Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Five Continents Editions, 2024
Hardcover. Condition: Near Fine. Clean and solid. ; Color Illustrations; 4to; 312 pages.
Language: English
Published by Five Continents Editions, 2023
Seller: Chapter 1, Johannesburg, GAU, South Africa
hardcover. Condition: As New. No Jacket. minor usage markings. a neat and clean copy. appears unread. VERY HEAVY, may require extra postage. [SK]. Our orders are shipped using tracked courier delivery services.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Seller: libreriauniversitaria.it, Occhiobello, RO, Italy
Condition: NEW.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Condition: new.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In.
Seller: Gallix, Gif sur Yvette, France
Condition: Neuf.
Seller: O.o.l.p., Torino, TO, Italy
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - This study of the wooden Serpent figures/headdresses of the Baga people of Guinea is a collaboration by the author, as an art historian, with many contributions from diverse perspectives, including scientists preeminent in their fields, Robert J. Koestler, Roy Sieber, Dennis William Stevenson, Mark T. Wypyski, and Peter J. Zanzucchi. The text begins with a thorough exploration of the ethnological and art historical evidence for the Serpent masquerade among the Baga of Guinea, bearing an immense wooden serpent figure on top of the head representing a python. Never witnessed or photographed by an outsider, it disappeared in the 1950s along with most ritual performance after an Islamic jihad instated strict prohibitions against indigenous religions. The ritual context is followed by an in-depth analysis of the Serpent masquerade figures now extant in collections in Europe, the Americas, and Africa, as well as other representations of the python in the ritual art of the region. The final sections present the arguments, as a debate, between interested persons in the arts, including art historians, dealers, appraisers, collectors, and curators, and the scientific examinations by specialists in botany, chemistry, physics, entomology, and conservation concerning one particular Serpent figure in question.