William Broonzy (26 results)

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

First printing of this republication (original was 1964). "As told to Yannick Bruynoghe." With 9 pages of illustrations plus drawings by Paul Oliver. -- Softcover. Condition: near fine. ISBN 0306804905.

Paperback. Condition: Fine. First Da Capo edition. 6vo,

Paperback. Condition: Fine. First Da Capo edition. 6vo,

Paperback. 176p. including photos, first US wraps edition, wraps lightly worn, else very good condition. Sociologist David Wellman's copy, with his ownership signature and rubberstamp on half-title and rubberstamp on top edge of textblock. Reissue of the Cassell & Company edition, with a new foreword and introduction, a revised discography and additional biographical material.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. xiv, 233 p. : ill., ports. ; 26 cm. ISBN 9780520029996, 9780520037199, 0520029992, 0520037197 OCLC 3289253 LCCN 75007193 LC ML3561.J3 S39 Dewey 785.420973 ; gray cloth in pictorial dust jacket ; Contents: Preface / Chadwick Hansen -- Introductions -- Introducing the Jazz Record 1943 / Art Hodes -- Jazz Record: the first year, 1944 / Art Hodes and Dale Curran -- Jazz Record remembered, 1973 / Art Hodes -- Part 1: Facts Of Life / Art Hodes -- Rainbow cafe -- Everybody's in the union -- Playing for kicks -- Wingy, Louis and me -- Liberty Inn drag -- Jam session -- Cops -- Taxi dance hall -- Big bands: 1 -- Big bands: 2 -- Making a record -- Enlightenment-through radio -- Blues for Bennie -- Blues for the dago -- Blues for Nick and tricky Sam -- Blues for 52nd street -- Part 2: Beginnings-Blues, Boogie-Woogie And Ragtime -- Cow cow and the boogie-woogie / Cow Cow Davenport -- Mama don't low no music / Cow Cow Davenport -- Blues in his heart / Jasper Wood -- Rag alley story / Rudi Blesh -- Little brother / Eurreal Montgomery -- Preserve genuine early ragtime / S Brunson Campbell -- They all had it / S Brunson Campbell -- Scott Joplin / R J Carew -- Baby, I done got wise / William "Big Bill" Broonzy -- Memories of Bessie Smith / Carl Van Vechten -- Bessie Smith / Art Hodes -- Really the blues / Milton (Mezz) Mezzrow -- I remember the queen /Zutty Singleton -- Part 3: New Orleans And All That Jazz -- New Orleans trumpeters / Cy Shain -- Jazz music of the gay '90s / John A Provenzano -- Mardi Gras, chic la pai / John A Provenzano -- Mr Armstrong and Mr Robbins / transcribed by Lorraine Lion -- When Armstrong came to New York / Kaiser Marshall -- King Oliver's last tour / Fred Moore -- King's nephew / Dave Nelson, as related to Danny Barker -- Mostly about Morton / Omer Simeon -- Oh, Mr Jelly / Charles Edward Smith -- Oh, play that thing / Warren "Baby" Dodds -- Forty-eight years on the string bass / Pops Foster -- Blues for Jimmy / Vincent McHugh -- Tribute to Joe Darensbourg / John Wittwer -- Once upon a time / Eddie Edwards -- Kid Ory / Alma Hubner -- Letter from Bunk / Bunk Johnson -- Jam session with Bunk / Lewis Eaton -- Play number nine / George Lewis -- New Orleans trombone / Jim Robinson -- Big eye Louis Nelson / Robert Goffin -- Part 4: Second Line -- Baby Dodds knew how / George Wettling -- Drummer from Chicago / Earl Wiley -- Drummer Danny / Bob Aurthur -- Kazoo come on / Jack Bland -- As I knew Eddie Lang / Jack Bland -- Idyll of the kings / Amy Lee -- Riverboat Jess / Mary Peart -- Barrelhouse Frank Melrose / Pete Daily -- Davenport piano / Floyd Bean -- Portrait of George Bruni(e)s / Amy Lee -- Modest George / Harvey Lebow -- Bud Freeman said it / Jasper L Wood -- Pee Wee's soul is music / Alma Hubner -- Rod Cless as I knew him / Ray Cless -- Muggsy Spanier / Alma Hubner -- Hear that ragtime band / Dale Curran -- Wild William / Bob Aurthur -- Talking about boze / Mary Peart -- Dixieland, twin city style / Paul (Doc) Evans -- Gentleman of jazz / Fats Baker -- Music is a business / Fats Baker -- Village tavern league / George Avakian -- Musicians are independent / G F Quittner -- Part 5: Lest We Forget -- Gram-o-phone days / Dale Curran -- Recording with Panassie / Mezz Mezzrow -- I'm a sweet Papa Pigment / Alsion Blair -- St Louis Jazzman / Ed Crowder and A F Niemoeller -- Drums on the Mississippi / Harry Dial -- Everybody loves Cecil / H B M -- Music is my business / Henry Goodwin -- Fats Waller and James P / James McGraw -- Trouping with Fats Waller / Gene Sedric -- You got to be original, man / Allan Morrison -- Sidney Bechet, musical father to Bob Wilber / Al Avakian -- Selections from the gutter / Art Hodes ; FINE/FINE. Book.

