Mona Hatoum by Brett Guy (67 results)

Paperback. Condition: Very Good-. Front cover scratch else near fine; Contemporary Artists (Phaidon; 4to - over 9¾ - 12" tall.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good.

Paperback. Condition: Good. No Jacket. Some light wear. Text is clean and tight in binding, no ownership or other markings. Due to size, this book will require additional shipping outside the U.S. Size: 4to - over 9¾" - 12" tall.

Hardcover. Condition: Very Good. Expanded. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: As New.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover with dustjacket, 160 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Couverture souple. Condition: Bon. Dust Jacket Condition: Bon. 1ère Édition. Art contemporain, couverture souple avec jaquette, en anglais.

Paperback. Condition: Very Good. Paperback exhibition catalogue, to accompany exhibition 24 April and 6 June 1993, 46pp. Very good condition, no internal marks, very slight sunning to rear cover and tanning of page edges. Illustrated in colour and b&w throughout. With two critical essays. AD. Used.

Softcover exhibition catalog, 46 pages, in English; very good condition, no internal marks, clean and crisp.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. Light scuffs & scratches to softcover, light knock & creasing to top front corner. Black marker on the textblock edge. Content is like new.

Hardcover. Condition: Used - Very Good. A revised and expanded edition of one the most popular titles in the Contemporary Artists Series Born in Lebanon, Palestinian artist Mona Hatoum was exiled to London, where she has lived and worked since the mid-1970s. Through performance, video, sculpture, and installation, she creates architectonic spaces that relate to the body, language, and the condition of exile as well as transforming everyday, domestic objects into things foreign, threatening, and dangerous. Often exquisitely beautiful, Hatoum's works combine states of emotion and longing with the formal simplicity of Minimalism, creating powerful evocations of displacement, denial, and otherness. BEAUTIFUL COPY!!! Book has remainder mark on text edge. …

1st edition. A tidy copy, almost as-new. Used - Very Good. VG paperback in VG dust jacket Used - Very Good. VG paperback in VG dust jacket.

Condition: New. pp. 160.

Paperback. Condition: new. Paperback. Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body. Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness.Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments. The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews. An exploration of the artist's powerful evocations of statelessness, otherness and denial. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover with dustjacket, 240 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: New. Mona Hatoum creates events, videos, sculptures and installations that relate to the body, to language and to the condition of exile. Her most famous work Corps Etranger, first shown at the Tate Gallery when she was nominated for the Turner Prize in 1995, takes the viewer on a journey through the inner passages of the artist's body.Her audience is thrown into a dimension in which anything is possible, as in The Light at the End, which lures viewers down a long tunnel towards a light that will literally burn them. While her video work is often visceral and emotive, her sculptures and environments are ultra cool and minimal in their aesthetic. They often mimic domestic or institutional furniture, yet their designs and materials have a threatening edge. Exquisitely beautiful, Hatoum's works are at the same time powerful evocations of statelessness, anxiety, denial and otherness.Since Hatoum was exiled to London, where she has lived and worked since the 1970s, she has exhibited her work around the world, including the Centre Pompidou in Paris and the Venice Biennale. This book surveys all her work, ranging from early performances, through to her videos, objects and full-scale environments.The distinguished art critic Guy Brett, author of Through Our Own Eyes: Popular Art and Modern History (1986), explores key themes around a sense of place, the body and communication that emerge from Hatoum's range of work. The artist describes a chronology of practice in conversation with Michael Archer, writer, curator and co-founder of London's Audio Arts sound archive. Director of the Kanaal Art Foundation Catherine de Zegher makes a complex and provocative analysis of Recollection, a work she commissioned for a sixteenth-century beguinage. Hatoum has chosen a text by the influential Palestinian author Edward Said as well as a statement from the noted Italian post-war sculptor and performance artist Piero Manzoni. The book also includes Hatoum's own notes, statements and interviews.…

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Previous owners name.…

Paperback. Condition: Brand New. 160 pages. 11.50x10.00x0.75 inches. In Stock.

Paperback. Condition: New.

Condition: Very Good.

Condition: Used Like New. NEW & UNREAD. Light storage wear to the jacket. Black marker on the foredge of the textblock. Content as new.

Exhibition catalogue. First edition 1993. 46 pages. Illustrated in colour and black and white. Small binding error to free front endpage. Paperback. Very good. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 35 years experience, you may order with confidence.…

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…