Isbn: 9780520208902 - My Music is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940: 3 (latinos in American Society and Culture) (17 results)

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condition: Good. Dust Jacket Condition: Not Issued. FIRST EDITION, FIRST PRINTING.NO HARDCOVER EDITION PRINTED.TRADE PAPERBACK EDITION.NOT ex-library copy .TEXT UNMARKED.slightly bumped corners. .nice clean copy.binding is solid.REMAINDER MARK.

Condition: new.

Soft cover. Condition: Near Fine. No Jacket. 8vo, Soft Covers. Xxiv + 253 Pages. Few Marks to Fore Edge. Overall A Near Fine Copy. Extra Postage costs may apply to overseas orders. All books posted in sturdy book box.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music.Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.…

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 304 pages. 9.50x6.25x0.75 inches. In Stock.

Paperback. Condition: New. Puerto Rican music in New York is given center stage in Ruth Glasser's original and lucid study. Exploring the relationship between the social history and forms of cultural expression of Puerto Ricans, she focuses on the years between the two world wars. Her material integrates the experiences of the mostly working-class Puerto Rican musicians who struggled to make a living during this period with those of their compatriots and the other ethnic groups with whom they shared the cultural landscape. Through recorded songs and live performances, Puerto Rican musicians were important representatives for the national consciousness of their compatriots on both sides of the ocean. Yet they also played with African-American and white jazz bands, Filipino or Italian-American orchestras, and with other Latinos. Glasser provides an understanding of the way musical subcultures could exist side by side or even as a part of the mainstream, and she demonstrates the complexities of cultural nationalism and cultural authenticity within the very practical realm of commercial music.Illuminating a neglected epoch of Puerto Rican life in America, Glasser shows how ethnic groups settling in the United States had choices that extended beyond either maintenance of their homeland traditions or assimilation into the dominant culture. Her knowledge of musical styles and performance enriches her analysis, and a discography offers a helpful addition to the text.…

Kartoniert / Broschiert. Condition: New. This is a study of Puerto Rican music in New York, exploring the relationship between the social history and forms of cultural expression of Puerto Ricans. The book integrates the experiences of the mostly working-class musicians who struggled to make a liv.

Taschenbuch. Condition: Neu. Neuware - 'This book joins the 'must see' list of exciting new historical work on Latin American music and identity.A successful combination of theoretical sophistication and empirical research that will hopefully find many imitators among students of Latin American popular culture.'--John Charles Chasteen, Latin American Studies.…