Eric Gill (Over 3,500 results)

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: very_good. Eric Rowe, Gill Embleton Eric Kincaid (illustrator). Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: Good. Gill, Eric (illustrator). Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

Paperback. Condition: Near Fine. Gill, Eric (illustrator). 166 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Age toning. Decorations by Eric Gill. Size: 8vo.

Hardcover. Condition: Good. No Jacket. Eric Kincaid, Gerry Embleton and Gill Embleton (illustrator). Color illustration on cover. Int. good. Color illustrations. 61 pages. Illustrated eps.

Condition: Good. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents.

Condition: Good. Good condition. Light wear to boards. Content is clean with light age tone. Good DJ with light wear, light toning.

Condition: As New. Unread book in perfect condition.

Condition: acceptable. Eric Rowe, Gill Embleton Eric Kincaid (illustrator). Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

Paperback. Condition: New. Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces that can be seen around us today, fused art, history and polemic in a visionary work which has been hugely influential on modern graphic design.'Written with clarity, humility and a touch of humour . . . timeless and absorbing' Paul Rand, The New York Times'His lettering was clear, confident and hugely influential on the development of modern type design. The world has now caught up with Gill' GuardianHow do we see the world around us? This is one of a number of pivotal works by creative thinkers like John Berger and Susan Sontag whose writings on art, design and the media have changed our vision for ever.

Condition: New.

Paperback. Condition: new. Paperback. An iconic manifesto on the art of letterforms and the critical importance of designArguing that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture', Eric Gill's opinionated manifesto on typography's place in culture is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces that can be seen around us today, fused art, history and polemic in a visionary work which has been hugely influential on modern graphic design. Explores the place of typography in culture. This title is also a moral treatise celebrating the role of craftsmanship in an industrial age. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: very_good.

Paperback. Condition: New. Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces that can be seen around us today, fused art, history and polemic in a visionary work which has been hugely influential on modern graphic design.'Written with clarity, humility and a touch of humour . . . timeless and absorbing' Paul Rand, The New York Times'His lettering was clear, confident and hugely influential on the development of modern type design. The world has now caught up with Gill' GuardianHow do we see the world around us? This is one of a number of pivotal works by creative thinkers like John Berger and Susan Sontag whose writings on art, design and the media have changed our vision for ever.

Condition: As New. Unread book in perfect condition.

Pictorial Cover. Condition: Good. Dust Jacket Condition: Good. Eric Kincaid (illustrator). Color illustration on cover and dj. Int. good. Color illustrations. Illustrated eps. 47 pages. Minor shelf wear.

Condition: Good. 1st edition. Stapled pamphlet, VG. 8pp, self portrait by Gill to the upper cover, edges of the wrappers a little yellowd, bookplate to the verso of the upper cover. A slim catalogue of an exhibition of the workd of the artist & engraver Gill. The booklet contains a brief biography of Gill & also the preface, written by Gill from the 1929 book 'The Engravings of Eric Gill'. 100 grams.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Very Good. Eric Gill (illustrator). tall 8vo, illustrated in wood engravings, 309 pgs., pages clean, bound in blue cloth boards, white vellum spine. Light staining on boards, otherwise a nice clean copy. No d.j.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condition: New.

hardcover. Condition: Very Good. VG brown boards with gilt lettering along spine. Binding and hinges tight and square; contents clean and unmarked. No dust jacket. 300pp. plus 30pp illustrations. 1968 reprint. Bleach like stain on page edge.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Eric Gill Lettering (illustrator). Very good+ hardcover in very good+ dust jacket, light shelf wear, otherwise tight & unmarked. The book is designed by Leif Thollander and typeset by Atelje Ove Landgraff AB in Stockholm using Janson Text typeface. Lettering by Eric Gill. 1993 printing. A collection of thoughts about middle age, printed in Sweden. Size 6x10 with 250 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 12mo, 133 pgs., illustrated, bound in red cloth, gold lettering and wrapped in dust jacket. Some staining on jacket, otherwise a good copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Hardcover 1st edition in this format, 4th impression. The book itself, with blue boards and silver titles, is in excellent shape. The dust jacket a little edgeworn and rubbed, and is price clipped. Last Essays was published posthumously by Jonathan Cape in London in 1942, two years after Eric Gill's death in November 1940. It is a slender volume of roughly 93 pages, illustrated with woodcuts and engravings, and carries an introduction by Gill's wife, Mary. The book brings together a collection of pieces written in the final period of Gill's life, some of which had not previously appeared in print. The contents include essays on Art, Work, Private Property, Education for What?, Peace and Poverty, Art in Education, Five Hundred Years of Printing, The Leisure State, and Secular and Sacred in Modern Industry.The essays are characteristic of Gill's broader intellectual project: a sustained attack on industrialism, the dehumanization of labour, and the separation of art from everyday working life. Gill was prophetic in his predictions about industrialism and capitalism, and deeply insightful on the relation of art to work, culture, industry, and God. Running through the collection is the argument that mechanized mass production had reduced the worker to a subhuman condition, stripping labour of its dignity and meaning. Gill believed that a genuine civilization could only be built on the foundation of craftwork, in which the hand and the mind remained united in the making of useful and beautiful things. These were not new ideas for Gill, but the essays in this volume represent his final articulation of them, written as his health was failing and as Europe descended into the Second World War, circumstances that lent his warnings about the consequences of industrial capitalism an additional urgency. The book went through multiple impressions, a measure of its readership during the war years, when questions about the nature of work, the relationship between the individual and the state, and the moral foundations of civilization were very much on people's minds. In 1947, Last Essays was brought together with an earlier collection, In a Strange Land, in a single volume presenting the first complete collection of Gill's essays.Eric Gill was born on February 22, 1882, in Brighton, Sussex, and died on November 17, 1940, in Uxbridge, Middlesex. He was a British sculptor, engraver, typographic designer, and writer, especially known for his elegantly styled lettering and typefaces and the precise linear simplicity of his stone carving.After an inventory following his death, his output was found to include over 750 carved inscriptions, more than 100 stone sculptures and reliefs, 1,000 engravings, several typeface designs, and 300 printed works including books, articles, and pamphlets.Gill was also a deeply controversial figure. In his personal diaries, Gill described his sexual abuse of his adolescent daughters, an incestuous relationship with at least one of his sisters, and bestiality. This aspect of Gill's life was little known beyond his family and friends until the publication of the 1989 biography by Fiona MacCarthy. Since those revelations, his legacy has been fiercely debated. Some institutions have removed or recontextualized his work; others continue to display it while acknowledging his crimes. The tension between the unquestionable significance of his artistic and typographic achievements and the gravity of his personal conduct remains unresolved. Regarding his wife Mary, Her contribution to Last Essays, the brief introduction she wrote for the 1942 volume, represents one of the few occasions on which her own voice entered the public record. As the person closest to Gill throughout his adult life and working career, she was uniquely placed to provide context for these final writings. The introduction allowed her to frame her late husband's last essays for readers who were encountering his ideas in the aftermath of his death, and to.

Hardcover. Condition: Fair. Dust Jacket Condition: Fair. 300 pages + illustrations. Ex-college library marks, some wear, yellowing; a solid reading copy. The jacket is creased, discolored and worn. Quantity Available: 1. Category: Biography & Autobiography; Inventory No: 232987.