Man Ray When Objects by Stephen Pinson (21 results)

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D'Alessandro, Stephanie. MAN RAY: When Objects Dream. 320 pages, including 270 color plates. 4to, cloth. New York, The Metropolitan Museum of Art, 2025. The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works.

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La première étude approfondie des rayographies révolutionnaires de Man Ray dans les années 1920 et de leurs interconnexions avec ses oeuvres dada et surréalistes. Man Ray (1890-1976) a travaillé sur différents supports, mais le rayographe, un type de photogramme (ou photographie sans appareil photo) qu'il a révolutionné et introduit dansle milieu dada et surréaliste du Paris des années 1920, est au coeur de sa pratique. Oscillant entre la représentation et l'abstraction, la peinture et la photographie, le rayogramme était ambigu dans sa réalisation et son sujet, incarnant les préoccupations de l'avant-garde de l'époque. Ce livre richement illustré est le premier à aborder l'oeuvre de Man Ray sous l'angle de son procédé éponyme, en traçant une ligne de démarcation entre les rayographes et ses peintures, photographies, dessins, objets et films, et en mettant en évidence les interconnexions et les motifs partagés entre eux. Stephanie D'Alessandro et Stephen C. Pinson analysent les méthodes innovantes de Man Ray tout en explorant les thèmes clés de sa production artistique, tels que le hasard, l'indétermination, la transformation et les dualités du solide et du transparent, de l'ombre et de la lumière, de la forme et de l'espace, de l'objet et du corps. …

Buch. Condition: Neu. Neuware - The first in-depth study of Man Ray's groundbreaking rayographs of the 1920s and their interconnections with his Dada and Surrealist works This is the first in-depth study of the rayograph (or camera-less photograph) pioneered by Man Ray (18901976) in 1920s Paris, between the Dada and Surrealist movements. The transformative, magical qualities of these experiments led the poet Tristan Tzara to describe them as capturing moments "when objects dream." Oscillating between representation and abstraction, the rayograph was ambiguous in its making and subject matter, encapsulating avant-garde concerns of the day. This book highlights connections and shared motifs between the rayographs and Man Ray's paintings, photographs, drawings, objects, and films. Stephanie D'Alessandro and Stephen C. Pinson analyze the artist's innovative methods while also exploring key themes across a broad range of his art production, such as chance, indeterminacy, transformation, and preoccupation with dualities. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art, New York (September 14, 2025February 1, 2026). …

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