9781554584697 - Image and Identity: Reflections on Canadian Film and Culture (film and Media Studies) by R. Bruce Elder (author) (7 results)
Language: English
Published by Wilfrid Laurier University Press, 2006
- Softcover
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Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Wilfrid Laurier University Press 1/1/2006, 2006
- Softcover
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Paperback or Softback. Condition: New. Image and Identity: Reflections on Canadian Film and Culture. Book.
Language: English
Published by Wilfrid Laurier University Press, 2006
- Softcover
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Language: English
Published by Wilfrid Laurier University Press, 2006
- Softcover
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Language: English
Published by Wilfrid Laurier University Press, 2012
- Softcover
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Paperback. Condition: Brand New. reprint edition. 483 pages. 9.00x6.00x1.25 inches. In Stock.
Language: English
Published by WILFRID LAURIER UNIV PR, 2006
- Softcover
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Condition: New. Über den AutorrnrnR. Bruce Elder is an award-winning filmmaker and teaches media at Ryerson University. His book Harmony & Dissent (WLU Press, 2008) received the prestigious Robert Motherwell Book Prize and was named a Choi.
Language: English
Published by Wilfrid Laurier University Press Jan 2006, 2006
- Softcover
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Taschenbuch. Condition: Neu. Neuware - What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural conte…xt. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder's razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.
