Landers Sean by Ruf Beatrix (23 results)

Paperback. Condition: New. 2. New copy.

Paperback. Condition: New. New copy.

Condition: As New. Editor(s): Ruf, Beatrix. Num Pages: 160 pages, 95 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 285 x 239 x 16. Weight in Grams: 1018. . 2008. paperback. . . . . Books ship from the US and Ireland.

Condition: As New. Editor(s): Ruf, Beatrix. Num Pages: 160 pages, 95 colour illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 285 x 239 x 16. Weight in Grams: 1018. . 2008. paperback. . . . .

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. Paperback in dustjacket; binding sound, text clean very light shelfwear. 160 pages. Folio (oversize) volume, may require additional charges for expedited or international shipping. Book.

Paperback. Condition: New. Revised ed.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

First Edition. First edition. Softcover. 159 pages. Text in English and German. Features an introduction by Beatrix Ruf along with the text of Caoimhin Mac Giolla Leith and Beatrix Ruf's interview of Landers. Includes numerous color illustrations, a list of previous exhibitions, and a selected bibliography. A clean and tight very near fine copy in wrappers and in a very near fine dust jacket.…

Softcover with dustjacket, 160 pages, in English and German; very good condition; clean and crisp; pages yellowed at edges; no internal marks. Foreign shipping may be extra.

Paperback. Condition: VG. Text free of underlining, writing and highlighting. Very nice clean copy. Book Description Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present. 160 pages.…

Soft cover. Condition: Fine. Bilingual edition. Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present. Color Plates (illustrator).…

Softbound. Taupe wraps with white lettering, illustrated dust jacket with black lettering. 159 pp. Text is in German and English, and includes an interview with the artist. Lots of professional information at the rear. VG-/VG- light wear to wraps, very light interior tanning. light corner/edge wear to dust jacket including crease at corner of front flap.…

Condition: New. In English.

Paperback. Condition: Brand New. revised updated edition. 159 pages. German language. 11.00x9.25x0.50 inches. In Stock.

Soft cover. Condition: New. Bilingual edition. Brand new book, still sealed in publisher's shrink wrap. Since the early 1990s, Sean Landers has made some of the most fascinating and repeatedly irritating art in circulation. The polar opposites of tormented self-doubt and endless self-aggrandizement run like threads through the artist's practice, as do several masks of failure that Landers uses as a strategy to preserve himself from impending loser-status. As the artist puts it, "My original idea was to make conceptual art entertaining, sloppy, emotional, human, and funny. Over the years I got so far out on this conceptual limb that I went around full circle until I was a traditional artist again. I tried to be ironic about it but eventually became sincere. Now I'm a happy victim of my own charade." This monograph presents an overview of Lander's oeuvre and includes works from 1992 to the present. Color Plates (illustrator).…

Soft Cover. Condition: Very Good. First Thus. Illustrated wrappers with black titles shows minimal wear, book still in original shrink-wrap.

Softcover exhibition catalog with dustjacket, 160 pages; in English and German; very good condition; no internal marks.

Taschenbuch. Condition: Neu. Neuware.

Condition: New.

Paperback. Condition: New. Revised ed.

Softcover. Condition: Gut. Bilingual. 159 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. D251208axh02 ISBN: 9782940271535 Sprache: Englisch Gewicht in Gramm: 1007.

Condition: gut. 2005. Sean Landers: Kunsthalle Zurich [to accompany the Exhibition Sean Landers, at the Kunsthalle Zürich, August 28 - October 31, 2004] In deutscher Sprache. pages.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 160 Seiten/pages, 95 farbige Abbildungen - Die vorliegende Monografie gibt einen Überblick über Landers' uvre mit Text- und Cartoonarbeiten auf Papier, Gemälden, Skulpturen sowie Video- und Audioarbeiten von 1992 bis heute. Mit Text- und Videoarbeiten, die als Konzeptkunst getarnt erscheinen, führt er das Tabu des Künstlers als Subjekt sowie die Emotionen des Künstlers in dieses Genre ein. Er ist als der Künstler bekannt geworden, der sich mit Bekenntnis- und Bewusstseinsstromtexten und Videos als Versager in seiner Kunst, seinem Leben und seinen Beziehungen darstellt. …