Walter Zanini (22 results)

Softbound. White paper wraps with raised design. Unpaginated (12 pp, staple bound). 4 BW illustrations. 1200 copies of this catalogue were printed. Exhibition October 19-November 8, 1982. Catalogue lists 12 works. VG- (bent corner, some minor soiling and shelf wear).

23x23. 188 pags. Fotos.

Soft Cover. Condition: Very Good. First Edition; First Printing. 12 full page plates. Introduction by Walter Zanini. Text in Portuguese. Published on the occasion of the exhibition at Museu de Arte Contemporanea da Universidade de Sao Paulo, November 18 - December 11, 1966. ; Tight and clean. Solid binding. A touch age-toning, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; 8vo 8" - 9" tall.

Encuadernación de tapa dura. Condition: Bien.

23x23. 188 pags. Muy ilustrado, fotos color. Cubierta tipográfica. Texto en castellano e inglés.

Paperback. Condition: Good in wraps. 21 x 30cm 138pp good paperback exhibition catalogue, small section of cover missing from lower front left corner, slight creasesto front and corner curling. Black and white reproductions throughout showing works by a multitude of artists from Brazil, Italy, Canada, France.

Soft Cover. Condition: Very Good. This is a very good softcover copy with light wear to the top of the spine, and a short crease to the front cover lower right corner. Completely clean. Binding firm. Text in Portuguese and French. This catalog was prepared to accompany the exhibition at the Museu de Arte Contemporanea de Universidade Sao Paulo, from November 18 to December 18. 1971. Vicente do Rego Monteiro (1899- 1970), from Recife, was a Brazilian painter, sculptor, and poet, born to a rich family. He was part of the Semana de Arte Moderna exhibition and helped form Brazilian Modernism. Illustrated in color and black & white. Essay by Walter Zanini. Contributions by Willy Lewin, Layla Perrone-Moises, Maurice Raynal, Jean Cassou and Michel Ragon. Chronology. Exhibition history. Bibliography. 11" high X 9" wide, unpaginated. This book will be securely packed and shipped with tracking.

Softcover, staple-bound, 44 pages; in Portuguese; good condition; toning to edges of covers; light foxing to a few pages; no internal marks.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. JAC JAC- 3ª EXPOSICAO JOVEM ARTE CONTEMPORANEA , 1969-MUSEU DE ARTE CONTEMPORANEA, SAO PAULO, 1969- EXPOSITORES:AMARAL, ANTONI; ALBERTINI, A: CRUZ VER, ESPINDOLA, H; FAVERO, MA. LUISA, FERREIRA, FREITAS FILHO, KANEKO, LEVY ALBERTO SIXAS, KATSUMATA TAKESI, LION, NADIN, SILLES, L: SALVADOR, GILBERTO; TOZZI , CLAUDI Y OTROS FOTOS DE REPRODUCCION DE OBRAS EN b/n- IMPECABLE- DOCUMENTO DE ARTE- art 4.

Softcover, unpaginated; in Portuguese; very good condition; light rubbing to covers; no internal marks. (Blank blue spine) Foreign shipping may be extra.

Softcover, staple-bound, unpaginated; in English and Portuguese; very good condition; light rubbing to covers; no internal marks.

Three softcover books, 114, 138 and 240 pages; in English and Portuguese; good condition; moderate wear to covers; Arte Incomum volumes have two parallel 1-inch creases to the upper right corner of all pages and creasing and edgewear to spine; Arte Postal has small tear to bottom of spine; the Catalogo Geral volume has creases to spine and heavy 1-inch tear to bottom of spine; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. 1971 Soft Cover Text in Portuguese Interior clean. Wraps VG Walter Zanini offers a retrospective vision of the work of Vicente do Rêgo Monteiro, an artist from the state of Pernambuco, one year after his death. Professor Zanini's far-reaching analysis provides context for a chronological understanding of a multifaceted artist with a diverse body of work (do Rêgo Monteiro was not only a draftsman and painter, but also a poet, printer, and inventor). Through quotations and notes on the era, the artist's role in Brazilian and European Modernism is discussed along with the changes in his linguistic interests in the spheres of painting and poetry. Zanini clearly intends to legitimize do Rêgo Monteiro's work, while also informing Brazilian researchers of other "Modernists" from the state of Pernambuco, among them poet Manoel Bandeira, and artists Cícero Dias and Joaquim Cardozo.

Cloth. Condition: Fine Condition. 213 pages. Hardcover. Texts in Portuguese. Minimal shelfwear rubbing to the covers. Else, the binding is tight, the interior clean and free of markings. Bound in illustrated paper covered boards and issued without a dustjacket. Nicely illustrated. Extensive bibliography. Book.

Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1,116 pages split between two hardcover volumes, each bound in maroon colored cloth covered boards and wrapped in printed paper dustjackets. Texts in Spanish. Light scuffing and wear to each dustjacket, although now protected by Mylar sleeves. The upper right corner of the front cover of volume 1 is slightly bumped, but the bindings remain solid and secure, with an overall sharp feeling and clean interior free of bindings. A detailed survey of the vast history of Brasilian art from antiquity up until the time of publication. Well illustrated in both black and white and color. Book.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. This is a very good two volume hardcover set with very good dust jackets with almost no wear. Completely clean inside and out. Text in PORTUGUESE. This standard work on Brasilian art covers architecture and design, painting and sculpture, textiles and clothing, and many other implements from the useful arts. 1461 illustrations in color and black & white. Bibliography. 11" high X 9" wide, 1116 pages. Large heavy books, foreign shipping will be extra. These books will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very good. In Portuguese. 2 volumes.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. MAC Museu de Arte Contemporânea da Universidade de Sao Paulo, Sao Paulo, (Brazil), 1972. 1ª Edición. Catálogo de la exposición con ilustraciones en b/n. Diseño gráfico de Donato Ferrari. Textos de Walter Zanini, Fernanda Dias Barros, Ingelott Taterka, Erika Steinberger, etc. (en portugués). Participaron en el evento las siguiente entidades: The Adams School - Associaçao dos Pais e Amigos do Excepcional (APAE) - Instituto Ocupacional Avanhandava - Centro Israelita de Assistência ao Menor (CIAM) - Escola Experimental Irma Catarina. 27x21. [24 pp.]. Rústica editorial con grapas.

Encuadernación de tapa dura. Condition: Muy Bien. Catálogo com extensa documentação sobre a mailart / arte correio. Textos de Ulises Carrion, Julio Plaza, Walter Zanini, Mirelle Bentivoglio e Romano Peli. Exemplar encadernado. Sem as capas originais. Páginas amareladas pelo tempo. 136 páginas.

Encuadernación de tapa blanda. Condition: Bueno. 1ª Edición. Poeticas Visuais. 29/09/1977 - 30/10/1977 Museu de Arte Contemporânea da Universidade de São Paulo. Julio Plaza (Curador) | Walter Zanini (Curador). Exposição produzida pelo MAC USP. Main brazilian artists: Regina Silveira, Gabriel Borba, Gretta Sarfaty, Paulo Bruscky and Julio Plaza. Soft cover, pp. 54. The exhibition became a fundamental milestone for avant-garde art in Brazil. It challenged traditional art mediums and connected Brazilian artists to a vast international network of alternative art circuits. The exhibition brought together 201 national and international artists. The core objective was to investigate image as language and propose free-thinking reflections through mass communication tools and reproducible mediums.The main highlight of the show was the use of Mail Art (Arte Postal). A large portion of the experimental works was sent through the postal service by artists across Latin America and Europe, effectively bypassing the restrictions and censorship imposed by military dictatorships at the time. Alongside the Prospectiva 74 exhibition (held at the same museum in 1974), Poéticas Visuais consolidated MAC USP as the leading hub for conceptual and multimedia art in Brazil during the 1970s. The show successfully decentralized the traditional art market and stripped away the aura of the "unique artwork" by encouraging the public to reproduce and share the pieces. Covers has been restored.

Encuadernación de tapa blanda. Condition: Muy bien. 1ª Edición. MAC Museu de Arte Contemporânea da Universidade de Sao Paulo, Sao Paulo, 1973. 1ª Edición. Catálogo de la exposición con ilustraciones en b/n. Diseño y producción gráfica: Julio Plaza. Prólogo de Walter Zanini. Textos en portugués. 23x16. Sin paginar. Rústica editorial con grapas.

Sin Encuadernar. Condition: Muy bien. 1ª Edición. Bienal de Sao Paulo, Sao Paulo, (Brazil), 1981. 1ª Edición. Cartel del evento diseñado por Cláudio Moschella. Con anotación manuscrita de Ulises Carrión a "Lily" (¿Lily van Ginneken?) en reverso. La nota está escrita en neerlandés desde Sao Paulo, donde Ulises Carrión fue uno de los artistas invitados a la bienal de ese año. Plegado en cuatro. La nota dice aproximadamente: "muchos saludos desde Sao Paulo. Y de Río de Janeiro, donde estoy y donde quiero quedarme unas semanas. Voy a volver a Sao Paulo otra vez e intentaré arreglar algo, pero no estoy seguro de que funcione. Adiós, Ulises". Medidas: 62x43. Dedicatoria autógrafa del autor.