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ISBN 10: 1316632660 ISBN 13: 9781316632666
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Published by Cambridge University Press, 2020
ISBN 10: 1316632660 ISBN 13: 9781316632666
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Published by Cambridge University Press, 2020
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Published by Cambridge University Press 2020-11-12, 2020
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Published by Cambridge University Press, 2020
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Published by Cambridge University Press, 2020
ISBN 10: 1316632660 ISBN 13: 9781316632666
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ISBN 10: 1316632660 ISBN 13: 9781316632666
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Published by Cambridge University Press, 2020
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Published by Cambridge University Press, 2020
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Published by Cambridge University Press, Cambridge, 2020
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Paperback. Condition: new. Paperback. This book presents new and overarching perspectives on the relationship between theatre and public from the Henrician Reformation through the interregnum to the Restoration, combining vivid case studies with discussion of theatre's continued importance in shaping the early modern public. Considered from the vantage point of theatre, the early modern public becomes visible as an unruly agent of political change, a force that authorities both feared and appealed to, and one that proved ultimately beyond control. It was through theatrical strategies that rulers and their opposition addressed the early modern public, and in turn it was theatre's public potential that shaped the development of the stage during the revolutionary years of the seventeenth century. In this volume, Katrin Beushausen examines sources including irreverent satirical pamphlets, regal spectacles, anti-theatrical polemic and visions of state theatres, casting new light on the development of the early modern public and theatre. Provides fresh perspectives on the early modern public as an audience trained by theatre. Focusing on the period 16421660, it offers a new take on the public of the English Revolution and fills in important blanks in the history of the English stage for theatre and literary scholars and historians. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Cambridge University Press, 2020
ISBN 10: 1316632660 ISBN 13: 9781316632666
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Published by Cambridge University Press, 2020
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Published by Cambridge University Press, Cambridge, 2020
ISBN 10: 1316632660 ISBN 13: 9781316632666
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Paperback. Condition: new. Paperback. This book presents new and overarching perspectives on the relationship between theatre and public from the Henrician Reformation through the interregnum to the Restoration, combining vivid case studies with discussion of theatre's continued importance in shaping the early modern public. Considered from the vantage point of theatre, the early modern public becomes visible as an unruly agent of political change, a force that authorities both feared and appealed to, and one that proved ultimately beyond control. It was through theatrical strategies that rulers and their opposition addressed the early modern public, and in turn it was theatre's public potential that shaped the development of the stage during the revolutionary years of the seventeenth century. In this volume, Katrin Beushausen examines sources including irreverent satirical pamphlets, regal spectacles, anti-theatrical polemic and visions of state theatres, casting new light on the development of the early modern public and theatre. Provides fresh perspectives on the early modern public as an audience trained by theatre. Focusing on the period 16421660, it offers a new take on the public of the English Revolution and fills in important blanks in the history of the English stage for theatre and literary scholars and historians. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Provides fresh perspectives on the early modern public as an audience trained by theatre. Focusing on the period 1642-1660, it offers a new take on the public of the English Revolution and fills in important blanks in the history of the English stage for th.