William De Gregorio (9 results)

Hardback. Condition: Fair.

Hardback. Condition: Good.

Hardback. Condition: Fair.

Paperback. Condition: New. 1st.

Condition: New. Idioma/Language: Español. Alicia Moreno ha convocado a un grupo de profesionales experimentados a mostrar que la clínica sistémica en sentido amplio excede a la psicoterapia familiar, individual y de pareja para incluir también el trabajo en marcos escolares, organizacionales, judiciales, sanitarios, médicos y de inmigración, hoy tan urgidos de atención. Sin dejar tampoco de lado dos aspectos que han acompañado siempre a las prácticas sistémicas: el trabajo en servicios sociales con frecuencia involucrados con familias que enfrentan múltiples desafíos sociales y problemas de violencia, pobreza y disonancia étnica, así como el todavía desafiante campo de las psicosis. Marcelo Pakman, autor del prólogo. Los principios teóricos, modelos de intervención y estrategias terapéuticas que provienen del campo de la terapia familiar sistémica son relevantes para cualquier encuadre de psicoterapia y resultan imprescindibles en una gran variedad de contextos de intervención. Este libro expone algunas de las aportaciones clave del paradigma sistémico que nos permiten avanzar desde una visión puramente individual a un enfoque relacional y contextual. Se aborda así una serie de problemáticas y contextos teniendo en cuenta al individuo, la pareja, la familia, las relaciones significativas, el impacto de distintas crisis, las interacciones entre los consultantes y los profesionales que les atienden y los contextos institucionales y sociales en que se desarrollan todas estas interacciones. Alicia Moreno es Doctora en Psicología. Está acreditada como psicóloga clínica, psicoterapeuta, terapeuta familiar y supervisora docente. En su trayectoria profesional ha combinado la práctica clínica con el trabajo como profesora universitaria y la docencia en programas de especialización para psicoterapeutas. Dirige FOCUS, un centro de psicoterapia y de formación para profesionales en terapia sistémica y narrativa. Es la editora del Manual de terapia sistémica. Principios y herramientas de intervención (Editorial Desclée De Brouwer, 2014). *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. …

Paperback. Condition: New. 1st.

Encuadernación de tapa blanda. Condition: Bueno. Junio 1942 - Septiembre 1942. N° 1 a 5. Buenos Aires. Colección completa. Dirigida por Ana María Chouhy Aguirre y Juan Rodolfo Wilcock. Rústica con solapas. Colaboraciones de: Pablo Grinblat, Félix Della Paolera, Juan Rodolfo Wilcock, César Fernández Moreno, Roberto Paine, William T. Foster, Héctor Villanueva, Gregorio Santos Hernando, Alberto Ponce de León, Vicente Barbieri, León Benarós, Ángel Mazzei, Ezra Pound, Basilio Uribe, Carlos Alberto Álvarez, Julio César Avanza, Antonio Puga Sabaté, Antonio Esteban Agüero, Juan Enrique Acuña, Francisco Tomat Guido, Juan G. Ferreyra, Horacio Cabral, Raúl Amaral. Numeros 2 y 5 con leves perdidas en el lomo. Buen estado.…

Soft cover. Condition: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Paperback. Condition: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).…