Integration Process Knowledge Design (32 results)

Taschenbuch. Condition: Neu. Integration of Ergonomics Knowledge into Consumer Electronics Design | Investigating the deficiencies in this integration process | Sultan Kayg¿n Sel | Taschenbuch | 120 S. | Englisch | 2012 | LAP LAMBERT Academic Publishing | EAN 9783843388634 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

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Taschenbuch. Condition: Neu. Integration of Process Knowledge into Design Support Systems | Proceedings of the 1999 CIRP International Design Seminar, University of Twente, Enschede, The Netherlands, 24-26 March, 1999 | Hubert Kals (u. a.) | Taschenbuch | xii | Englisch | 2010 | Springer | EAN 9789048151998 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Condition: New. pp. 488.

Condition: New. Proceedings of the 1999 CIRP International Design Seminar, University of Twente, Enschede, The Netherlands, 24-26 March 1999 Editor(s): Kals, Hubert; Houten, F. B. van. Num Pages: 474 pages, biography. BIC Classification: 3JJPR; TBD. Category: (P) Professional & Vocational; (XV) Technical / Manuals. Dimension: 234 x 156 x 26. Weight in Grams: 857. . 1999. Hardback. . . . .

Gebunden. Condition: New. Proceedings of the 1999 CIRP International Design Seminar, University of Twente, Enschede, The Netherlands, 24-26 March 1999 Design is a fundamental creative human activity. This certainly applies to the design of artefacts, the realisation of which .

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Design is a fundamental creative human activity. This certainly applies to the design of artefacts, the realisation of which has to meet many constraints and ever raising criteria. The world in which we live today, is enormously influenced by the human race. Over the last century, these artefacts have dramatically changed the living conditions of humans. The present wealth in very large parts of the world, depends on it. All the ideas for better and new artefacts brought forward by humans have gone through the minds of designers, who have turned them into feasible concepts and subsequently transformed them into realistic product models. The designers have been, still are, and will remain the leading 'change agents' in the physical world. Manufacturability of artefacts has always played a significant role in design. In pre industrial manufacturing, the blacksmith held the many design and realisation aspects of a product in one hand. The synthesis of the design and manufacturing aspects took, almost implicitly, place in the head of the man. All the knowledge and the skills were stored in one person. Education and training took place along the line of many years of apprenticeship. When the production volumes increased, -'assembling to measure' was no longer tolerated and production efficiency became essential - design, process planning, production planning and fabrication became separated concerns. The designers created their own world, separated from the production world. They argued that restrictions in the freedom of designing would badly influence their creativity in design.

Paperback. Condition: Brand New. 488 pages. 9.50x6.50x1.10 inches. In Stock.

Hardcover. Condition: Brand New. 472 pages. 9.50x6.25x1.25 inches. In Stock.

Condition: New. Proceedings of the 1999 CIRP International Design Seminar, University of Twente, Enschede, The Netherlands, 24-26 March 1999 Editor(s): Kals, Hubert; Houten, F. B. van. Num Pages: 474 pages, biography. BIC Classification: 3JJPR; TBD. Category: (P) Professional & Vocational; (XV) Technical / Manuals. Dimension: 234 x 156 x 26. Weight in Grams: 857. . 1999. Hardback. . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Neuware - Design is a fundamental creative human activity. This certainly applies to the design of artefacts, the realisation of which has to meet many constraints and ever raising criteria. The world in which we live today, is enormously influenced by the human race. Over the last century, these artefacts have dramatically changed the living conditions of humans. The present wealth in very large parts of the world, depends on it. All the ideas for better and new artefacts brought forward by humans have gone through the minds of designers, who have turned them into feasible concepts and subsequently transformed them into realistic product models. The designers have been, still are, and will remain the leading 'change agents' in the physical world. Manufacturability of artefacts has always played a significant role in design. In pre industrial manufacturing, the blacksmith held the many design and realisation aspects of a product in one hand. The synthesis of the design and manufacturing aspects took, almost implicitly, place in the head of the man. All the knowledge and the skills were stored in one person. Education and training took place along the line of many years of apprenticeship. When the production volumes increased, -'assembling to measure' was no longer tolerated and production efficiency became essential - design, process planning, production planning and fabrication became separated concerns. The designers created their own world, separated from the production world. They argued that restrictions in the freedom of designing would badly influence their creativity in design.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Design needs to collaborate with many other disciplines to achieve success. Ergonomics is one of these disciplines that design needs its collaboration. A designed object should be in good relation with the human body and cognitive system to be effectively used by its potential users. Changes in the competitive market have forced firms to enhance product differentiation for achieving market success. Design is widely used as one of the differentiation tools. As a component of design, ergonomics should also be integrated into the design process to fulfill the user requirements. There are success stories of companies integrating ergonomics into their design process and achieving differentiation and success on their products through the results of this integration. Even their marketing strategies are based on this integration. It is observed that there are some missing points in the integration of ergonomics into consumer electronics design which make results in poor interaction with the end users. The background of this problem is investigated by reviewing design processes of four different firms and integration of ergonomics into these processes.

Condition: new. Questo è un articolo print on demand.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Design is a fundamental creative human activity. This certainly applies to the design of artefacts, the realisation of which has to meet many constraints and ever raising criteria. The world in which we live today, is enormously influenced by the human race. Over the last century, these artefacts have dramatically changed the living conditions of humans. The present wealth in very large parts of the world, depends on it. All the ideas for better and new artefacts brought forward by humans have gone through the minds of designers, who have turned them into feasible concepts and subsequently transformed them into realistic product models. The designers have been, still are, and will remain the leading 'change agents' in the physical world. Manufacturability of artefacts has always played a significant role in design. In pre industrial manufacturing, the blacksmith held the many design and realisation aspects of a product in one hand. The synthesis of the design and manufacturing aspects took, almost implicitly, place in the head of the man. All the knowledge and the skills were stored in one person. Education and training took place along the line of many years of apprenticeship. When the production volumes increased, -'assembling to measure' was no longer tolerated and production efficiency became essential - design, process planning, production planning and fabrication became separated concerns. The designers created their own world, separated from the production world. They argued that restrictions in the freedom of designing would badly influence their creativity in design. 488 pp. Englisch.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Proceedings of the 1999 CIRP International Design Seminar, University of Twente, Enschede, The Netherlands, 24-26 March 1999 Design is a fundamental creative human activity. This certainly applies to the design of artefacts, the realisation of which .

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Design is a fundamental creative human activity. This certainly applies to the design of artefacts, the realisation of which has to meet many constraints and ever raising criteria. The world in which we live today, is enormously influenced by the human race. Over the last century, these artefacts have dramatically changed the living conditions of humans. The present wealth in very large parts of the world, depends on it. All the ideas for better and new artefacts brought forward by humans have gone through the minds of designers, who have turned them into feasible concepts and subsequently transformed them into realistic product models. The designers have been, still are, and will remain the leading 'change agents' in the physical world. Manufacturability of artefacts has always played a significant role in design. In pre industrial manufacturing, the blacksmith held the many design and realisation aspects of a product in one hand. The synthesis of the design and manufacturing aspects took, almost implicitly, place in the head of the man. All the knowledge and the skills were stored in one person. Education and training took place along the line of many years of apprenticeship. When the production volumes increased, -'assembling to measure' was no longer tolerated and production efficiency became essential - design, process planning, production planning and fabrication became separated concerns. The designers created their own world, separated from the production world. They argued that restrictions in the freedom of designing would badly influence their creativity in design.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 488 pp. Englisch.

Condition: New. Print on Demand pp. 488 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Condition: New. Print on Demand pp. 488 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.