September December 2000 (53 results)

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

paperback. Condition: New. Softcover. Good binding and cover. Clean, unmarked pages. ix, 84 pages, 16 unnumbered pages of plates : illustrations ; 23 cm.

0 24 p. Includes illustrations. Very good. light shelf wear, ex museum stamp on blank flyleaf.

paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Soft cover. Condition: Very Good. 356 page large softcover exhibition catalog, with color and b/w illustrations. Exhibition was a several major museums ending at The Metropolitan in New York 27 June - 3 September, 2000. No flaws - unmarked, tight and clean. The catalogue is oversize and heavy, so mailings other than standard domestic might require extra charges.

Softcover. Sound binding. Clean and bright pages. Wraps have light shelf wear. Color plates of selected mixed media works by contemporary American artist Sarah G. Austin, accompanying essays. ; 9.0" (23 cm) tall; 36 pages. Very Good in No Dust Jacket dust jacket.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: as new. pbk pp 212-318 text in Spanish an excellent unread copy clean tight unmarked as new.

Paperback. Condition: Near Fine. Profusely illustrated with black and white illustrations; and one color print, plus cover, of the iconic painting. ; B&W Illustrations; Oblong 8vo 8" to 9" tall; 31 pages.

Leinen. Condition: Wie neu. 30,5 cm ; Großformatige englischsprachige Hardcoverausgabe, Leineneinband mit Schutzumschlag, 179 Seiten mit zahlreichen Abbildungen. Exemplar noch originalverschweißt, Zustand dementsprechend neuwertig. mpw457 ISBN: 0300083491.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

HARDCOVER BLACK. Condition: VERY GOOD. Jet magazine 2000 issues from September 18 to December 4 all bound together in a hardback, illustratated with full color photographs, library stamp on side edge of pages DATE PUBLISHED: 2000 EDITION: 200 APPROX.

Stapled Wraps. Condition: Good. Six issues of Volume 15. Date on the lower right corner of the first page. Vol 2 3 4 5 6 have water marks.

Gr.-8° paperback. [44] pages. Text by Tom Barman,Norbert Servos,Hans Snoeck and others.Good copy. Sprache: Englisch Gewicht in Gramm: 200.

Couverture souple. Condition: Assez bon. FDI-78.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Inscribed by artists David and Douglas Brega on fly leaf. Binding is tight. This book shows minimal sign of wear to the cover, binding, or pages. The book is inscribed by Other. Dust jacket condition is Very Good. Secure packaging for safe delivery.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: New. Softcover catalog of an exhibition held September 2 - December 31, 2000 at the Farnsworth Art Museum. 31 pages : illustrations (some color.) Bright and fresh.

Wraps. Condition: very good. Quarto, xviii, 162 pages. Wraps. Tables. References. Glossary. Acronyms and Abbreviations. Index of Nuclear Test Series. This lists chronologically and alphabetically by name all nuclear tests and simultaneous detonations conducted by the United States from July 1945 through September 1992. The nuclear weapons tests of the United States were performed between 1945 and 1992 as part of the nuclear arms race. The United States conducted around 1,054 nuclear tests by official count, including 216 atmospheric, underwater, and space tests. Most of the tests took place at the Nevada Test Site (NNSS/NTS) and the Pacific Proving Grounds in the Marshall Islands and off Kiribati Island in the Pacific, plus three in the Atlantic Ocean. Ten other tests took place at various locations in the United States, including Alaska, Nevada other than the NNSS/NTS, Colorado, Mississippi, and New Mexico. Nuclear weapons tests are experiments carried out to determine the effectiveness, yield, and explosive capability of nuclear weapons. Throughout the twentieth century, most nations that developed nuclear weapons tested them. Testing nuclear weapons can yield information about how the weapons work, as well as how the weapons behave under various conditions and how personnel, structures, and equipment behave when subjected to nuclear explosions. Nuclear testing has often been used as an indicator of scientific and military strength, and many tests have been overtly political in their intention; most nuclear weapons states publicly declared their nuclear status by means of a nuclear test. The first nuclear device was detonated as a test by the United States at the Trinity site on July 16, 1945, with a yield approximately equivalent to 20 kilotons of TNT. The first thermonuclear weapon technology test of engineer device, codenamed "Ivy Mike", was tested at the Enewetak Atoll in the Marshall Islands on November 1, 1952 (local date), also by the United States. The largest nuclear weapon ever tested was the "Tsar Bomba" of the Soviet Union on October 30, 1961, with, an estimated yield of 50-58 megatons.

