Bleeding Margin Issue (14 results)

Condition: New.

Condition: New.

Paperback. Condition: New.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body. The Bleeding Margin, Issue No. 2 features horror fiction and author interviews. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Bleeding Margin, Issue No. 1 marks the debut of a new journal of literary horror committed to the unsettling, the grotesque, and the psychologically exacting.Across more than 80 pages spanning fiction, poetry, interviews, and visual art, this inaugural issue features work by Barrie Darke, Christian De Matteo, M. Lopes da Silva, Emma Johnson-Rivard, Trevor Foulstone, Edward Ahern, Tony Del Degan, Ranjith Sivaraman, and others. The pieces move through violent corporate ritual, inherited and institutional cruelty, bodily creation and destruction, cosmic and bureaucratic horror, and the quiet, intimate rot of love, shame, and belief.The issue also includes in-depth author Q&As and feature interviews with Lacey N. Dunham and Romina Garber, alongside artwork by Arturo E. Mosquera, Ana Albertina Delgado, Jorge Pantoja, Glexis Novoa, and Juan José Molina. Together, the writing and art reflect the journal's core conviction: that horror is not merely spectacle, but a lens for examining power, intimacy, history, and the body. And that FEAR IS ART. …

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Bleeding Margin, Issue Three (Spring 2026)Issue Three of The Bleeding Margin collects six short stories, three long-form author interviews, and nineteen works of contemporary art.The fiction spans a good deal of ground. A vengeful ghost story set on and around an Indian railway platform, a creature feature that doubles as a breakup, Scottish folk horror on an island where the devil keeps his land burned to ash, serial-killer noir in the desert, a coming-of-age story in a community with a terrible ritual, and Faustian gambling horror. Each piece is followed by a Q&A with its author, the same five questions every time, which turns the set into something closer to a conversation between writers than a run of isolated interviews.The long-form interviews are with novelist and poet Quan Barry, on The Unveiling and Antarctica as a landscape that shows you what is already inside you; author, lecturer, and editor Mo Moshaty, on where horror still refuses to look; and sisters Maika and Maritza Moulite, on co-writing, family trauma, and the difference between a Haitian zombie and the Western one. All three were conducted by editors John Mark King and Vivian Nosti.Artwork throughout comes courtesy of the Mosquera Collection in Miami, with work by Ali Prosch, Naomi Fisher, Jacin Giordano, and Gavin Perry, placed against the prose it sharpens rather than dropped in as filler.Fiction by Mohd Amil, Dan Sinclair, J.S. Apsley, Joseph Hirsch, Tori Bissonette, and Colin Harker.Capital Horror Press. Washington, DC.…

Taschenbuch. Condition: Neu. The Bleeding Margin Issue No. 3 | John Mark King (u. a.) | Taschenbuch | Englisch | 2026 | Capital Horror Press | EAN 9798256283483 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condition: Neu. The Bleeding Margin Issue 1 | John Mark King (u. a.) | Taschenbuch | Englisch | 2026 | Capital Horror Press | EAN 9798182725415 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condition: Neu. The Bleeding Margin Issue No. 2 | John Mark King (u. a.) | Taschenbuch | Englisch | 2026 | Capital Horror Press | EAN 9798182718981 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Paperback. Condition: new. Paperback. The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body. The Bleeding Margin, Issue No. 2 features horror fiction and author interviews. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: new. Paperback. The Bleeding Margin, Issue No. 2 pushes deeper into horror as lived experience, where violence is intimate, morality is unstable, and terror emerges from systems as often as from the supernatural.Across more than 100 pages of fiction, poetry, interviews, and visual art, this issue confronts war, surveillance, moral panic, institutional cruelty, online vigilantism, inherited trauma, and the quiet brutality of everyday spaces. The stories gathered here move through post-apocalyptic desolation, combat and bodily collapse, obsessive digital cultures, social erasure, and acts of violence that linger long after they are witnessed-or ignored.This issue features interviews with Stephen Graham Jones and Paul Tremblay, alongside in-depth author Q&As that accompany every piece, pulling back the curtain on craft, obsession, ethics, and intent. The result is not commentary layered on top of the work, but a second descent, one that exposes how these stories were made, and why they refuse easy closure.Visual art drawn from museum and private collections runs throughout the issue, functioning not as illustration but as pressure: interruptions, echoes, and wounds embedded between texts. Together, the writing and art insist on a central truth: that horror is not spectacle, nor metaphor alone, but a way of reckoning with power, memory, injustice, and the body. The Bleeding Margin, Issue No. 2 features horror fiction and author interviews. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…