neuware - (Opera). With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the 'Red Priest' for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer's own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foa 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin - Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera's premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornero, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi's opera underwent, an operation that sheds light on the inner workings of Vivaldi's atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiore is analysed.…

Condition: New. Ed Critica ABorin Riduzione Per Canto e Pianoforte.Klappentext(Vocal Score). Reduction for voice and piano based on the critical edition. Includes historical introduction and critical commentary.

Taschenbuch. Condition: Neu. La Gloria E Imeneo RV 687 | Critical Edition Reduction for Voice and Piano | Alessandro Borin | Taschenbuch | Klavierauszug | Englisch | 2016 | Ricordi | EAN 9788881920136 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …