rudolph ackermann (267 results)

Hardcover. Condition: Good. Light wear to boards. Bumping. Content is clean and bright. No DJ.

Hardcover. Condition: Fine. HARDBACK original red cloth with gilt lettering and gilt-embossed illustration on spine and front cover clear protective 'dust-jacket' coloured frontispiece pages: vi 326 [xii} - publishers adverts. and index many illus. coloured plates 6 152mm x 248mm (6 x 9.75") as new.

Hardcover. Condition: Very Good. No Jacket. Bound In Original Decorated Cloth Binding, Has Numerous Full Page Illustrated Plates in B/W & Colour. Private Library Sticker to Front End Paper. Dated Inscription to Front End Paper. 326 Pages + Ad Pages + End Papers. Some Light Marks & Bumping to Cloth, Spine is Bumped with Some Creasing, Some Occasional Browning & Creasing to Page Margins, Some Occasional Creasing & Browning to Plates. Overall A Very Good Copy. Extra Postage Costs will Apply to Oversea's Orders. (B10).

Half Leather. Condition: Poor. Wildrake, Alken and Henderson (illustrator). First Edition. 332pp. With 32 illustrations by Wildrake, Alken and Henderson of which all the 9 hunting route maps & 1 plate have been removed. Cover tatty with most ofspine missing but block still well bound together. Marbled boards, edges, & endpapers. One of the surviving plates is foxed. Otherwise interior generally in nice clean condition. No names or inscriptions. Offered as a reading copy only. Picture of this book available.

Hardback. Condition: Good. Fourth Edition. 10.5" 327 pages. Brown cloth with gilt and black illustrations and gilt titles to spine. No inscriptions. Spine ends rubbed and corners bumped.

Disbound. Condition: Good. 1st Edition. Hand coloured aquatint of the interior of Carlton House. From Ackermann's "Repository of Arts" 1812. Fold line from when in the book, seen, to left side, but flat and would be less noticeable framed. measures; just over 9 inches by nearly 12 (nearly 23 x 30 cm). Some light dustiness to white borders. Good to VG.

Cloth. Condition: Poor. No Jacket. Second Edition. xi + 193 + cccxxx pp.; Lacks covers; A binding copy; Ilustrated throughout; Full page illustrations slightly foxed; Internally tight and bright; Photos available on request; Book.

No Binding. Condition: Very Good. Pyne, William henry (illustrator). 1st Edition. A charming aquatinted and litho mixed process engraving of two girls at work with a basket of wool? from Pyne's "Rural Trades". Printed on cartridge hand-made paper, number 30 printed top right outside the border, the back has a strengthener parcel tape piece along the top, not affecting the image or causing any discolouration. Measures approx 11 x 8 inches. Very good. unframed, easy to post. 1813.

No Binding. Condition: Very Good. Thomas Uwins. (illustrator). 1st Edition. A nicely hand coloured original 1809 copper engraving of Major Muller in military uniform of the Peninsular War period with gold finished highlights to his braiding and hat. From Ackermann's Repository of arts No 12, published Dec 1st 1809. Measures approx 8.5 x 5.5 inches [ 21 x 12.5 cm].

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, J. Bluck was the engraver, Rowlandson and Pugin the designers/artists. Measures just 10.5 inches x 13 inches, 26 x 32 cm approx. Published April 1st 1809. Unframed and a single image from the book, Colours bright, but with water staining seen within image on left 3rd of the plate, more noticeable in the margins, but seen on the ceiling decoration. *Begun in 1788 to look at the rehabilitation of poor and criminal children, employing them from the age of 6 to do useful and employable work. The building was at St George's Field in Southwark.

Soft cover. Condition: Very Good. 1st Edition. Hand-coloured aquatint of the interior of The Nave of Christ Church Cathedral Oxford. Approx 11 x 14 inches edge to edge & 10 x 11.5 inches to plate line. Some loss and light stains and light creasing, not affecting the print and outside the plate line.

No Binding. Condition: Very Good. Pyne, William Henry (illustrator). 1st Edition. A charming aquatinted and litho mixed process engraving of a Baker or Journeyman tinker from Pyne's "Rural Trades". Printed on cartridge hand-made paper, number 19 printed top right outside the border, the back has a strengthener parcel tape piece along the top, not affecting the image or causing any discolouration. Measures approx 11 x 8 inches. Very good. unframed, easy to post. 1813.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, J. C. Stadler was the engraver, Rowlandson and Pugin the designers/artists. Measures just 10 inches x 12 inches, 25 x 30 cm approx. Published Dec 1st 1808. Unframed and a single image from the book, Colours bright, depicts 5 clergymen in discussions in old beamed arched ceiling room, several small spot marks at margin and one brown spot that is at lower edge of the actual print, but doesn't show in image. Very Good.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, Hill was the engraver, Rowlandson and Pugin the designers/artists. Measures just under 10.5 inches x 13 inches, 26 x 32 cm approx. Unframed and a single image from the book. Some light handling seen at borders, light crease noticed on the reverse, not noticed when viewing. Print colouring still bright. *Notice all the females have a uniform purple dress and white bonnets.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, J. Bluck was the engraver, Rowlandson and Pugin the designers/artists. Measures just under 14 inches x 11 inches, 32 x 29 cm approx. Unframed and a single image from the book. Some light age to the paper at the borders, brown spot to border near titles at the base of the image, just outside the print itself, good colouring.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, J. Bluck was the engraver, Rowlandson and Pugin the designers/artists. Measures just under 11 inches x 13 inches, 29 x 32 cm approx. Unframed and a single image from the book. Brown age stain or splot top edge just outside the image, otherwise very good. Original and not a later copy.

hardcover. Condition: Very Good. Rudolph Ackermann 1846 edition. Pages clean and bright, binding firm minor shelf wear to cover. We are on holiday from 18th July-31st July items ordered during this period will be posted on our return. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

No Binding. Condition: Very Good. 1st Edition. Small landscape shaped hand coloured aquatint engraving on wove paper with a leaf of letterpress describing the features, such as overhanging eaves for the drying of plants and herbs and spacious porch for similar. Room to have creepers on the walls such as clematis and Jessamine (sic). It was the front plate to Vol XI issued May 1st 1821, bottom edge a little rough from when once bound, good margins on all sides. Lovely image of rural English life.

