ISBN: 9780415458559 - The Transformative Power of Performance: A New Aesthetics (20 results)

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. This 6 1/2 by 9 1/2 inch volume has 232 pages. The blue paper boards have white lettering. This book would be in Fine condition except the spine ends have been bumped. This is a Firs Edition Thus volume as it is this publisher's First Edition of the book. It appears this book was initially copyrighted in 2004.…

Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 242.

Condition: New. Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a fresh appreciation of the artistic event. Translator(s): Jain, Saskya. Num Pages: 240 pages, black & white illustrations. BIC Classification: AS. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 20. Weight in Grams: 498. . 2008. 1st Edition. hardcover. . . . .…

Condition: New. pp. 242.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Traces the emergence of performance as 'an art event' in its own right. This translation of the original "A sthetik des Performativen" addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a fresh appreciation of the artistic event. Translator(s): Jain, Saskya. Num Pages: 240 pages, black & white illustrations. BIC Classification: AS. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 20. Weight in Grams: 498. . 2008. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Condition: Brand New. 1st edition. 232 pages. 9.25x6.25x0.75 inches. In Stock.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this book, Erika Fischer-Lichte traces the emergence of performance as an art event in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience. …

Condition: New. pp. 242 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam This item is printed on demand.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In this book, Erika Fischer-Lichte traces the emergence of performance as 'anart event'in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience that a performance provokes - blurring distinctions between artist and audience, body and mind, art and life - is here framed as the breeding ground for a new way of understandingperforming arts, and through them even wider social and cultural processes.With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event. 242 pp. Englisch.…

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this book, Erika Fischer-Lichte traces the emergence of performance as 'anart event'in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.The peculiar mode of experience that a performance provokes - blurring distinctions between artist and audience, body and mind, art and life - is here framed as the breeding ground for a new way of understandingperforming arts, and through them even wider social and cultural processes.With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.…