Isbn: 9780415774741 - Memento (philosophers on Film) (28 results)

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. Book is in very good condition. 191pp.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Near Fine. Card covers very lightly marked; contents fine.

Condition: New.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Explores and addresses the myriad philosophical questions raised by the film, "Memento" concerning personal identity, free will, memory, knowledge, and action. This book examines problems in aesthetics raised by the film through its narrative structure, ontology, and genre. It is suitable for students interested in philosophy and film studies. Editor(s): Kania, Andrew. Series: Philosophers on Film. Num Pages: 208 pages, black & white illustrations, black & white line drawings, black & white tables, figures. BIC Classification: APFA; HP. Category: (UU) Undergraduate. Dimension: 215 x 138 x 12. Weight in Grams: 274. . 2009. 1st Edition. paperback. . . . .…

Condition: New. In English.

Condition: New. Explores and addresses the myriad philosophical questions raised by the film, "Memento" concerning personal identity, free will, memory, knowledge, and action. This book examines problems in aesthetics raised by the film through its narrative structure, ontology, and genre. It is suitable for students interested in philosophy and film studies. Editor(s): Kania, Andrew. Series: Philosophers on Film. Num Pages: 208 pages, black & white illustrations, black & white line drawings, black & white tables, figures. BIC Classification: APFA; HP. Category: (UU) Undergraduate. Dimension: 215 x 138 x 12. Weight in Grams: 274. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condition: Brand New. 1st edition. 208 pages. 8.46x5.43x0.47 inches. In Stock.

Condition: New.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condition: Neu. Memento | Andrew Kania | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2009 | Routledge | EAN 9780415774741 | Verantwortliche Person für die EU: Taylor & Francis Verlag GmbH, Kaufingerstr. 24, 80331 München, gpsr[at]taylorandfrancis[dot]com | Anbieter: preigu.

Condition: New. pp. 208.

Condition: New. pp. 208.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film's central character, it follows Leonard's chaotic and visceral quest to discover the identity of his wife's killer and avenge her murder, despite his inability to form new long-term memories. This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre. Beginning with a helpful introduction that places the film in context and maps out its complex structure, specially commissioned chapters examine the following topics:memory, emotion, and self-consciousnessagency, free will, and responsibilitypersonal identitynarrative and popular cinemathe film genre of neo-noirMemento and multimediaIncluding annotated further reading at the end of each chapter, Memento is essential reading for students interested in philosophy and film studies. 210 pp. Englisch.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Within a short space of time, the film Memento has already been hailed as a modern classic. Memorably narrated in reverse, from the perspective of Leonard Shelby, the film's central character, it follows Leonard's chaotic and visceral quest to discover the identity of his wife's killer and avenge her murder, despite his inability to form new long-term memories. This is the first book to explore and address the myriad philosophical questions raised by the film, concerning personal identity, free will, memory, knowledge, and action. It also explores problems in aesthetics raised by the film through its narrative structure, ontology, and genre. Beginning with a helpful introduction that places the film in context and maps out its complex structure, specially commissioned chapters examine the following topics:memory, emotion, and self-consciousnessagency, free will, and responsibilitypersonal identitynarrative and popular cinemathe film genre of neo-noirMemento and multimediaIncluding annotated further reading at the end of each chapter, Memento is essential reading for students interested in philosophy and film studies.…

Condition: New. pp. 208 This item is printed on demand.