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Philippe Lacoue Labarthe (486 results)
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Ending and Unending Agony: On Maurice Blanchot
Book 1 of 15: Lit ZLanguage: English
Published by Fordham University Press, 2015
ISBN 10: 0823264580 ISBN 13: 9780823264582
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Musica Ficta: (Figures of Wagner) (Meridian: Crossing Aesthetics)
Language: English
Published by Stanford University Press, 1995
ISBN 10: 0804723850 ISBN 13: 9780804723855
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Seller rating 5 out of 5 stars
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Typography: Mimesis, Philosophy, Politics (Meridian: Crossing Aesthetics)
Language: English
Published by Stanford University Press, 1998
ISBN 10: 0804732825 ISBN 13: 9780804732826
Seller: Bay State Book Company, North Smithfield, RI, U.S.A.
Seller rating 5 out of 5 stars
Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.
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Typography: Mimesis, Philosophy, Politics (Meridian: Crossing Aesthetics)
Language: English
Published by Stanford University Press, 1998
ISBN 10: 0804732825 ISBN 13: 9780804732826
Seller: Housing Works Online Bookstore, New York, NY, U.S.A.
Seller rating 5 out of 5 stars
Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.
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Heidegger, Philosophy, and Politics: The Heidelberg Conference
Language: English
Published by Fordham University Press, 2016
ISBN 10: 0823273679 ISBN 13: 9780823273676
Seller: Books From California, Simi Valley, CA, U.S.A.
Seller rating 4 out of 5 stars
Paperback. Condition: Fine.
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The Title of the Letter: A Reading of Lacan (Suny Series in Contemporary Continental Philosophy)
Book 5 of 158: SUNY series in Contemporary Continental PhilosophyLanguage: English
Published by State University of New York Press, (Albany, 1992), 1992
ISBN 10: 0791409627 ISBN 13: 9780791409626
Seller: Heartwood Books, A.B.A.A., Charlottesville, VA, U.S.A.
Seller rating 5 out of 5 stars
Trade Paperback. Condition: Good Plus. Near Very Good, internally clean, solid paperback with a slightly faded spine.
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Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
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Heidegger, Art, and Politics: The Fiction of the Political
Seller: Goodwill Southern California, Los Angeles, CA, U.S.A.
Seller rating 5 out of 5 stars
Condition: acceptable. Paperback Book. Pages are still legible. Contains minimal underlining and or highlighting. Book shows signs of Use and Wear on Cover s - All Pages are still legible and in Acceptable Condition.
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Bertholin : 16 mars-24 avril 1983, ARC Animation, recherche, confrontation, musee e d'art moderne de la Ville de Paris
Language: French
Published by Musee e d'art moderne, 1983
Paperback. Condition: Very Good. Softcover exhibition catalog, light shelfwear to covers and price sticker on rear cover. Contents clean and tight. Unpaginated. B&W photos.
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Poetry As Experience
Language: English
Published by Stanford University Press, 1999
ISBN 10: 0804734275 ISBN 13: 9780804734271
Condition: New.
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Poetry as Experience (Paperback or Softback)
Language: English
Published by Stanford University Press 1/1/1999, 1999
ISBN 10: 0804734275 ISBN 13: 9780804734271
Paperback or Softback. Condition: New. Poetry as Experience. Book.
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Der Nazi-Mythos
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
First Edition
Paperback. Condition: New. 1.
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Poetry As Experience
Language: English
Published by Stanford University Press, US, 1999
ISBN 10: 0804734275 ISBN 13: 9780804734271
Paperback. Condition: New. Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action-a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tübingen, Jänner" and "Todtnauberg"-the one a response to Hölderlin, the other to Heidegger-and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject-or, for that matter, to the concept of poetry-but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future.
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The Literary Absolute: The Theory of Literature in German Romanticism
Language: English
Published by State University of New York Press, 1988
Soft cover. Condition: Very Good. 23×15.5cm. The book has been cleaned. No noticeable scratches or stains. There's no writing in the text, and the condition is good.
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Heidegger, Art, and Politics: The Fiction of the Political
Language: English
Published by Basil Blackwell, 1990
Soft cover. Condition: Very Good. 23×15cm. The book has been cleaned. No noticeable scratches or stains. There's no writing in the text, and the condition is good.
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Heidegger, Art, and Politics: The Fiction of the Political
Seller: Books From California, Simi Valley, CA, U.S.A.
Seller rating 4 out of 5 stars
Paperback. Condition: Good.
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Typography: Mimesis, Philosophy, Politics (Meridian: Crossing Aesthetics)
Language: English
Published by Stanford University Press, 1998
ISBN 10: 0804732825 ISBN 13: 9780804732826
Seller: Goodwill of Silicon Valley, SAN JOSE, CA, U.S.A.
Seller rating 5 out of 5 stars
Condition: very_good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in very good condition! The cover and any other included accessories are also in very good condition showing some minor use. The spine is straight, there are no rips tears or creases on the cover or the pages.
