Work Object Explorations Metaphysics by Lamarque Peter (25 results)

- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Hardcover
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- Softcover
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- Softcover
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- Softcover
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- Softcover
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- Hardcover
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- Softcover
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- Hardcover
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With owner's name and inscription inside cover. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780199577460.…

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- Hardcover
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- Hardcover
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- Hardcover
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- Hardcover
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- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. Num Pages: 264 pages. BIC Classification: ABA; HPJ; HPN. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 222 x 144 x 20. Weight in Grams: 470. . 2010. hardcover. . . . .…
Published by Oxford U. P. Oxford 2012, 2012
- Softcover
- First Edition
Seller: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, AustraliaAndrew Barnes Books / Military Melbourne
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Add to basket1st ed. thus softback with stiff wrappers As New octavo xiii + 248pp., bibliog., index, 'Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is.'.…

- Hardcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is. Num Pages: 264 pages. BIC Classification: ABA; HPJ; HPN. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 222 x 144 x 20. Weight in Grams: 470. . 2010. hardcover. . . . . Books ship from the US and Ireland.…

- Softcover
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Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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- Softcover
- Print on Demand
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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- Hardcover
- Print on Demand
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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- Softcover
- Print on Demand
Seller: preigu, Osnabrück, Germanypreigu
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Taschenbuch. Condition: Neu. Work and Object | Explorations in the Metaphysics of Art | Peter Lamarque | Taschenbuch | Kartoniert / Broschiert | Englisch | 2012 | OUP Oxford | EAN 9780199655496 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

- Softcover
- Print on Demand
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Work and Object is a study of fundamental questions in the metaphysics of art, notably how works relate to the materials that constitute them. Issues about the creation of works, what is essential and inessential to their identity, their distinct kinds of properties, including aesthetic properties, their amenability to interpretation, their style, the conditions under which they can go out of existence, and their relation to perceptually indistinguishable doubles (e.g. forgeries and parodies), are raised and debated. A core theme is that works like paintings, music, literature, sculpture, architecture, films, photographs, multi-media installations, and many more besides, have fundamental features in common, as cultural artefacts, in spite of enormous surface differences. It is their nature as distinct kinds of things, grounded in distinct ontological categories, that is the subject of this enquiry. Although much of the discussion is abstract, based in analytical metaphysics, there are numerous specific applications, including a study of Jean-Paul Sartre's novel La Nausée and recent conceptual art. Some surprising conclusions are derived, about the identity conditions of works and about the difference, often, between what a work seems to be and what it really is.…