Scriptorum Musica Medii Aevi (94 results)

Condition: New.

Paperback or Softback. Condition: New. Scriptorum De Musica Medii Aevi; Volume 2. Book.

Condition: New.

Condition: New.

Condition: New.

Hardback or Cased Book. Condition: New. Scriptorum De Musica Medii Aevi; Volume 2. Book.

Condition: New.

Condition: Fair. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: gut. Scriptorum de musica medii aevi novam seriem a Gerbertina alteram collegit nuncque primum edidit In deutscher Sprache. pages.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

LEINEN, 498 Seiten, keine Markierungen/Anmerkungen, dies ist dies ist ein regulär ausgesondertes Exemplar aus einer wissenschaftlichen Bibliothek, das Buch ist gut erhalten. Shipping to abroad insured with tracking number.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - A collection of medieval musical texts compiled by E. De Coussemaker and published for the first time in the mid-19th century. This edition includes works by Guido of Arezzo, Adam of St. Victor, and other influential composers of the Middle Ages. It is an important resource for scholars of music history and theory.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Olms, Hildesheim/ Zürich/ New York, 1987. 525 S., Leinen, (Verlagsstempel auf Titelseite)--- - sehr gut erhaltener Nachdruck der Ausgabe von 1869 - 1055 Gramm.

Buch. Condition: Neu. Neuware - A collection of medieval musical texts compiled by E. De Coussemaker and published for the first time in the mid-19th century. This edition includes works by Guido of Arezzo, Adam of St. Victor, and other influential composers of the Middle Ages. It is an important resource for scholars of music history and theory.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Condition: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Condition: Very Good. 467pp; 515pp; 530pp; 498pp + Prefaces. Contents very clean and textually unmarked. No library stamps. Owner's name written on front blank endpaper, else books in NEAR FINE condition. Brown-brick-red cloth HC with gilt lettering. Latin text; four volume set in exceptionally nice condition. Reproduction of Paris 1864 Edition.…

Cloth. Condition: Good. Brick colored cloth. No jackets. Pagination varies among each volume. All text in Latin. An exhaustive compilation and survey of music of the Middle Ages, by French musicologist Charles Edmond Henri de Coussemaker. GOOD condition. All volumes faded and scuffed, with some offsetting to the covers. Minor soiling and edgewear. Very minor scattered notes and underlines in pencil to volume 1.…

LEINEN, keine Markierungen/Anmerkungen, dies sind regulär ausgesonderte Exemplare aus einer wissenschaftlichen Bibliothek, Einbände leicht berieben, die Bücher sind gut erhalten. Shipping to abroad insured with tracking number.

Condition: Fair. Volumes 1 to 4. Original cloth boards. Boards are chipped and rubbed. Library sticker on front board of each. Internally very clean and sound. Spine split on volume 3. Ex-library books and may have the usual library/used-book markings inside. .In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,6900grams, ISBN.…

Gr.-8° (23,8 x 17,5 x 13 cm), Zusammen 2132 Seiten, 1963,Weinrote OLn. mit Goldprägung und Rückenschildchen (Rücken minimal verblasst, Einbände schwach fleckig) . , mehrere farbige Faks.zahlr. Notenbeispiele(Nachdruck der Ausgabe: Paris 1864 (-1876) als Reprographischer Neudruck)., 4000 Gramm1805-1876. - Faksimile des Erstdrucks dieses für die Geschichte der Musiktheorie auch heute noch unverzichtbare Sammelwerks in tadellosem Zustand. - Coussemaker [1805-1876] hat damit in Fortsetzung der berühmten Sammlung "Scriptores ecclesiastici de musica sacra" von Martin Gerbert (St. Blasien 1784) eine weitere große Zahl von Abhandlungen zur Musiktheorie des Mittelalters anhand der Manuskripte erstmals veröffentlicht. Enthalten sind Abhandlungen von Hieronymus de Moravia, Robert de Handlo, Johannis Hanboys, Guido von Arezzo, Johannes de Muris, Guy de Chális, Hucbald, Philippe de Vitry und Johannes Tinctoris. Als einstiger Kompositionsschüler von Reicha in Paris wurde Coussemaker durch eine Fülle bedeutender Veröffentlichungen -nach wesentlicher Anregung durch Fétis - einer der verdienstvollsten Musikforscher seiner Zeit, er absolvierte aber im Hauptberuf auch eine beachtliche juristische Laufbahn. - Sauberes Exemplar; beim Verlag nicht mehr lieferbar (vergriffen).…

Size: Four volumes. 4to. xxiii, 466, [iv]; xxviii, 510, [iv]; xl, 524, [iii], xvi, 498pp. Half calf (rubbed) with marbled boards. Music examples and facsimiles. With the bookplate, initial stamp and pencil marks of Alfred Cortot (1877-1962). 1908 facsimile reprint of the 1864 edition. Four volumes. 4to. xxiii, 466, [iv]; xxviii, 510, [iv]; xl, 524, [iii], xvi, 498pp. …