Zinnes Harriet (60 results)

Trade Paperback. Condition: As New. First Edition. never read.

Trade Paperback. Condition: USED Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paper Back. Condition: Good.

Paperback. Condition: Very Good. Binding is solid. Pages unmarked and barely aged. Cover has minor wear to edges, and some curl to fore-edge. ; 5.5 X 0.5 X 8 inches; 160 pages.

Condition: Good. Signed Copy . Signed/Inscribed by author on front endpage. Slightly dampstained.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Fine. First Edition. Fine in wrappers.

Soft cover. Condition: Fine. First Edition. 88 page softcover - all poetry. Inscribed by author on title page. No flaws - unmarked, tight and clean. Signed by Author(s).

Soft cover. Condition: Very Good. 1st Edition. 1988 paperback inscribed (which always means to a particular person) by the author on the title page in 1989. Fold on back cover, curling, denting, small dampstain at bottom edge of front cover (only noticeable on the inside), else text clean, binding tight . Inscribed by Author(s).…

Softcover. Condition: Near Fine. First Edition; First Printing. Near Fine first edition paperback inscribed by Zinnes on the front fly dated June 12, 1978. Minor cover edgewear. 69 pages, unmarked; ECR U4U; 8vo 8" - 9" tall; 69 pages.

First edition, first printing Gift quality. Fine and bright glossy wraps. From another poet's library with his signature which bothers none of the text.

First edition, first printing Gift quality. Fine and bright glossy wraps. From another poet's library with his signature which bothers none of the text.

First edition, first printing Gift quality. Fine and bright glossy wraps. From another poet's library with his signature which bothers none of the text.

Soft cover. Condition: Very Good. No marks. Light wear. Signed by Zinnes and with inscription to the poet Max Wickert. Wickert name on endpapers. Signed by Author(s).

Condition: New.

First edition, first printing Gift quality. Fine and bright glossy wraps. From another poet's library with his signature which bothers none of the text.

Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Folder Editions, 1976. Octavo. Paperback. Book is very good with review slip laid in. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Condition: As New. Unread book in perfect condition.

Stiff Wraps. Condition: Fine. First Edition. 69pgs, inscroibed by the author, beautiful copy.

Condition: Very Good. 69 pp., paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condition: Near Fine. 1st Edition. Inscribed on title page, no other markings. Tight binding, no reading creases, sharp edges and corners, front cover is slightly curled. Inscribed by Author(s).

Hardcover. Condition: Fine. New York/London/Australia/Canada/New Zealand: A ROC Book/Penguin Group, 1991. Unread. Book shows light age, light extremity wear still FINE, Dust Jacket (see scan), light extremity age, just a touch of wear, otherwise Fine. BCE, Original ISBN : 0451450795. Book Club Edition. Hard Cover/Cloth Spine/Sewn. Fine/Near Fine. 8vo - 8 " tall.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Clean, unread copy in Fine - Near New Condition. No marking or writing in the book-text is completely clean, and the book appears unread. Binding is firm. Covers are clean and show almost no shelf wear. Dust jacket is clean and shows only very faint shelf wear along the edges.…

First edition. [4 pp]. Near fine in stapled wrappers. Several small holograph corrections to the text.

First edition. 69 pp. Near fine in wrappers with a small blemish on the front panel. Dated (10 December 1980) and INSCRIBED by Zinnes, who has also made a correction.

Paperback. Condition: Very Good. No Dustjacket. First Edition. ISBN 9780913152157. Trade Paperback. No statement of later printing on copyright page. Personalized inscription from author to previous owner on front endpaper. Slight wear to corners and edges; slight rubs along front of spine; slight dustsoiling to page edges; otherwise tight, sound and unmarked in Very Good condition. Inscribed by Authors.…

Hardcover. Condition: Collectible; Fine. Dust Jacket Condition: As New. First Edition. This hardcover book is square and tight. The boards and spine have no wear with pristine gilt. The pages and endpages are clean, with no markings or folds. The dustjacket is As New. Original Price is intact. Not ex-lib. No remainder mark. Collection of Short Stories with Notes on the Authors.…

Soft cover. Condition: Very Good. Trade paperback in very good condition.

Octavo, brown cloth (hardcover), gilt letters, 322 pp. Fine in a Very Good, mylar protected dust jacket with lightly rubbed edges. From dust jacket: As a prime mover of modernism, Ezra Pound applied his unflagging energy to an astonishing range of activities. His early associations with Wyndham Lewis and the young sculptor Henri Gaudier-Brzeska are well known. What has been generally overlooked, however, is the degree to which Pounds' continued participation int he art world influenced the reshaping of our perceptions. Ezra Pound and the Visiual Arts is the first gathering of the poet's writings in the field. In the opening section are assembled all of his art reviews contributed to Lond's The New Age in the years 1913-22. It iwas at this same time that he, with Lewis and others, launched the Vorticist movement, and the next section includes his heady, often vehement pronouncements, along with a discussion of the new art form of "vortography." Subsequent parts present Pound's intense opinions on the visual arts reflected over the course of his lifetime: his articles of miscellaneous periodicals; previously unpublished letters to the American art patron John Quinn; relevant excerpts from published books; and a further selection of uncollected manuscripts and papers, from 1909 to 1957. Ezra Pound and the Visual Arts, edited by Harriet Zinnes, art critic, poet, fiction writer, and professor of English at Queens College of the City University of New York, is a companion volume to R. Murray Schafer's Ezra Pound and Music (1977). Together, these two books serve to document the poet's unsparing efforts beyond the confines of literature in laying the aesthetic groundwork for the contemporary arts. Art, Literature, Biography ads.…