9780816634026 - Digital Baroque: New Media Art and Cinematic Folds: 26 (electronic Mediations) by Murray, Timothy (16 results)
Language: English
Published by MP - University Of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Language: English
Published by Univ Of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Language: English
Published by Univ Of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Condition: New. pp. 320.
Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Condition: New. Series: Electronic Mediations. Num Pages: 320 pages, 22 b&w illustrations. BIC Classification: AP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 156 x 22. Weight in Grams: 468. . 2008. Paperback. . . . .
Language: English
Published by Univ Of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Condition: New. pp. 320.
Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Condition: New. Series: Electronic Mediations. Num Pages: 320 pages, 22 b&w illustrations. BIC Classification: AP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 156 x 22. Weight in Grams: 468. . 2008. Paperback. . . . . Books ship from the US and Ireland.
Language: English
Published by Univ of Minnesota Pr 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
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Taschenbuch. Condition: Neu. Digital Baroque | New Media Art and Cinematic Folds | Timothy Murray | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | University of Minnesota Press | EAN 9780816634026 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostr…um[dot]co[dot]uk | Anbieter: preigu.
Language: English
Published by Univ of Minnesota Pr 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
- Print on Demand
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Paperback. Condition: Brand New. 309 pages. 8.50x5.75x1.00 inches. In Stock. This item is printed on demand.
Language: English
Published by University Of Minnesota Press Dez 2008 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
- Print on Demand
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Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -A surprising and original application of theories of new media artIn this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form…of new media art, and baroque, a highly developed early modern philosophy of art Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach-one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form. 336 pp. Englisch.
Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
- Print on Demand
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Condition: New. PRINT ON DEMAND pp. 320.
Language: English
Published by University of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
- Print on Demand
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.
Language: English
Published by University Of Minnesota Press 2008
Series: Electronic Mediations, Book 18 of 50. Book 18 of 50 - Electronic Mediations
- Softcover
- Print on Demand
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A surprising and original application of theories of new media artIn this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of ne…w media art, and baroque, a highly developed early modern philosophy of art Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach-one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.