Soft cover. Condition: Fine.

Softcover. Condition: Very Good. Revised edition. Illustrated by Paul Oliver. Foreword by Charles Edward Smith. Introduction and additional biographical notes by Yannick Bruynoghe. Revised discography by Albert J. McCarthy, Ken Harrison, and Ray Astbury. 176pp. Pictorial wrappers. Pencil and erasure markings on front cover with a crease, small abrasion on rear wrap, very good. Autobiography of the blues great.

Soft cover. Condition: Good. No Jacket. Solidly bound. The corners, edges and spine have been lightly bumped. Stains to the edges of text block. No text is obstructed.

Tapa blanda. Condition: Muy bien. Colección "Fundamentos" núm 185. MUY BUEN ejemplar con fotos en texto. 212pp + notas.

Condition: good. A well-loved companion. Corners and cover might show a little wear, and you could find some notes or highlights. The dust jacket might be MIA, it might have been a library book and extras aren't guaranteedâ"but the story's all there!

Couverture souple. Condition: Bon.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Paul Oliver (illustrator). 1st Edition. First Edition (1955.) Hardcover with dust jacket. 8vo with 139 pages. The book and dust jacket are in very good condition with very slight shelf wear. Interior is clean and tight. Some toning to dust jacket due to age. Illustrated by Paul Oliver. Pictures available upon request. "In 1953, five years before he died, the great blues singer and guitarist Big Bill Broonzy wrote out the the story of his life and many of his songs. Yannick Bruynoghe edited Bill's stories, added a biographical note and arranged for their publication, first in 1955. Discography in rear. White-Red spine/Black text.#033993 Size: 8vo. Music / Blues.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. 1st Edition. Big Bill is one of the last of the old Mississippi Negroes who spent his life singing and composing blues. He does not need any introduction to the Jazz world. 8vo.Pp, viii, [4], 139,[1] Dust Jacket dark brown with drawing of Big Bill on front , tear in head and spine has small clips on head and tail. Front free has foxing also rear , but generally book apart from very slight shelf wear good.All plates correct, a very interesting and informative book.

Couverture souple. Condition: Bon. 228 pages, broché. Illustré de nombreuses photos n/b. Récits autobiographiques du célèbre bluesman "Big Bill" Broonzy (1893 ou 1903-1958), recueillis par Yannick Bruynoghe. Préface de Hugues Panassié. La photo de couverture est de Robert Doisneau. Contient aussi les textes de 14 chansons de Big Bill Broonzy, avec leurs traductions en français et un index des personnes citées. Traces d'usure "normale" à la couverture: quelques plus et marques, mais ni manques ni déchirures. Intérieur frais, les pages avec les photos sont en excellent état.

