Cultural Memory in the Present - 9780804743501 - Against Autonomy: Global Dialectics of Cultural Exchange (cultural Memory in the Present) by Reiss, Timothy J. (26 results)
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Moe's Books, Berkeley, CA, U.S.A.Moe's Books
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Softcover. Condition: Very good. Great condition. Spine is cracked but binding is secure. Upper front cover corner is creased. Pages are clean and unmarked.
Language: English
Published by Stanford Univ Pr, Chicago, Illinois, U.S.A., 2002
- Softcover
Seller: Hiberhill, Lansdowne, PA, U.S.A.Hiberhill
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Soft cover. Condition: As New. Tight and clean with no writing, library or remainder marks. One page has jagged edge which appears to be publishing flaw and does not affect text. Seller Inventory # LGC . SC . 726.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Arches Bookhouse, Portland, OR, U.S.A.Arches Bookhouse
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Paperback. Condition: VERY GOOD. xxii, 414 pp. Underlining and marginalia to p. 28, clean thereafter, very tight and sharp.
More imagesLanguage: English
Published by Stanford Univ Pr, Stanford, CA, 2002
- Softcover
Seller: Pistil Books Online, IOBA, Seattle, WA, U.S.A.Pistil Books Online, IOBA
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Condition: Used - Near fine
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Trade Paperback. Condition: Near Fine. A clean, unmarked book with a tight binding. 534 pages. Analysis of Western concepts like autonomy, tragedy, and mind/body dualism as tools of cultural control, examining their appropriation by Caribbean and African writers including Brathwaite, Césaire, Fanon, Walcott, and Ngugi from antiq…uity to early Enlightenment. Keywords: Kamau Brathwaite, Aimé Césaire, Frantz Fanon, Ngugi Wa Thiongo, Derek Walcott, Wilson Harris, Gemeinschaft, Caliban Sycorax, Don Quijote, Fictive Imagination, Mind Body Split, Aristotle Tragedy.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condition: New.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: California Books, Miami, FL, U.S.A.California Books
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Condition: New.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condition: As New. Unread book in perfect condition.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Phatpocket Limited, Waltham Abbey, HERTS, United KingdomPhatpocket Limited
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Language: English
Published by Stanford University Press, US, 2002
- Softcover
Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Paperback. Condition: New. This book investigates "cultural instruments," meaning normative forms of analysis and practice that are central to Western culture and in the course of their history came to be ways of understanding and controlling different cultures. Examples are: notions of autonomy and the division of intellectual,… social, cultural, and aesthetic practices; ideas of otherness (taking forms like Gemeinschaft/Gesellschaft, négritude, and afrocentrism); cultural and aesthetic forms such as tragedy, mimesis, self, mind/body; certain modes of history and memory; and particular forms of discourse such as science, philosophy, and literature. The book explores the interlocking histories of cultural instruments from antiquity to the early Enlightenment and their instrumental use and reworking by different cultures, moving from Europe to Africa and the Americas, especially the Caribbean. In the process, the author gives close readings of works by a wide range of authors: Balboa, Balbuena, Brathwaite, Calvino, Carpentier, Cervantes, Césaire, Depestre, Descartes, Eltit, Fanon, Freud, Gombrowicz, Harris, Kane, Kipling, Marshall, Walcott. Many other authors' works become part of the book's general argument about how cultures are made, how they figure both themselves and other cultures, and how they mutually interact (when they do) through productions of what the author calls the "fictive imagination"-what in the West is called "art" but in different cultures may take different names and serve different purposes.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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Condition: new.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
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Condition: New. pp. 560.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In English.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. This work investigates the interlocking histories of "cultural instruments", meaning normative forms of analysis and practice that are central to Western culture and in the course of their history came to be ways of understanding and controlling different cultures. Series: Cultural Memory in the Present Series. N…um Pages: 560 pages. BIC Classification: DSA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 30. Weight in Grams: 735. . 2002. Paperback. . . . .
