Alberto Germanò (87 results)

Condition: New.

Softcover. First Edition. A near fine copy. In the Italian language.; 98 pages. Illustrated by Bonazzi, Germano (illustrator).

in-8°, pp. 211. Bross. edit. Macchia d'inchiostro sul primo foglio.

Condition: New.

Copertina brunita interno ottimo. C6 edizione: 1a pp. 104.

Brossura. Condition: come nuovo.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

24x18. Falto de cub. posterior. 344 pgs. (Y5378).

Condition: New.

Hardback. Condition: New. Chus Burés creates miracles. Each piece of jewelry that emerges from his workshop boasts a complex genesis, stemming from an intersection between his genius-level thought processes and his maverick lifestyle. From exploring the versatility of buttons, to accentuating the geometric planes of the human body (Infinity Lines, 1990), and using minerals to emulate and exaggerate human features (seen in the striking 'Mae Nam' Collection of 2000), Burés' work is always perplexing, always stimulating, and always innovative. He refuses to be cowed by convention, and delights in challenging his clients and models. The bodily focus of his work makes every piece a startling, and often uncomfortable, insight into humanity.Burés may be a maestro of metal - the gauzy chainmail-esque veils in his Crochet collection, 2000, attest to that. Yet he has mastered the emotional dimensions of his jewelry as well as its physical properties. The relationship between his pieces and the people who collect and cherish them is essential to his artistic praxis. In Chus Burés, Portraits and Jewellery (2016), this is realized through a series of intense portraits by Antoine d'Agata, Alberto García-Alix, and Andres Serrano. These pictures reveal a transgressive melding of jewel and subject: man becomes metal and metal becomes man. Watch ideas take on physical form, and immerse yourself in Burés' world of wearable art.Text in English, French, and Spanish.…

Condition: New. In English.

Condition: New.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Nuevo. Cada uno de los objetos fabricados por Chus Burés es una ramificación de su pensamiento y de su existencia. A través de los retratos sensibles e intensos realizados por Antoine d'Agata, Alberto García-Alix y Andrés Serrano, las joyas revelan una dimensión humana al tiempo que manifiestan un funcionamiento tan visual como emocional. El lector se deleitará con cada maravillosa pieza a través de las bellas imágenes presentadas. …

paperback. Condition: Good. Brossura 190 p. 24x17 cm Buono (Good) .

Hardcover. Condition: Brand New. multilingual edition. 203 pages. Spanish language. 11.50x10.00x1.00 inches. In Stock.

brossura Copertina flessibile. Condition: Good. Copertina  flessibile, sporca lievemente e con segni d'uso ai margini; Pagine ingiallite. Copertina flessibile 216 8831777556 Buono (Good) . Book.

Softcover. Condition: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Fantastic bright plates which this series was well known for. Year 1978. Softcover. Italian. See images for condition. About the book >.>.> Due esiti dunque, quelli del mar-chigiano e del lombardo, che si direbbero simme-tricamente opposti, dipendendo non gi? da un con-corso pi? o meno favorevole di pratiche circostanze ma piuttosto da altrettanto ben distinte inclinazio-ni. Si aggiunga a ci? la diversa estrazione culturale; prima di accostarsi a Bramante (ignoriamo come e quando, ma certo qualche anno prima del 1490, al-lorch? il suo soprannome comincia ad apparire nei documenti) il Suardi si era prevalentemente orienta-to sul trevigliese Bernardino Butinone, cio? su una cultura foppesca nutrita di apporti padovani e ferra-resi, non senza affinit? in questo senso, con il fare a-spro e scheggiato dei fratelli scultori Cristoforo e Antonio Mantegazza. Bramante, invece, pi? anziano di circa vent'anni, si era formato in stretto contatto con l'ambiente artistico promosso da Federico da Montefeltro nella gran reggia urbinate; e come pit-tore muoveva non tanto da Piero d. …

brossura Copertina flessibile. Condition: Good. Copertina flessibile 477 9788834865149 Buono (Good) . Book.

Taschenbuch. Condition: Gut. Rizzoli Editore, Milano - Gian Alberto Dell'Acqua - tb. Gr. , 6-A-5-4-L2 US-8GCS-ZJQU Sprache: Deutsch Gewicht in Gramm: 500.

XXXIII + 633 p. in-8.

copertina morbida. Condition: buone. Dust Jacket Condition: buone.

Gebunden. Condition: New. Revealing the human dimension of Bures jewels, and containing insights into the practices of a jewellery maverick , whose work is equally visual and emotional.Klappentext The edition consists of 1000 numbered copies and a special p.

brossura. Condition: Good. 2. Copertina cartonata, leggermente sporca. Tagli sporchi di polvere, pagine leggermente ingiallite. Collana:"Trittico giuridico sezione manuali". 8834872088 Buono (Good) . Book.

Milano, Dott. A. Giuffre editore, 1996, 24x17 cm., VI+238 págs.

Condition: NEW.

Condition: Ottime. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condition: NEW.

Brossura. Condition: Discreto. Presentazione di E.Romagnoli. 8°,pg.12,216. Sottolineature e appunti a penna e matita. Collezione "Studi di diritto comparato", a cura di M.Cappelletti, n°9. 320 gr.

Condition: new.

Hardback. Condition: New. Chus Burés creates miracles. Each piece of jewelry that emerges from his workshop boasts a complex genesis, stemming from an intersection between his genius-level thought processes and his maverick lifestyle. From exploring the versatility of buttons, to accentuating the geometric planes of the human body (Infinity Lines, 1990), and using minerals to emulate and exaggerate human features (seen in the striking 'Mae Nam' Collection of 2000), Burés' work is always perplexing, always stimulating, and always innovative. He refuses to be cowed by convention, and delights in challenging his clients and models. The bodily focus of his work makes every piece a startling, and often uncomfortable, insight into humanity.Burés may be a maestro of metal - the gauzy chainmail-esque veils in his Crochet collection, 2000, attest to that. Yet he has mastered the emotional dimensions of his jewelry as well as its physical properties. The relationship between his pieces and the people who collect and cherish them is essential to his artistic praxis. In Chus Burés, Portraits and Jewellery (2016), this is realized through a series of intense portraits by Antoine d'Agata, Alberto García-Alix, and Andres Serrano. These pictures reveal a transgressive melding of jewel and subject: man becomes metal and metal becomes man. Watch ideas take on physical form, and immerse yourself in Burés' world of wearable art.Text in English, French, and Spanish.…