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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Taylor & Francis Ltd, 2015
ISBN 10: 1138981621 ISBN 13: 9781138981621
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Language: English
Published by Routledge 2015-12-01, 2015
ISBN 10: 1138981621 ISBN 13: 9781138981621
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Condition: New. Series: Literary Criticism and Cultural Theory. Num Pages: 303 pages, black & white illustrations. BIC Classification: DS. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 229 x 152 x 16. Weight in Grams: 557. . 2015. 1st Edition. paperback. . . . .
Paperback. Condition: Brand New. 304 pages. 9.02x5.98x0.69 inches. In Stock.
Condition: New. Series: Literary Criticism and Cultural Theory. Num Pages: 303 pages, black & white illustrations. BIC Classification: DS. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 229 x 152 x 16. Weight in Grams: 557. . 2015. 1st Edition. paperback. . . . . Books ship from the US and Ireland.
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Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Michel Foucault s writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of.
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.