ISBN: 9781350330849 - Rethinking Roland Barthes Through Performance: A Desire for Neutral Dramaturgy (thinking Through Theatre) (13 results)

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  • Language: English

    Published by Methuen Drama, 2023

    1350330841 / 9781350330849

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    Seller: Books Puddle, Woodside, NY, U.S.A.Books Puddle

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  • Language: English

    Published by Methuen Drama, 2023

    1350330841 / 9781350330849

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    Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections

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    Condition: New. In English.

  • Language: English

    Published by Bloomsbury Methuen Drama, 2023

    1350330841 / 9781350330849

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    Hardcover. Condition: Brand New. 248 pages. 8.50x5.50x0.75 inches. In Stock.

  • Language: English

    Published by Methuen Drama, 2023

    1350330841 / 9781350330849

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  • Language: English

    Published by Methuen Drama, 2023

    1350330841 / 9781350330849

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    Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.

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  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1350330841 / 9781350330849

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  • Language: English

    Published by Bloomsbury Publishing (UK), 2023

    1350330841 / 9781350330849

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  • Language: English

    Published by Methuen Drama, 2023

    1350330841 / 9781350330849

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  • Language: English

    Published by Bloomsbury Publishing PLC, London, 2023

    1350330841 / 9781350330849

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    Hardcover. Condition: new. Hardcover. Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthess notion of The Neutral the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthess work from Mythologies (1957) to The Death of the Author (1967), A Lovers Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the College de France. Together, they capture and rethink a range of Barthess preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthess work and contemporary theatre and performance. This book invites readers to approach Barthess writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Language: English

    Published by Bloomsbury Publishing PLC, 2023

    1350330841 / 9781350330849

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  • Language: English

    Published by Methuen Drama, 2023

    1350330841 / 9781350330849

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    Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios

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  • Language: English

    Published by METHUEN, 2023

    1350330841 / 9781350330849

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    Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisList of FiguresNotes on ContributorsAcknowledgementsIntroduction: Contemporary Performance After Roland Barthes - Harry Robert WilsonPart 1 - A Dictionary of Twinklings1. 5 These.…

  • Language: English

    Published by Bloomsbury Publishing PLC, London, 2023

    1350330841 / 9781350330849

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    Seller: CitiRetail, Stevenage, United KingdomCitiRetail

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    Hardcover. Condition: new. Hardcover. Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthess notion of The Neutral the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthess work from Mythologies (1957) to The Death of the Author (1967), A Lovers Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the College de France. Together, they capture and rethink a range of Barthess preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthess work and contemporary theatre and performance. This book invites readers to approach Barthess writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…