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Poetry as Experience (Meridian: Crossing Aesthetics)
Language: English
Published by Stanford University Press, 1999
ISBN 10: 0804734275 ISBN 13: 9780804734271
Condition: New.
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Musica Ficta (Figures of Wagner).
Language: English
Published by Stanford University Press, Stanford, 1994
ISBN 10: 0804723850 ISBN 13: 9780804723855
Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Association Member: ABAA ILAB IOBA SNEAB
Seller rating 5 out of 5 stars
First Edition
Paperback. Condition: Fine. Translated from the French by Felicia McCarren. First paperback edition. Fine in illustrated wraps.
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Poetry As Experience
Language: English
Published by Stanford University Press, 1999
ISBN 10: 0804734275 ISBN 13: 9780804734271
Condition: As New. Unread book in perfect condition.
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The Title of the Letter: A Reading of Lacan (Contemporary Contin Philosophy)
Book 5 of 158: SUNY series in Contemporary Continental PhilosophyLanguage: English
Published by State University of New York Press, 1992
ISBN 10: 0791409627 ISBN 13: 9780791409626
Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
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Typography: Mimesis, Philosophy, Politics (Meridian: Crossing Aesthetics)
Language: English
Published by Stanford University Press, 1998
ISBN 10: 0804732825 ISBN 13: 9780804732826
Soft cover. Condition: Very Good. Trade paperback. Free of any internal markings. Binding is frim.
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The Title of the Letter: A Reading of Lacan (Contemporary Contin Philosophy)
Book 5 of 158: SUNY series in Contemporary Continental PhilosophyLanguage: English
Published by State University of New York Press, 1992
ISBN 10: 0791409627 ISBN 13: 9780791409626
Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
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Poetry as Experience (Paperback)
Language: English
Published by Stanford University Press, Palo Alto, 1999
ISBN 10: 0804734275 ISBN 13: 9780804734271
First Edition
Paperback. Condition: new. Paperback. Lacoue-Labarthe's "Poetry as Experience" addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action—a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: "Singbarer Rest." Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"—the one a response to Holderlin, the other to Heidegger—and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an "experience," a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the "concept" of the subject—or, for that matter, to the concept of poetry—but is rather the language of the "decept." Only by being "disappointed" of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future. Lacoue-Labarthe's Poetry as Experience addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan's poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action—a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe's detailed analyses of two decisive poems by Celan, "Tubingen, Janner" and "Todtnauberg"—the one a response to Holderlin, the other to Heidegger—and his sustained reading of "The Meridian" present Celan's verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject—or, for that matter, to the concept of poetry—but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan's poetry keep open the possibility of another history, another future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Poetry As Experience
Language: English
Published by Stanford University Press, 1999
ISBN 10: 0804734275 ISBN 13: 9780804734271
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Musica Ficta : Figures of Wagner
Language: English
Published by Stanford University Press, 1995
ISBN 10: 0804723850 ISBN 13: 9780804723855
Condition: New.
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Musica Ficta (Figures of Wagner)
Language: English
Published by Stanford University Press, California, 1994
ISBN 10: 0804723761 ISBN 13: 9780804723763
Seller: Sanctuary Books, A.B.A.A., New York, NY, U.S.A.
Seller rating 5 out of 5 stars
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First English language edition. Cloth. From the Meridian Crossing Aesthetics series, edited by Werner Hamacher and David E. Wellbery. Addresses Baudelaire, Mallarme, Heidegger, and Adorno. With extensive notes and references.
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Musica Ficta: (Figures of Wagner) (Paperback or Softback)
Language: English
Published by Stanford University Press 2/1/1995, 1995
ISBN 10: 0804723850 ISBN 13: 9780804723855
Paperback or Softback. Condition: New. Musica Ficta: (Figures of Wagner). Book.
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Musica Ficta
Language: English
Published by Stanford University Press, US, 1995
ISBN 10: 0804723850 ISBN 13: 9780804723855
Paperback. Condition: New. This is a pioneering attempt to rearticulate the relationship between music and the problems of mimesis, between presentation and re-presentaion. Four "scenes" comprise the book, all four of them responses to Wagner: two by French poets (Baudelaire and Mallarme), two by German philosophers (Heidegger and Adorno). It is dificult to realize how profoundly Wagner affected the cultural and ideological sensibilities of the nineteenth century. Wagnerism rapidly spread throughout Europe, partly because of Wagner's propagandizing talent and the zeal of his adherents. But the main reason for his ascendance was the sudden appearance of what the century had desperately tried to produce since the beginnings of Romanticism - a work of art on the scale of great Greek and Christian art. At last, here it was: the secret of what Hegel called the "religion of art" rediscovered. The first two scenes of the book present a historical sequence that is punctuated by the Franco-Prussian War and the Paris Commune, in which the universal unbridling of nations and classes is prefigured. The second two register certain effects of Wagnerism that are not just ideological but make themselves felt in a new political configuration of the "national" and the "social.".