No Binding. Condition: Very Good. 1st Edition. A full hand coloured aquatint plate from the Repository of Arts January 1825. The aquatint is after J. Thomson artist, colours fresh and very clean. Nice view of houses long gone or lost their village aspect today. Guaranteed 200+ years old.

No Binding. Condition: Very Good. 1st Edition. A full hand coloured aquatint plate from the Repository of Arts Feb 1821. Colours fresh and very clean. Nice view of house long gone or lost its rural setting. This has its leaf of letterpress with details of the structure, loosely included. Guaranteed 200+ years old.

Loose as Issued. Condition: Very Good. William Henry Pyne. (illustrator). 1st Edition. A multi-image print by W. H. Pyne dated 1822 from the series of "Rustic" figures 4 vignette scenes of the life of the Sheepshearer in the early 19th century, on "Turkey Mills" hand made cartridge paper. Small edge split, no loss. a little light foxing at edges and the reverse side. Measures 10.5 x 12.4 inches and approx 9 x 11 inches to plate mark. Very clean with edges just starting to brown. VG+ 1822.*Accurate depictions of dress and styles.

Loose as Issued. Condition: Very Good. 1st Edition. A multi-image print by W. H. Pyne dated 1822 from the series of "Rustic" figures 5 vignette scenes of the life of the Shepherd in the arly 19th century, on "Turkey Mills" hand made cartridge paper by J. W. Whatman watermark in the weave. Small edge split, no loss. Measures 10.5 x 12.4 inches and approx 9 x 11 inches to plate mark. Very clean with edges just starting to brown. VG+ 1822.*Accurate depictions of dress and styles.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, H. Sunderland was the engraver, Rowlandson and Pugin the designers/artists. Measures just 9.5 inches x 12 inches, 23 x 30 cm approx. Unframed and a single image from the book, a light stain in border on the left image very clean and bright, the borders are about 1 inch all round. *Scene of the young cadets at study.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, J. Bluck was the engraver, Rowlandson and Pugin the designers/artists. Measures just over 9.5 inches x 12 inches, 23 x 30 cm approx. Unframed and a single image from the book, minor light age spots in white borders, image unaffected, colouring bright. *View of the hall or entrance with Magog above the grand entrance and the grand 4 faced clock with carved surrounds.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, J. Bluck was the engraver, Rowlandson and Pugin the designers/artists. Measures just under 11 inches x 13 inches, 29 x 32 cm approx. Unframed and a single image from the book. Some light age to the paper at the borders, image very good colouring.

Hardcover. Condition: Very Good. Alken, H (illustrator). vi, 326pp, [12]pp publisher's ads and list of subscribers. Red cloth-covered boards, gilt design and titles on front, gilt titles on spine, blind-embossed design on rear. Light card slipcase. 4to. Facsimile reprint of the 1846 edition. Very lightly rubbed spine ends. Internally neat, clean, bright and tight. Slipcase has significant wear.

No Binding. Condition: Very Good. 1st Edition. A full hand coloured aquatint plate from the Repository of Arts July 1811 with a 4 page descriptive letterpress of the details of the image which shows 3 French Napoleonic Eagles captured at Barrosa. One was given the name by Napoleon The "Invincible Standard". Quote*."Wherever it has fairly met the British Lion, it has drawn upon itself discomfiture and disgrace". Good clean aquatint octavo size from the series printed in 1811.

Gilt-decorated Green Cloth. Condition: Fair/Good. First Edition. 82pp, contents page, 30pp adverts, engraved title page and 15 black & white plates of the original 16 - lacking "Thrown Out", some foxing, bookplates on endpaper, contemporary ink signatures of previous owners on endpapers and the blank page opposite the title page, original gilt-decorated green cloth, worn, front joint cracked. Schwerdt, volume 2, page 173 Size: 6.5 x 4.25 Inches. Sport.

No Binding. Condition: Very Good. Thomas Rowlandson. (illustrator). 1st Edition. A Hand Coloured aquatint of the interior of the Council Chamber at the Guildhall in London.From the work "Microcosm of London". Print browned due to having been framed once, but not displeasing, small split at right hand edge, no loss, plate line visible and good margins, on J. Whatman hand made paper dated 1806. Measures 13 x 11 inches [32 x 29 cm]. Edge to edge.

No Binding. Condition: Good. Thomas Rowlandson (illustrator). 1st Edition. From Ackermann's Microcosm of London here is a hand coloured aquatint, J. Bluck was the engraver, Rowlandson and Pugin the designers/artists. Measures just 11.2 inches x 9 inches, 29 x 22 cm approx. Published Aug 1st 1809. Unframed and a single image from the book, lovely colouring and trimmed to plate mark still has 4 clear margins. Interior scene of congregation and priest. Very Good. *The church stands next to Westminster Abbey and was the last church to be decorated in the "Catholic style" before the reformation in 1523. Originally a 12th century church.