diary. Condition: Good.
Language: English
Published by Atheneum, New York, New York * * * * *, 1986
ISBN 10: 068911804X ISBN 13: 9780689118043
Seller: L. Michael, North Hollywood, CA, U.S.A.
First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. B00K; Fine/+ 1986 (illustrator). 1st Edition. B00K; Fine/+ $34.56 068911804X ONE WOMAN LOST; .Signed. McCARTHY, Abigail; Muskie, Jane Gray Atheneum New York 1986 Glossy Grey To Light Blue To Dark Green Spine With Title In Red to White Letters, Dust Jacket: Fine, Slightest Of Shelf Ware. Hard Cover B0K; Fine/+, 322 Numbered Pages, Which Were Probably Not Read, And Are Clean And Tight To The Spine, Slight Shelf, Corner And Edge Ware, Gift Inscription In The Front Of BooK, Signed By Abigail McCarthy In Black Ink. = Description Applies To This B00K, Only. = This Author Signed Book Has A Special Significance, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE. =*=* California State Law Now Requires The Following Notice Be Given: *=*=* Seller Did Not See And Was Not Present When This Item Was Signed. No Certificate Of Authenticity Is Included In This Sale/Purchase Price. If You Would Like A Certificate Of Authenticity, You Can Obtain One At Your Own Convenience And Expense, Which Is Not Included In The Purchase Price Of This Item. =*=*. Signed by Author(s).
Language: English
Published by University of Chicago Press June 2025, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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paperback. Condition: Fine.
Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by The University of Chicago Press, US, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. The first granular study of nineteenth-century composer devotion-a network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers into figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culture-a culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration.
Language: English
Published by University of Chicago Press 6/5/2025, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. The Composer Embalmed: Relic Culture from Piety to Kitsch. Book.
Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by The University of Chicago Press, US, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. The first granular study of nineteenth-century composer devotion-a network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers into figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culture-a culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration.
Language: English
Published by The University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. The first granular study of nineteenth-century composer devotiona network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers into figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culturea culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.
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Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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ISBN 10: 0226840441 ISBN 13: 9780226840444
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Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Condition: New.
Published by Abigail Furey Fine Prints and Drawings LLC, Brighton, MA, 2003
First Edition
Paperback. Condition: Very Good. First Edition. Brighton, MA: Abigail Furey Fine Prints and Drawings LLC, 2003. Original 2003 catalog illustrated in black and white, 112 examples shown, with pricing. Softcover, 28 pages. Light foxing to the top of the front cover, binding firm, pages clean, no names or other markings. First Edition. Soft Cover. Very Good. 4to - over 9¾" - 12" tall.
Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Language: English
Published by The University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
£ 35.28
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Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Published by Brighton, MA: Abigail Furey., 2001
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. Abigail Furey Fine Prints and Drawings, Catalog July 2001, No. 9. Stapled Wraps, 4to. 8-1/2 x 11 inches. [28 pp.] Coated stock. Illustrated with black and white photos of prints and drawings by Childe Hassam, Joseph Pennel, Hugo Gellert, many others. Fine.From the collection of Frederick Gale Ruffner, Jr. (1926-2014) the founder of the Detroit based reference book publisher, Gale Research.
Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 288 pages. 9.00x6.00x9.00 inches. In Stock.
Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226836053 ISBN 13: 9780226836058
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hardcover. Condition: Good. No dust jacket. Clean, unmarked copy.
Language: English
Published by University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
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Language: English
Published by The University of Chicago Press, 2025
ISBN 10: 0226840441 ISBN 13: 9780226840444
Seller: CitiRetail, Stevenage, United Kingdom
Paperback. Condition: new. Paperback. The first granular study of nineteenth-century composer devotiona network of devotees who preserved tangible traces of composers through relics, rituals, pilgrimage, exhumation, and embalming. During the nineteenth century, music institutions promoted artworks they deemed timeless and made composers into figureheads of a lasting Western canon. Alongside this institutional face of the canon was a more intimate impulse to preserve, touch, and embrace the residues of the dead. In Germany and Austria between 1870 and 1930, music lovers venerated the bodies, houses, and belongings of composers as relics, shrines, and talismans. In The Composer Embalmed, Abigail Fine documents the vernacular and eccentric ways that composers have been remembered. Fine navigates a wealth of unknown archival material to recover the stories of devotees: from pilgrims who felt time stop in historic houses to music-loving doctors who made skulls into sacred specimens, dilettantes who displayed Beethoven's mask as a relic of the "beautiful death," and interwar critics of those dilettantes who disparaged piety as a false religion, a kitsch replica. In isolation, these practices may look like simple acts of affection. But in the aggregate, Fine asserts, acts of devotion constituted what we might broadly understand as relic culturea culture that sought to possess the body of the departed genius, and that superimposed habits of anthropological collecting onto artifacts of Austro-German heritage. By excavating objects, ephemera, amateur lyric, visitors' books, letters, and travelogues, The Composer Embalmed reveals the underbelly of the canon, where guilty pleasures blur the boundary between sanctity and desecration. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.