Paperback. Condition: Near fine condition. First Edition. 32 pages. Paperback binding in almost new condition. Illustrated in color. Exhibition catalogue. Includes a 4-page exhibition list. The text is clean and unmarked. First edition. Size: 12mo - over 6¾" - 7¾" tall. Book.

Condition: Sehr gut. 142 S. Ein gutes und sauberes Exemplar. - ENGLISCH - As one of the founders of studio Hard Werken the avant garde in the late Seventies in the Netherlands, Henk Elenga is best known as an extremely unconventional graphic designer. In fact this is only one of his many trades. He doesnt really consider himself as belonging exclusively to the graphic world. Having started as a painter and art photographer, he has developed into a versatile and intuitive creator of all kinds of applied images. He feels at home making film and music video as well as furniture, corporate identity, graphics and TV imagery and hates to be categorized. His work is a chain of surprises, sometimes even to himself. He likes to live and work on the edge of uncertainty. He sold all his belongings and moved to California just when Hard Werken became known as a group of innovative designers, to start the studios LA Desk and to discover new objectives for himself - learning to be a chef, maybe. In California, among other things, he became a successful lamp designer and manufacturer. Elengas constant curiosity and unawareness of the differences between the various disciplines have turned him into a unique personality and an inspiration to many designers. Because of his ability to generate ideas before anyone else does, he can be considered a designers designer. Those who know about his work, try to keep track of what he does. Resides and works in Saint-Petersburg, Russia since September 2003. ISBN 9789064503962 Sprache: Englisch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. - Gebundene Ausgabe.

Softcover. Condition: Very Good. 2 volumes only. stapled format. minor shelf wear. both copies are presentable and intact. very good condition.[SK]. Our orders are shipped using tracked courier delivery services.

Softcover. Softcovers. Includes 5 issues of this publication: Volume 28, Numbers 1-5, March, May, June, September, and December, 2000. Published by ACM Press. #2 contains "Proceedings of the 27th Annual International Symposium on Computer Architecture, June 2000". #5 contains "ASPLOS-IX Proceedings; Ninth International Conference on Architectural Support for Programming Languages and Operating Systems". These are Ex-Corporate-Library copies, with library label on the front cover and a pocket on the inner rear cover of each. No other library markings. Just a bit of very light bumping/rubbing to the covers. Else covers clean. Pages clean. These are fairly heavy; Priority and/or International may require shipping over and above standard costs. ; 29A; 11" x 8-1/2".

Condition: Sehr gut. XI, 210 S. Umschlag leicht berieben, sonst gutes Exemplar. - Queen Victoria: Her Life in Pictures -- Thomas Sully: Hints from an Old Painter -- Fanny Kemble Butler: The Muse -- Queen Victoria by Thomas Sully -- The Lawsuit and the Legacy -- Thomas Sully's Journal. ISBN 9780691070346 Sprache: Englisch Gewicht in Gramm: 550 Originalhalbleinen mit Schutzumschlag.

Softcover. Condition: Fine. First edition. Oblong quarto. Paperback. Fine.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

OBrosch., 81 Seiten mit zahlr. teils farb. Abb., 4° (21 x 23 cm), Deckelränder etwas berieben, Fleck auf dem Rücken, innen perfekt, insgesamt sehr guter Zustand. Book Language/s: English, Czech.

Paperback. Condition: Very Good. Inscribed by Douglas Brega on fep. Minor wear to covers, interior unmarked. The 25-year retrospective of the the identical twin Bregas' work is their first major joint exhibition. Douglas Brega, of East Longmeadow, Massachusetts, paints realistic watercolors of the people and places of New England, with his work often being compared to that of Andrew Wyeth. His architectural landscapes of lighthouses, old Colonial homes, Cape Cod windows, and weathered buildings capture the simple grandeur of New England. He is attracted to clean shapes, angled lines, and the play of light and shadow. He usually works from photographs, sometimes taking as many as 100 slides which he uses to make preliminary sketches. When he creates portraits, Doug tries to bring out the personality of the person, rather than concentrate on the physical likeness. His paintings are meticulously done in a watercolor and drybrush medium, which is extremely difficult and allows him to achieve extraordinary detail. David Brega works in the trompe l'oeil tradition, meaning "to fool the eye" into believing that which is painted is real. He is often told that his paintings looks as real as photographs, but he emphasizes that he is not a photorealist. He suggests that "Photos look like photos, while trompe l'oeil looks like it's there." Many of the subjects used in his paintings were found in antique stores. He is drawn to old, worn surfaces and intrigued by light and patina.