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: GoldBooks, Denver, CO, U.S.A.GoldBooks
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Paperback. Condition: new. New Copy. Customer Service Guaranteed.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: New.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. This work investigates the interlocking histories of "cultural instruments", meaning normative forms of analysis and practice that are central to Western culture and in the course of their history came to be ways of understanding and controlling different cultures. Series: Cultural Memory in the Present Series. N…um Pages: 560 pages. BIC Classification: DSA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 30. Weight in Grams: 735. . 2002. Paperback. . . . . Books ship from the US and Ireland.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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£ 33.73
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Condition: As New. Unread book in perfect condition.
Language: English
Published by Stanford Univ Pr, 2002
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 1st edition. 560 pages. 9.25x6.25x1.25 inches. In Stock.
Language: English
Published by Stanford University Press, 2002
- Softcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condition: New. pp. 560.
Language: English
Published by Stanford University Press Jan 2002, 2002
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Taschenbuch. Condition: Neu. Neuware - This book investigates 'cultural instruments,' meaning normative forms of analysis and practice that are central to Western culture and in the course of their history came to be ways of understanding and controlling different cultures. Examples are: notions of autonomy and the division of i…ntellectual, social, cultural, and aesthetic practices; ideas of otherness (taking forms like Gemeinschaft/Gesellschaft, négritude, and afrocentrism); cultural and aesthetic forms such as tragedy, mimesis, self, mind/body; certain modes of history and memory; and particular forms of discourse such as science, philosophy, and literature. The book explores the interlocking histories of cultural instruments from antiquity to the early Enlightenment and their instrumental use and reworking by different cultures, moving from Europe to Africa and the Americas, especially the Caribbean. In the process, the author gives close readings of works by a wide range of authors: Balboa, Balbuena, Brathwaite, Calvino, Carpentier, Cervantes, Césaire, Depestre, Descartes, Eltit, Fanon, Freud, Gombrowicz, Harris, Kane, Kipling, Marshall, Walcott. Many other authors' works become part of the book's general argument about how cultures are made, how they figure both themselves and other cultures, and how they mutually interact (when they do) through productions of what the author calls the 'fictive imagination'-what in the West is called 'art' but in different cultures may take different names and serve different purposes.
Language: English
Published by Stanford University Press, US, 2002
- Softcover
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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£ 31.01
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Paperback. Condition: New. This book investigates "cultural instruments," meaning normative forms of analysis and practice that are central to Western culture and in the course of their history came to be ways of understanding and controlling different cultures. Examples are: notions of autonomy and the division of intellectual,… social, cultural, and aesthetic practices; ideas of otherness (taking forms like Gemeinschaft/Gesellschaft, négritude, and afrocentrism); cultural and aesthetic forms such as tragedy, mimesis, self, mind/body; certain modes of history and memory; and particular forms of discourse such as science, philosophy, and literature. The book explores the interlocking histories of cultural instruments from antiquity to the early Enlightenment and their instrumental use and reworking by different cultures, moving from Europe to Africa and the Americas, especially the Caribbean. In the process, the author gives close readings of works by a wide range of authors: Balboa, Balbuena, Brathwaite, Calvino, Carpentier, Cervantes, Césaire, Depestre, Descartes, Eltit, Fanon, Freud, Gombrowicz, Harris, Kane, Kipling, Marshall, Walcott. Many other authors' works become part of the book's general argument about how cultures are made, how they figure both themselves and other cultures, and how they mutually interact (when they do) through productions of what the author calls the "fictive imagination"-what in the West is called "art" but in different cultures may take different names and serve different purposes.
Language: English
Published by STANFORD UNIV PR, 2002
- Softcover
Seller: moluna, Greven, Germanymoluna
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Kartoniert / Broschiert. Condition: New. This book investigates cultural instruments, meaning normative forms of analysis and practice that are central to Western culture. It explores their history from antiquity to the early Enlightenment and their use and reworking by different cultures, movi.
Language: English
Published by Stanford Univ Pr, 2002
- Softcover
- Print on Demand
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 1st edition. 560 pages. 9.25x6.25x1.25 inches. In Stock. This item is printed on demand.
Language: English
Published by Stanford University Press, 2002
- Softcover
- Print on Demand
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 765.
