ISBN: 9780198994497 - Charles Dickens: But for You, Dear Stranger (my Reading) (17 results)

Paperback. Condition: New. A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, to enter vividly into the life he or she has been given, and into the lives of others? How does someone change, how do they love, give their trust, look forward to the future? These questions make their way into all of Dickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about? This becomes the important question as she reads through Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to what Dickens has to teach her about hope, love, and the limits of knowledge.…

Paperback or Softback. Condition: New. Charles Dickens: But for You, Dear Stranger. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Paperback. Condition: Brand New. 192 pages. 5.51x0.40x8.50 inches. In Stock.

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Taschenbuch. Condition: Neu. Neuware -A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, to enter vividly into the life he or she has been given, and into the lives of others How does someone change, how do they love, give their trust, look forward to the future These questions make their way into all of Dickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about This becomes the important question as she reads through Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to what Dickens has to teach her about hope, love, and the limits of knowledge.…

Taschenbuch. Condition: Neu. Neuware - A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, to enter vividly into the life he or she has been given, and into the lives of others How does someone change, how do they love, give their trust, look forward to the future These questions make their way into all of Dickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about This becomes the important question as she reads through Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to what Dickens has to teach her about hope, love, and the limits of knowledge.…

Paperback. Condition: new. Paperback. A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, toenter vividly into the life he or she has been given, and into the lives of others? How does someone change, how do they love, give their trust, look forward to the future? These questions make their way into all ofDickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about? This becomes the important question as she readsthrough Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to whatDickens has to teach her about hope, love, and the limits of knowledge. Dickens's first concern in all his fiction is with people's feelings and their imaginations. This book takes a personal approach to Dickens's art, paying attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: new. Paperback. A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, toenter vividly into the life he or she has been given, and into the lives of others? How does someone change, how do they love, give their trust, look forward to the future? These questions make their way into all ofDickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about? This becomes the important question as she readsthrough Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to whatDickens has to teach her about hope, love, and the limits of knowledge. Dickens's first concern in all his fiction is with people's feelings and their imaginations. This book takes a personal approach to Dickens's art, paying attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condition: Neu. Charles Dickens | But for you, dear stranger | Annette Federico | Taschenbuch | My Reading | Englisch | 2026 | Oxford University Press | EAN 9780198994497 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Paperback. Condition: New. A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, to enter vividly into the life he or she has been given, and into the lives of others? How does someone change, how do they love, give their trust, look forward to the future? These questions make their way into all of Dickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about? This becomes the important question as she reads through Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to what Dickens has to teach her about hope, love, and the limits of knowledge.…

Condition: new. Questo è un articolo print on demand.

Taschenbuch. Condition: Neu. Neuware -A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, to enter vividly into the life he or she has been given, and into the lives of others How does someone change, how do they love, give their trust, look forward to the future These questions make their way into all of Dickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about This becomes the important question as she reads through Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to what Dickens has to teach her about hope, love, and the limits of knowledge. 182 pp. Englisch.…

Paperback. Condition: new. Paperback. A personal approach to Dickens's art that pays attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about.Dickens's first concern in all his fiction is with people's feelings and their imaginations. Everything else-the social criticism, the satire, the comedy-flows from that spring. How does a person begin to imagine, toenter vividly into the life he or she has been given, and into the lives of others? How does someone change, how do they love, give their trust, look forward to the future? These questions make their way into all ofDickens's novels, including the four discussed in this volume: Oliver Twist (1837-39), David Copperfield (1849-50), Little Dorrit (1855-57), and A Tale of Two Cities (1859). This book takes a personal approach to Dickens's art. Federico follows her own responses, paying attention to what magnetizes her or strikes her as newly relevant to our own world, and to her life. What is the story emotionally about? This becomes the important question as she readsthrough Dickens's works. It is the question that opens the door to her own memories, her own stories, as she grows from being an innocent reader of Dickens to a more critical, professionalized one-while still listening confidentially to whatDickens has to teach her about hope, love, and the limits of knowledge. Dickens's first concern in all his fiction is with people's feelings and their imaginations. This book takes a personal approach to Dickens's art, paying attention to what magnetizes Federico or strikes her as newly relevant to our own world, and to her life, as she explores what Dickens' works are emotionally about. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 192 pages. 5.51x0.40x8.50 inches. In Stock. This item is printed on demand.