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9781138809123 - Shakespeare, Trauma and Contemporary Performance Routledge Studies in Shakespeare by Silverstone, Catherine (19 results)
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Condition: New.
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Shakespeare, Trauma and Contemporary Performance
Language: English
Published by Taylor & Francis Group, 2014
ISBN 10: 1138809128 ISBN 13: 9781138809123
Condition: New. pp. 186.
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Shakespeare, Trauma and Contemporary Performance
Language: English
Published by Taylor & Francis Ltd, 2014
ISBN 10: 1138809128 ISBN 13: 9781138809123
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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Shakespeare, Trauma and Contemporary Performance
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
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PF. Condition: New.
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Shakespeare, Trauma and Contemporary Performance (Routledge Studies in Shakespeare)
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
£ 72.69
£ 11.98 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketCondition: New. In.
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Shakespeare, Trauma and Contemporary Performance (Routledge Studies in Shakespeare)
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
Condition: New.
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Paperback. Condition: Brand New. reprint edition. 175 pages. 8.75x6.00x0.50 inches. In Stock.
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Shakespeare, Trauma and Contemporary Performance
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
£ 108.99
£ 15 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketCondition: As New. Unread book in perfect condition.
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Paperback. Condition: Like New. Like New. book.
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Condition: As New. Unread book in perfect condition.
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Shakespeare, Trauma and Contemporary Performance
Language: English
Published by Taylor & Francis Group, 2014
ISBN 10: 1138809128 ISBN 13: 9781138809123
Condition: New. pp. 186 This item is printed on demand.
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PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Shakespeare, Trauma and Contemporary Performance
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
£ 73.72
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Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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Shakespeare, Trauma and Contemporary Performance
Language: English
Published by Taylor & Francis Ltd, 2014
ISBN 10: 1138809128 ISBN 13: 9781138809123
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Shakespeare, Trauma and Contemporary Performance
Language: English
Published by Taylor & Francis Group, 2014
ISBN 10: 1138809128 ISBN 13: 9781138809123
Condition: New. PRINT ON DEMAND pp. 186.
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Catherine Silverstone is Senior Lecturer in Drama, Theatre and Performance Studies at Queen Mary, University of London, UK.Shakespeare, Trauma and Contemporary Performance examines how contemporary performances of.
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Shakespeare, Trauma and Contemporary Performance examines how contemporary performances of Shakespeare's texts on stage and screen engage with violent events and histories. The book attempts to account for - but not to rationalize - the ongoing and pernicious effects of various forms of violence as they have emerged in selected contemporary performances of Shakespeare's texts, especially as that violence relates to apartheid, colonization, racism, homophobia and war. Through a series of wide-ranging case studies, which are informed by debates in Shakespeare, trauma and performance studies and developed from extensive archival research, the book examines how performances and their documentary traces work variously to memorialize, remember and witness violent events and histories. In the process, Silverstone considers the ethical and political implications of attempts to represent trauma in performance, especially in relation to performing, spectatorship and community formation. Ranging from the mainstream to the fringe, key performances discussed include Gregory Doran's Titus Andronicus (1995) for Johannesburg's Market Theatre; Don C. Selwyn's New Zealand-made film, The Maori Merchant of Venice (2001); Philip Osment's appropriation of The Tempest in This Island's Mine for London's Gay Sweatshop (1988); and Nicholas Hytner's Henry V (2003) for the National Theatre in London.
