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9781138251908 - Siting Federico Barocci and the Renaissance Aesthetic Visual Culture in Early Modernity by Gillgren, Peter (13 results)
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Condition: As New. Unread book in perfect condition.
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Siting Federico Barocci and the Renaissance Aesthetic
Book 13 of 77: Visual Culture in Early ModernitySeller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: As New. Unread book in perfect condition.
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Condition: New. 1st edition NO-PA16APR2015-KAP.
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Siting Federico Barocci and the Renaissance Aesthetic
Book 13 of 77: Visual Culture in Early ModernitySeller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
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Siting Federico Barocci and the Renaissance Aesthetic
Book 13 of 77: Visual Culture in Early ModernityLanguage: English
Published by Taylor & Francis Ltd, 2017
ISBN 10: 1138251909 ISBN 13: 9781138251908
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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Paperback. Condition: Brand New. 342 pages. 9.69x6.85x0.81 inches. In Stock.
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Condition: New. Peter Gillgren is Anders Zorn Professor of Art History at Stockholm University, Sweden.Focusing on what he calls the performative gaze , the author explores the artistic world of the Urbino painter Federico Barocci (1535-1612) in the context of Ren.
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Taschenbuch. Condition: Neu. Siting Federico Barocci and the Renaissance Aesthetic | Peter Gillgren | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Routledge | EAN 9781138251908 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
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Siting Federico Barocci and the Renaissance Aesthetic
Book 13 of 77: Visual Culture in Early ModernityLanguage: English
Published by Taylor & Francis, Routledge, 2017
ISBN 10: 1138251909 ISBN 13: 9781138251908
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Seller rating 5 out of 5 stars
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Focusing on what he calls 'the performative gaze', the author explores the artistic world of the Urbino painter Federico Barocci (1535-1612) in the context of Renaissance culture. Through analysis of Barocci's works, Gillgren also sheds new light on Renaissance aesthetic communication generally. The first part of the book discusses the poetics of Early Modern painting, based on contemporary theories of Reception Aesthetics, hermeneutics and phenomenology, but grounded in Renaissance culture itself through numerous examples from Early Modern painting. The author discusses works by such artists as Botticelli, Raphael, Titian, Velázquez and Poussin from the point of view of their spectator status. The second part deals specifically with the art of Federico Barocci, showing in detail how his works relate to aspects of the gaze and to their intended spectators. Gillgren's method is unusual in that he takes care to set the images within their original physical contexts (lighting, space, framing materials, angle of viewer approach) as much as possible through careful analysis of early descriptions of now destroyed or modified chapels. The third section of the volume contains a brief catalogue of Barocci's paintings, presented in a chronological order, with a full bibliography and with details about the painting's original locations. 342 pp. Englisch.
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Siting Federico Barocci and the Renaissance Aesthetic
Book 13 of 77: Visual Culture in Early ModernityLanguage: English
Published by Taylor & Francis, Routledge, 2017
ISBN 10: 1138251909 ISBN 13: 9781138251908
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Focusing on what he calls 'the performative gaze', the author explores the artistic world of the Urbino painter Federico Barocci (1535-1612) in the context of Renaissance culture. Through analysis of Barocci's works, Gillgren also sheds new light on Renaissance aesthetic communication generally. The first part of the book discusses the poetics of Early Modern painting, based on contemporary theories of Reception Aesthetics, hermeneutics and phenomenology, but grounded in Renaissance culture itself through numerous examples from Early Modern painting. The author discusses works by such artists as Botticelli, Raphael, Titian, Velázquez and Poussin from the point of view of their spectator status. The second part deals specifically with the art of Federico Barocci, showing in detail how his works relate to aspects of the gaze and to their intended spectators. Gillgren's method is unusual in that he takes care to set the images within their original physical contexts (lighting, space, framing materials, angle of viewer approach) as much as possible through careful analysis of early descriptions of now destroyed or modified chapels. The third section of the volume contains a brief catalogue of Barocci's paintings, presented in a chronological order, with a full bibliography and with details about the painting's original locations.
