Performance Technical Guide Makrokosmos by Deng Liang (22 results)

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Condition: New. Performance Technical Guide of Makrokosmos Volume Ii by George Crumb: An Extension of the Piano (Paperback or Softback).

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Taschenbuch. Condition: Neu. Performance Technical Guide of Makrokosmos Volume II by George Crumb | An Extension of the Piano | Liang Deng | Taschenbuch | 88 S. | Englisch | 2018 | LAP LAMBERT Academic Publishing | EAN 9786139845064 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.…

Condition: New. PRINT ON DEMAND pp. 80.

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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -George Crumb often writes music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. The exploitation of a new and hitherto unexplored range of colour which can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal and in the way he sets up a layer of sustained sound through the pedal, into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music programme notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumb's piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, and are dealt with throughout this guide book. 88 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - George Crumb often writes his music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. This book talks about the exploitation of a new and hitherto unexplored range of color that can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal, and in the way, he sets up a layer of sustained sound through the pedal into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music program notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumbs piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing, including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, are dealt with throughout this technical guidebook.…

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnGeorge Crumb often writes his music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. This book talks about the exploitation of a .…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - George Crumb often writes music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. The exploitation of a new and hitherto unexplored range of colour which can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal and in the way he sets up a layer of sustained sound through the pedal, into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music programme notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumb's piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, and are dealt with throughout this guide book.…

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Deng LiangDr. DENG Liang, DMA at The University of Auckland. Managing Editor of Accelerando: Belgrade Journal of Music and Dance. Currently Associate Professor at the Art Faculty, Southwest Minzu University in Chengdu, China.Geor.…

Taschenbuch. Condition: Neu. Performance Technical Guide of Makrokosmos Volume Ii by George Crumb | An Extension of the Piano | Deng Liang | Taschenbuch | Kartoniert / Broschiert | Englisch | 2018 | iUniverse | EAN 9781532052330 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -George Crumb often writes music in a radical way for the piano, constantly asking the performer to play on the inside of the piano, a technique in which he is pretty much a pioneer. The exploitation of a new and hitherto unexplored range of colour which can be accessed with the hands and fingers inside the piano or by inserting sound-altering devices into the strings. However, he writes in textures and styles that clearly relate to Debussy and Chopin, particularly in his use of the sustaining pedal and in the way he sets up a layer of sustained sound through the pedal, into which he then places his melodic and rhythmic ideas. He often mentions his indebtedness to these great masters of the past in his music programme notes. He even sometimes quotes directly the music of Chopin or Beethoven within his own compositions. In that regard, Crumb sees his music in an evolutionary way. In George Crumb¿s piano music Makrokosmos Volume II, the pianist has the added issues of often having to play while standing including playing on the keys and inside the piano while standing. These, and many other physical difficulties abound in this music, and are dealt with throughout this guide book.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 88 pp. Englisch.…