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9780816634477 - Brain is the Screen: Deleuze and the Philosophy of Cinema by Flaxman, Gregory (13 results)
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Brain Is The Screen Format: Paperback
Language: English
Published by University of Chicago press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Condition: New. Brand New.
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Brain Is the Screen
Language: English
Published by MP - University Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Brain Is the Screen : Deleuze and the Philosophy of Cinema
Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Condition: New.
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Brain Is the Screen - Deleuze and the Philosophy of Cinema (eng)
Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Condition: new.
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The Brain Is the Screen
Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Condition: New. pp. 408.
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The Brain Is the Screen: Deleuze and the Philosophy of Cinema
Language: English
Published by Univ of Minnesota Pr, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Paperback. Condition: Brand New. 1st edition. 395 pages. 9.25x6.25x1.00 inches. In Stock.
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Brain Is The Screen: Deleuze and the Philosophy of Cinema
Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
First Edition
Condition: New. 2000. 1st Edition. Paperback. Num Pages: 405 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 22. Weight in Grams: 540. . . . . .
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Brain Is the Screen : Deleuze and the Philosophy of Cinema
Language: English
Published by Univ Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
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Brain Is The Screen: Deleuze and the Philosophy of Cinema
Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Seller rating 5 out of 5 stars
£ 22.72
£ 16.49 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
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The Brain Is the Screen
Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Condition: New. pp. 408 Index.
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Brain Is The Screen: Deleuze and the Philosophy of Cinema
Language: English
Published by University of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Condition: New. 2000. 1st Edition. Paperback. Num Pages: 405 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 22. Weight in Grams: 540. . . . . . Books ship from the US and Ireland.
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Brain Is the Screen
Language: English
Published by University Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Seller rating 5 out of 5 stars
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing-a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania. 408 pp. Englisch.
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Brain Is the Screen : Deleuze and the Philosophy of Cinema
Language: English
Published by University Of Minnesota Press, 2000
ISBN 10: 0816634475 ISBN 13: 9780816634477
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The first broad-ranging collection on Deleuze's essential works on cinema. In the nearly twenty years since their publication, Gilles Deleuze's books about cinema have proven as daunting as they are enticing-a new aesthetics of film, one equally at home with Henri Bergson and Wim Wenders, Friedrich Nietzsche and Orson Welles, that also takes its place in the philosopher's immense and difficult oeuvre. With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain Is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images.Contributors: Éric Alliez, U of Vienna; Dudley Andrew, U of Iowa; Peter Canning; Tom Conley, Harvard U; András Bálint Kovács, ELTE U, Budapest; Gregg Lambert, Syracuse U; Laura U. Marks, Carleton U; Jean-Clet Martin, Collége International de Philosophie, Paris; Angelo Restivo; Martin Schwab, U of Michigan; François Zourabichvili, Collége International de Philosophie.Gregory Flaxman is a doctoral student in the Program of Comparative Literature and Literary Theory at the University of Pennsylvania.
