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Published by Information Science Reference, 2016
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Published by Information Science Reference, 2016
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Published by Information Science Reference, 2016
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Published by Information Science Reference, 2016
ISBN 10: 1522502645 ISBN 13: 9781522502647
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Presents research-based perspectives and solutions for integrating computational methods for music production, distribution, and access around the world, in addition to challenges facing the music industry in an age of digital access, content sharing, and c.
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Published by Information Science Reference, 2016
ISBN 10: 1522502645 ISBN 13: 9781522502647
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Buch. Condition: Neu. Digital Tools for Computer Music Production and Distribution | Dionysios Politis (u. a.) | Buch | Gebunden | Englisch | 2016 | Information Science Reference | EAN 9781522502647 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
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Published by Information Science Reference, 2016
ISBN 10: 1522502645 ISBN 13: 9781522502647
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Published by Information Science Reference, 2016
ISBN 10: 1522502645 ISBN 13: 9781522502647
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Published by Information Science Reference, 2016
ISBN 10: 1522502645 ISBN 13: 9781522502647
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Language: English
Published by Information Science Reference, 2016
ISBN 10: 1522502645 ISBN 13: 9781522502647
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Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - It is clear that the digital age has fully embraced music production, distribution, and transcendence for a vivid audience that demands more music both in quantity and versatility. However, the evolving world of digital music production faces a calamity of tremendous proportions: the asymmetrically increasing online piracy that devastates radio stations, media channels, producers, composers, and artists, severely threatening the music industry. Digital Tools for Computer Music Production and Distribution presents research-based perspectives and solutions for integrating computational methods for music production, distribution, and access around the world, in addition to challenges facing the music industry in an age of digital access, content sharing, and crime. Highlighting the changing scope of the music industry and the role of the digital age in such transformations, this publication is an essential resource for computer programmers, sound engineers, language and speech experts, legal experts specializing in music piracy and rights management, researchers, and graduate-level students across disciplines.