Adele Seeff (38 results)

Soft cover. Condition: Near Fine. No Jacket. 1st Edition.

Hard cover. Condition: Very Good. Very good in very good dust jacket. 382 p. Audience: General/trade.

Condition: Good. 1st, No Additional Printing Listed. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Super octavo, blackcloth boards with gilt lettering to spine, viii + 394pp, illus, nr fine (slight bruising to spine extrems) in d/w, VG+ (slight creasing to edges, v light rubbing).

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. First Edition. Octavo, 338 pages. In Very Good minus condition with a Very Good minus condition dust jacket. Pink spine with black lettering. Dust jacket has light chipping to the edges, and minor foxing. Boards are slightly cocked. Textblock has light foxing to edges. NOTE: Shelved in Netdesk Column X (ND-X). 1402119. FP New Rockville Stock.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: New.

Condition: New. 2019. Paperback. . . . . .

Hardcover. Condition: Very Good. No marks or DJ splits. DJ spine appears slightly faded.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New. pp. 256.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume considers the linguistic complexities associated with Shakespeare's presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare's texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses André Brink's Kinkels innie Kabel, a transposition of Shakespeare's The Comedy of Errors into Kaaps, as a radical critique of apartheid's obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani's performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global ShaAny reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book.…

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume considers the linguistic complexities associated with Shakespeare's presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare's texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses André Brink's Kinkels innie Kabel, a transposition of Shakespeare's The Comedy of Errors into Kaaps, as a radical critique of apartheid's obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani's performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global ShaAny reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book.…

Taschenbuch. Condition: Neu. South Africa's Shakespeare and the Drama of Language and Identity | Adele Seeff | Taschenbuch | Global Shakespeares | xiii | Englisch | 2019 | Springer | EAN 9783030086251 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 4to 11" - 13" tall.

Condition: New.

Hardcover. Condition: Brand New. 241 pages. 8.50x6.00x1.00 inches. In Stock.

near fine dust-jacket, fresh attractive large black cloth, beautiful copy. WHEELOCK, ARTHUR K. / SEEFF, ADELE F., ed. . The public and private in Dutch culture of the Golden Age. Edited by Arthur K. Wheelock, Jr., and Adele Seeff. Newark: University of Delaware Press, 2000, 278pp., . Papers presented at a symposium held at the University of Maryland, College Park, 1993 - CONTENTS: The public and the private : public space in sixteenth- and seventeenth-century Amsterdam / R.E. Kistemaker -- Descriptions of towns in the seventeenth-century province of Holland / Eco Haitsma Mulier -- Private interests, public policies : petitions in the Dutch Republic / Henk van Nierop -- Propagandist prints, reaffirming paintings : art and community during the Twelve Years' Truce / H. Perry Chapman -- On "swelling" the hips and crossing the legs : distinguishing public and private in paintings and prints from the Dutch Golden Age / Herman Roddenburg -- Armed citizens : the representation of the civic militias in the seventeenth century / Paul Knevel -- Gerard ter Borch's military men : masculinity transformed / Alison McNeil Kettering -- Representations of labor and diligence in late-sixteenth-century Netherlandish art : the secularization of the work ethic / Ilja M. Veldman -- Early Netherlandish Bordeeltjes and the construction of social "realities" / Nanette Salomon -- Images of private life in some early-seventeenth-century Dutch ego-documents / Mieke B. Smits-Veldt -- Public enemies, private friends : Arnoldus Buchelius's experience of religious diversity in the early Dutch Republic / Judith Pollmann -- Public places, private lives : the impact of the Dutch revolt on the Reformed churches in Holland / Carol Janson -- Public or private portraits : group portraits of Amsterdam regents and regentesses / Michiel Jonker -- Metsu's Justice protecting widows and orphans : patron and painter relationships and their involvement in the social and economic plight of widows and orphans in Leiden / Linda Stone-Ferrier. 9780874136401 ISBN 0874136407.…

Hardcover. Condition: Fine. Near fine. 278 p. 19 cm. Numerous b&w photos. Black cloth in dustjacket. Faint soiling to rear panel. Various authors on: public space in Amsterdam; descriptions of towns in 17th cent. Holland; propagandist paintings; representation of the civic militias; Gerard ter Borch's military men; representations of labour; impact of the Dutch Revolt on Reformed Churches; patron and painter relationships; economic plight of widows and orphans in Leiden, etc. Index.…

Newark, London and Toronto, University of Delaware Press, (1993). Orig. full cloth with d/j. 324 pp., textdiagrams and illustrations.

Condition: new. Questo è un articolo print on demand.

Condition: new. Questo è un articolo print on demand.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume considers the linguistic complexities associated with Shakespeare's presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare's texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses André Brink's Kinkels innie Kabel, a transposition of Shakespeare's The Comedy of Errors into Kaaps, as a radical critique of apartheid's obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani's performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global ShaAny reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book. 256 pp. Englisch.…

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This volume considers the linguistic complexities associated with Shakespeare's presence in South Africa from 1801 to early twentieth-first century televisual updatings of the texts as a means of exploring individual and collective forms of identity. A case study approach demonstrates how Shakespeare's texts are available for ideologically driven linguistic programs. Seeff introduces the African Theatre, Cape Town, in 1801, multilingual site of the first recorded performance of a Shakespeare play in Southern Africa where rival, amateur theatrical groups performed in turn, in English, Dutch, German, and French. Chapter 3 offers three vectors of a broadening Shakespeare diaspora in English, Afrikaans, and Setswana in the second half of the nineteenth century. Chapter 4 analyses André Brink's Kinkels innie Kabel, a transposition of Shakespeare's The Comedy of Errors into Kaaps, as a radical critique of apartheid's obsession with linguistic and ethnic purity. Chapter 5 investigates John Kani's performance of Othello as a Xhosa warrior chief with access to the ancient tradition of Xhosa storytellers. Shakespeare in Mzansi, a televisual miniseries uses black actors, vernacular languages, and local settings to Africanize Macbeth and reclaim a cross-cultural, multilingualism. An Afterword assesses the future of Shakespeare in a post-rainbow, decolonizing South Africa. Global ShaAny reader interested in Shakespeare Studies, global Shakespeare, Shakespeare in performance, Shakespeare and appropriation, Shakespeare and language, Literacy Studies, race, and South African cultural history will be drawn to this book. 256 pp. Englisch.…