Bill Culbert (76 results)

Trade Paperback. Condition: VG-. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Trade Paperback. Condition: Used - Very Good.

Paperback. Condition: Near Fine. First Edition. Illus., 77pp. Bright sharp copy with no ownership markings. Well packaged in a box, ships with tracking.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780901952714. …

Trade Paperback. Condition: Used - Very Good. Slight scratching/scuffing on cover. Book has minor shelf wear.

kart. Condition: Sehr gut. 24 cm ; Französischsprachige Paperbackausgabe, 75 Seiten mit zahlreichen Abbildungen. Sehr guter Zustand (très bon état). hww343.

First edition. 75 pp. Near fine in glossy illustrated wrappers.

Hardcover. Condition: Very Good. 1877375284. 2013, bright clean copy, no markings, Professional booksellers since 1981.

Softcover, staple-bound, 12 pages, very good condition; light edgewear; all pages folded vertically at center as issued; no internal marks. Foreign shipping may be extra.

Condition: Very Good. 1986. Paperback. Good clean copy with some shelf wear. . . . . Books ship from the US and Ireland.

Condition: Very Good. 1986. Paperback. Good clean copy with some shelf wear. . . . .

First Edition. First edition. Softcover. Exhibition catalog. Includes 17 black and white and 16 color illustrations. A clean very near fine copy in wrappers. Uncommon.

Hardcover. Condition: Very Good. Book is in very good condition. 104pp with colour and b/w photographs.

Soft cover. Condition: Very Good.

Hardcover. Condition: Very Good. 104 Pages With No Index. Hardcover Binding. In Very Good Condition.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.…

paperback. Condition: Very Good. No Dust Jacket. SIGNED and dedicated on Title page. By Artist.

Couverture souple. Condition: Bon. Catalogue de l'exposition. Nombreuses photos. Sculpture. 21x24 cm. 75 p. Broché. Bon état. Intérieur en bon état. Dos légèrement insolé. in-8°.

Soft cover. Condition: Very Good. Hintof Fading To Spine. Square Format. Unworn, Tight Paperback.

Imperial octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs. All online listings are held in Dunedin.…

Condition: Sehr gut. [140] S. Einband berieben. - ISBN 0905263219 Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. auch farb. Abb. Originalbroschur.

Hardcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Pages in unused condition. Hardcover. English. Pub Year 2013, See images for condition. About the book >.>.> Bill Culbert: Front Door Out Back is a publication that accompanies the installation by Bill Culbert showcased at La Biennale di Venezia. This book delves into the nuances of Culbert's exhibition, presenting an exploration of the sculptural works that embody light and transform ordinary objects into extraordinary art. As a contributing piece to the 58th International Art Exhibition, themed ?The Encyclopedic Palace?, this publication amplifies the audience's engagement and appreciation of Culbert?s work.This marks the sixth official presentation of New Zealand at the Venice Biennale, a momentous occasion that highlights the diverse talents of its artists, including those like Culbert who have achieved esteem on an international scale. The installation comprises suspended sculptures that evoke a sense of wonder while challenging viewers to reconsider familiar items. Culbert?s technique melds light with a range of materials, resulting in art that is both austere and poetic, inviting deeper perception and appreciation of everyday things.The book also serves a broader purpose by documenting the artistic and cultural exchange involved in the Biennale. It features insightful contributions from writers such as Yves Abrioux and Justin Paton, who provide rich commentary and foster a deeper understanding of Culbert?s artistic vision. The publication is a collaboration among various institutions and individuals dedicated to the success of New Zealand's representation in Venice, acknowledging the support from the Arts Council of New Zealand Toi Aotearoa and institutional partners. It stands as a testament to the efforts behind Culbert?s remarkable presentation and the cultural significance of New Zealand?s artistic contributions on the global stage.…

Octavo softcover (VG+) ; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

TEXT IN FRENCH & ENGLISH, octavo softcover (VG): all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.…

Hardcover. Condition: Good. 104 pages. 'NZ pavilion 55th International art exhibition, la Biennale di venezia '-nice clean copyFew New Zealand artists have sustained such a creative practice over so many ye ars to such international acclaim. Culbert's transformation of ordinary and ofte n discarded objects into an extraordinary otherness is uplifting, quite literall y so in the case of the suspended sculptures he has fashioned for La PietÃÂ? ? Despite its sometimes cheerful air of improvisation, nothing in Culbert's pra ctice is gratuitous. Combining light and things with rare economy, he produces a rt that is austere, poetic and challenging in the way it invites us to revalue f amiliar things and focus our perceptions. --Foreword.…

Soft cover. Condition: Very Good. 1st Edition. 32mo. Single sheet, one b/w plate. Addressed and posted to the collector and connoisseur Phil Groom.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. x, 270pp, b/w & colour illus., notes, exhibition history, bibliography, index. Light dusting to top edge. Otherwise excellent tight clean copy. GLC 06/26.

Condition: NUOVO. Annecy, La Petite Ecole cm.22,5x18,5 pp.175, ca.70 tavv.a col.e in bn.nt., legatura ed.carton. Stato di nuovo. Ediz.bilingue (fr., ingl.).

Octavo softcover (VG+): all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs. All online listings are held in Dunedin.…

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A very close to new copy. Bill Culbert is one of New Zealand's most celebrated artists. In Bill Culbert: Making Light Work, the first substantial book on Culbert, Ian Wedde explores the ideas, materials, and conditions that have formed Culbert's art over the past 50 years. Bill Culbert grew up in Port Chalmers and Wellington, but since 1961has lived largely in France and England (although he returns regularly to New Zealand to exhibit work during the oyster and whitebait seasons). Light has preoccupied Culbert since his days as a student at London's Royal College of Art in the late 1950s. He has used it in domestic-scaled works, in dazzling large-scale museum installations and in public spaces such as the Champs Elysees in Paris and the Millennium Dome in London. Ian Wedde suggests in Bill Culbert that energy and travel, congeniality and conviviality are also key to understanding of Culbert's immensely attractive but conceptually rigorous work, from his wall-mounted light sculptures made of cool, white fluorescent tubes and coloured plastic containers, his installations of objects from the local dump, his battered suitcases, wheels, light bulbs, bottles and wine glasses pouring light. Culbert is a also generous artist, acknowledging the importance of collaborators, locations, 'situations at a moment in time', the wider culture - and viewers. Thoughtful, compelling and extensively illustrated, Bill Culbert: Making Light Work is an assured participant in this conversation and readers will relish the opportunity to share in it.…

HARDCOVER. Condition: Almost AS NEW. Dust Jacket Condition: Issued without a dustjacket. 1st Edition. Small 4to. in thick boards, 72pp on thick art paper, plates in colour and b/w, etc . [CONDITION: An extremely well preserved almost AS NEW unmarked copy (tiny bump to top corner tip of front cover) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. …