Agata Boetti (24 results)

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New.

Condition: New.

Paperback. Condition: New. One of the traits that Arte Povera artists have in common is to deconstruct things and not to privilege the material as an end in itself. It is likely that, among the artists of the movement, there is also a distinction between material and materiality. Arte povera artists, for example, do not have sculpture as their goal.Rather, they seek the process, the experience; rather, they have a critical look at aesthetic production. To borrow the word, they are rather 'anaesthetic'. As in a certain way, moreover, Celant recognised in the intuition of his exhibition 'IM spatio, image, space' the search for a different dimension.Besides questioning the material, the primacy of experience, which seems to me absolutely fundamental, the duality between man and nature, there is the refutation of the concept of stability, the impermanence of things. This analytical and conceptual dimension is in Italy a way of positioning itself in relation to the dominance of a model that would come from America.Text in English and French.…

paperback. Condition: New. **PAPERBACK**.

Condition: New.

Condition: New. In English.

Condition: NEW.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. bilingual edition. 154 pages. 11.75x9.50x11.81 inches. In Stock.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Neuware - One of the traits that Arte Povera artists have in common is to deconstruct things and not to privilege the material as an end in itself. It is likely that, among the artists of the movement, there is also a distinction between material and materiality. Text in English and French.One of the traits that Arte Povera artists have in common is to deconstruct things and not to privilege the material as an end in itself. It is likely that, among the artists of the movement, there is also a distinction between material and materiality. Arte povera artists, for example, do not have sculpture as their goal. Rather, they seek the process, the experience; rather, they have a critical look at aesthetic production. To borrow the word, they are rather 'anaesthetic'. As in a certain way, moreover, Celant recognize in the intuition of his exhibition 'IM spatio, image, space' the search for a different dimension. Besides questioning the material, the primacy of experience, which seems to me absolutely fundamental, the duality between man and nature, there is the refutation of the concept of stability, the impermanence of things. This analytical and conceptual dimension is in Italy a way of positioning itself in relation to the dominance of a model that would come from America. Text in English and French.…

Hardcover. Condition: Brand New. 208 pages. 11.75x11.75x1.10 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: new.

Paperback. Condition: New. One of the traits that Arte Povera artists have in common is to deconstruct things and not to privilege the material as an end in itself. It is likely that, among the artists of the movement, there is also a distinction between material and materiality. Arte povera artists, for example, do not have sculpture as their goal.Rather, they seek the process, the experience; rather, they have a critical look at aesthetic production. To borrow the word, they are rather 'anaesthetic'. As in a certain way, moreover, Celant recognised in the intuition of his exhibition 'IM spatio, image, space' the search for a different dimension.Besides questioning the material, the primacy of experience, which seems to me absolutely fundamental, the duality between man and nature, there is the refutation of the concept of stability, the impermanence of things. This analytical and conceptual dimension is in Italy a way of positioning itself in relation to the dominance of a model that would come from America.Text in English and French.…

Condition: NEW. Milano: Electa, 2024 9788892827011 1002 N vol.: 1, N pag.: 288, Peso: 1002, L: 24.5, W: 15.7, Illustr.: COL + B/N Il libro, dedicato al padre da Agata Boetti, è "un ricamo" che tra testi ed immagini sa ben rendere la caleidoscopica personalità di un maestro assoluto dell'arte del Novecento. Tutto o quasi tutto si sa della sua opera. Ma chi era Alighiero come padre? In questo volume Agata, la secondogenita del maestro, racconta il Boetti più privato e azzarda una inedita interpretazione della sua arte. Scopriamo così una dimensione ludica che pervade non solo l'opera ma anche la vita stessa di Alighiero e ci offre un'immagine inedita del maestro, ben diversa dallo stereotipo di padre. Scritto per i nipoti, perché imparassero a conoscere davvero il nonno al di là di mostre, cataloghi, archivi, il libro è corredato da un ricchissimo apparato iconografico, quasi integralmente inedito, di proprietà di Agata Boetti. Il libro, dedicato al padre da Agata Boetti, è "un ricamo" che tra testi ed immagini sa ben rendere la caleidoscopica personalità di un maestro assoluto dell'arte del Novecento. Tutto o quasi tutto si sa della sua opera. Ma chi era Alighiero come padre? In questo volume Agata, la secondogenita del maestro, racconta il Boetti più privato e azzarda una inedita interpretazione della sua arte. Scopriamo così una dimensione ludica che pervade non solo l'opera ma anche la vita stessa di Alighiero e ci offre un'immagine inedita del maestro, ben diversa dallo stereotipo di padre. Scritto per i nipoti, perché imparassero a conoscere davvero il nonno al di là di mostre, cataloghi, archivi, il libro è corredato da un ricchissimo apparato iconografico, quasi integralmente inedito, di proprietà di Agata Boetti.…

Prima edizione, rilegata, cartonata, sovracoperta, formato 16x24, pagine 288, illustrata con tavole in nero e colore e fotografie in nero e colore nel testo e fuori testo, ottime condizioni - 53772 9788891806369 1.