Miriam Haughton (119 results)

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  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

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  • Language: English

    Published by Cambridge University Press 3/27/2025, 2025

    1009279548 / 9781009279543

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    Paperback or Softback. Condition: New. The Theatre of Louise Lowe. Book.

  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

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  • Language: English

    Published by Cambridge University Press, GB, 2025

    1009279548 / 9781009279543

    • Softcover

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    Paperback. Condition: New. Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. This Element assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.

  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

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    Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Language: English

    Published by Peter Lang UK, Dublin, 2014

    1788748158 / 9781788748155

    • Softcover

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    Paperback. Condition: New. Paperback in like new condition. Unused shop stock with minor shelfwear, no other faults. AD. Used.

  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

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  • Language: English

    Published by Carysfort Press, Dublin, 2015

    178874795X / 9781788747950

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    Paperback. Condition: New. Paperback in like new condition. Unused shop stock with minor shelf-wear, no other faults. AD. Used.

  • Language: English

    Published by Peter Lang, 2018

    178874795X / 9781788747950

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

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  • Language: English

    Published by Peter Lang, 2018

    178874795X / 9781788747950

    • Softcover

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  • Language: English

    Published by Carysfort Press Limited, 2015

    1909325759 / 9781909325753

    • Softcover

    Seller: The Castle Bookshop, Castlebar, MAYO, IrelandThe Castle Bookshop

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  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

    Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections

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  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

    Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.

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    Condition: New. 2025. paperback. . . . . .

  • Language: English

    Published by Bloomsbury Publishing PLC, GB, 2024

    1350306797 / 9781350306790

    Series: Book 6 of 6 - Cultural Histories of Theatre and Performance

    • Softcover

    Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA

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    Paperback. Condition: New. How does the act of performance speak to the concept of commemoration? How and why does commemorative theatre operate as a conceptual, historical and political site from which to interrogate ideas of nationalism and nationhood? This volume explores how theatre and performance create a stage for acts of commemoration, considering crises of hate, nationalism and migration, as well as political, racial and religious bigotry. It features case studies drawn from across Europe, the Middle East, Asia, Africa and Latin America. The book's four parts each explore commemoration through a different theoretical lens and present a new set of dramaturgies for research and study. While Section 1 offers a critical survey of 20th- and 21st-century discourses, Section 2 uncovers the commemorative practices underpinning contemporary dramaturgy and applies these practices to plays and performance pieces. These include works by Martin Lynch, Frank McGuinness, Sanja Mitrovic, Theater RAST, Les SlovaKs Dance Collective, Estela Golovchenko, Wajdi Mouawad, Áine Stapleton, CoisCéim, ANU Productions, Aubrey Sekhabi, and Indian and African dance practices. The final sections investigate how individual and collective memory and performances of commemoration can become tools for propaganda and political agendas.

  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Paperback. Condition: Brand New. 75 pages. 6.00x0.17x9.00 inches. In Stock.

  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

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    Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

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  • Language: English

    Published by Peter Lang International Academic Publishers, Oxford, 2018

    178874795X / 9781788747950

    • Softcover

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    Paperback. Condition: new. Paperback. A useful and provocative book that collects the diverse and related practices of theatre makers and theatre professionals deserving of greater attention from artists, teachers and scholars. (Willie White, Director of Dublin Theatre Festival and President of IETM)Radical Contemporary Theatre Practices by Women in Ireland is an important contribution to the fields of Irish theatre and performance studies, and gender and performance in Ireland. The essays and interviews explore the work of women directors, designers, and playwrights on both sides of the Irish Border, who are currently shaping theatre practice on the island. By gathering such an impressive range of material, Maria Kurdi and Miriam Haughton have produced a collection that offers a snapshot of radical practice on the Irish stage in the early 21st century. (Lisa Fitzpatrick, Senior Lecturer in Theatre, University of Ulster) Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Language: English

    Published by Peter Lang Ltd, International Academic Publis 2018-12, 2018

    178874795X / 9781788747950

    • Softcover

    Seller: Chiron Media, Wallingford, United KingdomChiron Media

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    Language: English

    Published by Carysfort Press Limited, 2015

    1909325759 / 9781909325753

    • Softcover

    Seller: Pigeonhouse Books, Dublin, Dublin, IE, IrelandPigeonhouse Books, Dublin

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    Softcover/Paperback. Condition: Very Good. Author: Miriam Haughton and Mária Kurdi | Number Of Pages: 251 | Release Date: 02-06-2015 | Details: Product Description Radical Contemporary Theatre Practices by Women in Ireland is an important contribution to the fields of Irish theatre and performance studies, and gender and performance in Ireland. The essays and interviews explore the work of women directors, designers, and playwrights on both sides of the Irish Border, who are currently shaping theatre practice on the island. By gathering such an impressive range of material, Mária Kurdi and Miriam Haughton have produced a collection that offers a snapshot of radical practice on the Irish stage in the early 21st century. Lisa Fitzpatrick, Senior Lecturer in Theatre, University of Ulster Review 'A useful and provocative book that collects the diverse and related practices of theatre makers and theatre professionals deserving of greater attention from artists, teachers and scholars'. --Willie White, Director of Dublin Theatre Festival and President of IETM | EAN: 9781909325753 | Languages: English | Binding: Paperback | Item Note: Highlighting on a handful of pages, otherwise a VG copy. | Item Condition: UsedVeryGood.

  • Language: English

    Published by Peter Lang, 2018

    178874795X / 9781788747950

    • Softcover

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  • Language: English

    Published by Bloomsbury Publishing PLC, London, 2024

    1350306797 / 9781350306790

    Series: Book 6 of 6 - Cultural Histories of Theatre and Performance

    • Softcover

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    Paperback. Condition: new. Paperback. How does the act of performance speak to the concept of commemoration? How and why does commemorative theatre operate as a conceptual, historical and political site from which to interrogate ideas of nationalism and nationhood? This volume explores how theatre and performance create a stage for acts of commemoration, considering crises of hate, nationalism and migration, as well as political, racial and religious bigotry. It features case studies drawn from across Europe, the Middle East, Asia, Africa and Latin America.The books four parts each explore commemoration through a different theoretical lens and present a new set of dramaturgies for research and study. While Section 1 offers a critical survey of 20th- and 21st-century discourses, Section 2 uncovers the commemorative practices underpinning contemporary dramaturgy and applies these practices to plays and performance pieces. These include works by Martin Lynch, Frank McGuinness, Sanja Mitrovic, Theater RAST, Les SlovaKs Dance Collective, Estela Golovchenko, Wajdi Mouawad, Aine Stapleton, CoisCeim, ANU Productions, Aubrey Sekhabi, and Indian and African dance practices. The final sections investigate how individual and collective memory and performances of commemoration can become tools for propaganda and political agendas. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Language: English

    Published by Methuen Drama, 2024

    1350306797 / 9781350306790

    Series: Book 6 of 6 - Cultural Histories of Theatre and Performance

    • Softcover

    Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections

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  • Language: English

    Published by Peter Lang, 2018

    178874795X / 9781788747950

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  • Language: English

    Published by Methuen Drama, 2024

    1350306797 / 9781350306790

    Series: Book 6 of 6 - Cultural Histories of Theatre and Performance

    • Softcover

    Seller: Books Puddle, New York, NY, U.S.A.Books Puddle

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  • Language: English

    Published by Cambridge University Press, 2025

    1009279548 / 9781009279543

    • Softcover

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. This Element assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.

  • Condition: New

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    Paperback. Condition: Brand New. 200 pages. 9.21x6.14x1.00 inches. In Stock.