ISBN: 9780415942546 - Projecting a Camera: Language-games in Film Theory (24 results)

Soft cover. Condition: Near Fine. No Jacket. Near fine. Clean. Tight. Bright. 8vo - over 7¾ - 9¾" tall. Book.

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback or Softback. Condition: New. Projecting a Camera: Language-Games in Film Theory. Book.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 456.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 456.

Condition: New. Through an engagement with the work of Ludwig Wittgenstein and classical and contemporary theorists of film, this book re-assesses a century of film theory and the language and ways through which our conceptions of film have been made. It explores a different way of conceiving film as a language. Num Pages: 456 pages, 4 black & white illustrations, 13 black & white tables, 1 black & white halftones. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 153 x 25. Weight in Grams: 616. . 2006. 1st Edition. paperback. . . . .…

Condition: New. In English.

Condition: New. Through an engagement with the work of Ludwig Wittgenstein and classical and contemporary theorists of film, this book re-assesses a century of film theory and the language and ways through which our conceptions of film have been made. It explores a different way of conceiving film as a language. Num Pages: 456 pages, 4 black & white illustrations, 13 black & white tables, 1 black & white halftones. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 153 x 25. Weight in Grams: 616. . 2006. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condition: Brand New. 1st edition. 424 pages. 8.75x5.75x0.75 inches. In Stock.

Condition: New. pp. 456 This item is printed on demand.

PF. Condition: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Edward Branigan is Director of Graduate Studies and a Professor of Film Studies at the University of California, Santa Barbara, and is an attorney. He is the author of Point of View in the Cinema and Narrative Comprehension .…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.…