Hardcover. Condition: Good. He was one of the masters of the country blues. His vocal style was legendary long before his death, and his songs, including "Big Bill Blues", "Keys to the Highway", and "Looking Up at Down", are some of the best known in the blues repertoire. It captures the full flavour of Broonzy's unique voice as he tells about his thirty years of playing the blues. Here are intimate stories about other blues greats - Sleepy John Estes, Lonnie Johnson, Sonny Boy Williamson, Memphis Slim; Memphis Minnie, Washboard Sam - and descriptions of how he came up with the ideas for his songs. / Illustrated with B&W photos & line drawings by Paul Oliver. // This is a 1st edition hardback with its dustjacket in good condition-the dustjacket edges has pieces missing from it, chipped off & the front end-paper has the top corner of the page missing. (139 pages & 10 page of introduction & 8 pages of photos).

Couverture souple. Condition: bon. R320163751: 1955. In-12. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Papier jauni. 228 pages - quelques planches en noir et blanc - quelques traces de crayon à papier en marge à l'intérieur de l'ouvrage sans conséquence sur la lecture. . . . Classification Dewey : 780.92-Musiciens, concertistes.

Soft cover. Condition: Fine. Dust Jacket Condition: Near Fine. Paul Oliver (illustrator). 1st Edition. Stated First Published. Short gift inscription on ffep. Clipped DJ in archival cover.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A Fine tight copy in a Fine bright unclipped dust jacket. A very crisp copy. This first person account by one of the great blues players is told in Big Bill's inimitable voice as recorded directly by Bruynoghe. Bill talks in his homey manner of his life, his songs, and his many friends in and out of music. In his lifetime he recorded over 250 songs and wrote many more which were recorded by others. Broonzy learned his blues trade in and around the farmlands of Mississippi then took his talents to Chicago in the 20's where he did most of his recording.

8°. 228 S. Mit 10 Seitentafeln. Orig.-Broschur mit Porträt. Broschur mit Gebrauchsspuren. Sprache: Französisch / Français / French + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

Eight loose slips of paper, each measuring about 5" x 3". Each slip is dated in either July, August, or September, 1955, and is signed twice by blues legend Big Bill Broonzy, using various iterations of his name ["Wm. Broonzy," "Bill Broonzy," etc.]. Each of this is from a peformance that Broonzy gave at Chicago's College of Complexes, a sort of roving radical venue for free expression, art, and discussion founded in 1951 by Slim Brundage. The first signature is followed by a math equation, which lists Broonzy's payment for the performance, less a 2% withholding for Social Security. Below that, Broonzy signs his name again, then writes the payment received and the date received. All of the writing is clearly in Broonzy's hand. Big Bill Broonzy was a blues musician from rural Arkansas whose career vascillated between fame and obscutiry during his lifetime. Recording several albums for Meltone Records, Perfect Records, and other minor labels, he would gain some notoriety in the 1930s, even filling in for Robert Johnson at a planned concert at Carnegie Hall in 1938 (Johnson had recently died unexpectedly). While he developed a following, he was still working as a janitor in Iowa in 1951, when the growing folk revival and new support from Pete Seeger brought him national fame and recognition as a blues performer. He toured Europe that year. While Broonzy's music was not as overtly political as some of his folk contemporaries, his music and the circumstances of his life brought him into close quarters with other black blues musicians, and folk artists of all races who were invested in Civil Rights and other left-wing movements of the period. Broonzy autographs are not common; signed photographs and record albums occasionally appear at auction and frequently sell beyond the high estimate, but we were unable to find similar examples of work-related ephemera signed by the blues great, and believe this collection to be an important artifact of this musician's career, dating from the brief period of fame he enjoyed before his relatively early death from throat cancer just three years later, in 1958.