John Waters Interviews by James Egan (27 results)

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Soft cover. Condition: Very Good. A clean and unmarked softcover with an "opened-only-once-or-twice" look & feel. Stated First Printing. University Press Copy. Stored in sealed plastic protection and mailed (bubble-wrapped) in a sturdy Jiffy Rigi Bag envelope. We ship daily from Roswell, Ga. Serving satisfied customers since 1999.…

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Soft cover. Condition: New. 1st Edition. First Print. In Brand new condition, signed boldly to the title page in pen by John Waters. "The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dalis Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking whats different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters career from 1965 to 2010 and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters early films, his star Divine would consistently challenge gender definitions. With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters commercial breakthrough, Hairspray, told the story of Baltimore`s televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world." Paypal always welcome. We pack and ship all our books with care in cardboard boxes. Additional photos emailed upon request. Signed by Author(s).…

Condition: New. 2011. Paperback. . . . . .

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Hardcover. Condition: Fine. Shock humor is making people laugh at things that they would never laugh at if it were real." The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bunuel's and Salvador Dali's Un Chien Andalou. In attempting to re-invigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it, and turning it into a handmade personal style. The interviews collected here span Waters' career from 1965 to 2010, and include a new one exclusive to this edition. Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters' early films, his star Divine would consistently challenge gender definitions. With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters' commercial breakthrough, Hairspray (1988) told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world. James Egan is an award-winning filmmaker and founder of Wild at Heart Films. He is a professor at the University of Southern California's Graduate School of Cinematic Arts. Egan serves as a National Trustee on the Wounded Marine Careers Foundation, which works with entertainment professionals to train wounded members of the military, aiding them in finding careers in the film and television industry. 224 pages.…

Paperback. Condition: Brand New. 224 pages. 9.25x5.75x1.00 inches. In Stock.

Paperback. Condition: New. Conversations With Filmmakers; The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition.Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions.With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.…

Hardcover. Condition: New. Conversations With Filmmakers; The films of John Waters (b. 1946) are some of the most powerful send-ups of conventional film forms and expectations since Luis Bu-uel and Salvador Dali's Un Chien Andalou. In attempting to reinvigorate the experience of movie-going with his shock comedy, Waters has been willing to take the chance of offending nearly everyone. His characters have great dignity and resourcefulness, taking what's different or unacceptable or grotesque about themselves, heightening it and turning it into a handmade personal style. The interviews collected here span Waters's career from 1965 to 2010 and include a new one exclusive to this edition.Waters began making films in his hometown of Baltimore in 1964. Demonstrating an innate talent at capturing the hideous and crude and elevating it to art, he reached international acclaim with his outrageous shock comedy Pink Flamingos. This landmark film redefined cinema and became a cult classic. Appearing in this and many of Waters's early films, his star Divine would consistently challenge gender definitions.With Polyester, Waters entered the mainstream. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray, told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town.From Serial Mom and Pecker to Cecil B. Demented, Waters continued to infiltrate the mainstream with his unique approach to filmmaking. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004, which was shown at galleries around the world.…

Paperback. Condition: Brand New. 224 pages. 9.25x5.75x1.00 inches. In Stock. This item is printed on demand.

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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - As a film director, artist, and personality, John Waters (b. 1946) has worked at the forefront of American cinema for nearly forty years. Waters began making films in his hometown of Baltimore in 1964. His first shorts such as Hag in a Black Leather Jacket and Mondo Trasho demonstrated an innate talent at capturing the hideous and crude and elevating it to art. His cast of actors, the Dreamlanders, were featured in every subsequent film. The Dreamlanders would include his diva and partner-in-film, Divine, who would go on to star in Waters's most familiar works. Waters broke through to national acclaim with his 'trash trio,' Pink Flamingos (1972), Female Trouble (1974), and Desperate Living (1977). These films showcased poor taste, obscene cinema, and transformative approaches to politics, gender, and art. The films cemented Waters's status as a cult favorite and continue to play at college campuses and art house theaters to this day. Waters soon entered the mainstream with Polyester, the first movie filmed in a revolutionary new process: smell-o-vision. The film starred Divine as an unhappy housewife who romances a former teen idol played by Tab Hunter. Waters's commercial breakthrough, Hairspray (1988) told the story of Baltimore's televised sock-hop program, The Corny Collins Show, and how one brave girl (Ricki Lake) used her platform as a dancer to end segregation in her town. Waters would continue to write and direct films that pleased the mainstream but also showcased his unique approach to filmmaking. These would include Cry-Baby, Serial Mom, and Pecker. His recent work, such as A Dirty Shame, has veered toward his earlier obsessions with trash and obscenity. As a visual artist, he was given a retrospective at the New Museum of Contemporary Art in 2004 and shown at galleries around the world.…

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextAs a film director, artist, and personality, John Waters (b. 1946) has worked at the forefront of American cinema for nearly forty years. Waters began making films in his hometown of Baltimore in 1964. His first shorts such as.…

Taschenbuch. Condition: Neu. John Waters | Interviews | John Waters | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2011 | University Press of Mississippi | EAN 9781617031816 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …