Nathan T Arrington (70 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Exact ISBN match. Immediate shipping. No funny business.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Cloth, dj. Minor shelf wear; some light scuffing. Else a bright, clean copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Cloth, dj. Minor shelf wear; some light scuffing. Else a bright, clean copy.

hardcover. Condition: Very Good. Fast Shipping - Safe and Secure 7 days a week.

hardcover. Condition: Like New. First Edition. 1st print (full # line), looks new and unread, bump to front board at bottom front, Near Fine/Near Fine.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. How the interactions of non-elites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts-cemeteries, sanctuaries, workshops, and symposia-offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.…

Condition: As New. Unread book in perfect condition.

Condition: New. 2021. Hardcover. . . . . .

Hardcover. Condition: Used-Very Good. dj. Cloth, dj. Slight shelf-wear to dj., else bright and clean.

Condition: New.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. New. 16 colour plates plus many b/w plates and maps (illustrator).

Condition: new.

Hardback. Condition: New. How the interactions of non-elites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts-cemeteries, sanctuaries, workshops, and symposia-offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.…

Hardcover. Condition: VG+/VG+. Gray cloth boards with silver lettering. 430 pp. 348 color and 18 BW illustrations. Shipping weight is 6 pounds. Catalogue of an exhibition at Princeton University Art Museum from March 4- June 11, 2017 and at Toledo Art Museum from July 7- October 1, 2017.

Condition: New.

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts-cemeteries, sanctuaries, workshops, and symposia-offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean. How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan eli Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Brand New. 328 pages. 10.00x7.00x1.00 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

paperback. Condition: New. 1st.

Condition: New.

Hardback. Condition: New. How the interactions of non-elites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves.Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts-cemeteries, sanctuaries, workshops, and symposia-offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art.Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.