Walter Wassily (29 results)

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. Point and Line to Plane can be seen as a continuation of Wassily Kandinsky's seminal treatise On the Spiritual in Art. Kandinsky's thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts.

Hardback. Condition: New. Point and Line to Plane can be seen as a continuation of Wassily Kandinsky's seminal treatise On the Spiritual in Art. Kandinsky's thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts.

Hardcover. Condition: new. Hardcover. Point and Line to Plane can be seen as a continuation of Wassily Kandinsky s seminal treatise On the Spiritual in Art. Kandinsky s thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts. Kandinsky's essay can be read as an aesthetic analysis of form and its effect on the viewer. Based on the various effects of linear elements on our mood, Kandinsky attempts to develop an order of form types. Here, he offers an approach to a theory of the effects of form, which makes volume 9 one of the most important writings on art theory of the 20th century and it can still be understood as contemporary today. AUTHOR: Wassily Kandinsky, Bauhaus master from 1922 to 1933, was the school's deputy director between 1923 and 1933. When he was appointed by the Bauhaus, he was already one of the great names in modern art. For young and talented people, this was often reason enough to engage the Bauhaus experiment. 129 illustrations Bauhausbucher 9. Point and Line to Plane, volume 9 of the Bauhausbucher series, can be seen as a continuation of Wassily Kandinskys seminal treatise On the Spiritual in Art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 208 pages. 9.25x7.50x0.75 inches. In Stock.

Hardcover. Condition: New.

Buch. Condition: Neu. Neuware -Punkt und Linie zur Fläche ist als Fortsetzung von Kandinskys Über das Geistige in der Kunst zu verstehen. Kandinskys These besagt, dass verschiedene Punkt-, Linien- und Flächenkonstellationen eine unterschiedliche emotionale Wirkung auf den Betrachter erzielen. Ausgehend vom Punkt (der die konzentrierteste und minimalste graphische Form darstellt), versteht Kandisnky alle malerischen Formen als ein Spiel von Kräften und Gegenkräften, von Kontrasten. Kandinskys Essay lässt sich als ästhetische Analyse der Form in ihrer Wirkung auf den Betrachter verstehen. Aus den verschiedenen Effekten, die lineareElemente auf unsere Stimmung ausüben, versucht Kandinsky eine Ordnung der Formentypen zu entwickeln. Er bietet hier einen Ansatz zu einer Wirkungslehre der Form, was Band 9 der Bauhausbücher zu einer der wichtigsten Schriften der Kunsttheorie des 20. Jahrhunderts macht, die auch heute noch als kontemporär verstanden werden kann. 208 pp. Englisch.

Buch. Condition: Neu. Neuware -Punkt und Linie zur Fläche ist als Fortsetzung von Kandinskys Über das Geistige in der Kunst zu verstehen. Kandinskys These besagt, dass verschiedene Punkt-, Linien- und Flächenkonstellationen eine unterschiedliche emotionale Wirkung auf den Betrachter erzielen. Ausgehend vom Punkt (der die konzentrierteste und minimalste graphische Form darstellt), versteht Kandisnky alle malerischen Formen als ein Spiel von Kräften und Gegenkräften, von Kontrasten. Kandinskys Essay lässt sich als ästhetische Analyse der Form in ihrer Wirkung auf den Betrachter verstehen. Aus den verschiedenen Effekten, die lineareElemente auf unsere Stimmung ausüben, versucht Kandinsky eine Ordnung der Formentypen zu entwickeln. Er bietet hier einen Ansatz zu einer Wirkungslehre der Form, was Band 9 der Bauhausbücher zu einer der wichtigsten Schriften der Kunsttheorie des 20. Jahrhunderts macht, die auch heute noch als kontemporär verstanden werden kann. 208 pp. Englisch.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardover. Condition: As new. New facsimile edition of the book which was the first one published by the Bauhaus, preceding the well-known Bauhausbücher proper of 1925. It was issued on the occasion of the great Weimar Bauhaus exhibition of 1923, organized at the behest of the Thuringian Legislative Assembly, which wished to have a public display of the accomplishments of the past four years. Gropius chose the theme, "Art and Techniques: A New Unity." With the original layout by László Moholy-Nagy and a cover designed by Herbert Bayer, this expanded facsimile edition is accompanied by the first full English translation of the catalog, making it newly accessible to an international audience. Like new, in plastic casing. 10" - 9¾". book.

Hardback. Condition: New. Point and Line to Plane can be seen as a continuation of Wassily Kandinsky's seminal treatise On the Spiritual in Art. Kandinsky's thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts.

Gebunden. Condition: New. Punkt und Linie zur Flaeche ist als Fortsetzung von Kandinskys Ueber das Geistige in der Kunst zu verstehen. Kandinskys These besagt, dass verschiedene Punkt-, Linien- und Flaechenkonstellationen eine unterschiedliche emotionale Wirkung auf den Betrachter erzi.

Natur och Kultur, Stockholm 1957. 167, (1) sidor. Inbunden med skyddsomslag.

Hardcover. Condition: new. Hardcover. Point and Line to Plane can be seen as a continuation of Wassily Kandinsky s seminal treatise On the Spiritual in Art. Kandinsky s thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts. Kandinsky's essay can be read as an aesthetic analysis of form and its effect on the viewer. Based on the various effects of linear elements on our mood, Kandinsky attempts to develop an order of form types. Here, he offers an approach to a theory of the effects of form, which makes volume 9 one of the most important writings on art theory of the 20th century and it can still be understood as contemporary today. AUTHOR: Wassily Kandinsky, Bauhaus master from 1922 to 1933, was the school's deputy director between 1923 and 1933. When he was appointed by the Bauhaus, he was already one of the great names in modern art. For young and talented people, this was often reason enough to engage the Bauhaus experiment. 129 illustrations Bauhausbucher 9. Point and Line to Plane, volume 9 of the Bauhausbucher series, can be seen as a continuation of Wassily Kandinskys seminal treatise On the Spiritual in Art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.

Buch. Condition: Neu. Point and Line to Plane | Bauhausbücher 9 | Wassily Kandinsky | Buch | 208 S. | Englisch | 2021 | Lars Müller Publishers, Zürich | EAN 9783037786628 | Verantwortliche Person für die EU: Lars Müller Publishers, Michael Klein, Hub 1, 84149 Velden, gpsr[at]lars-mueller-publishers[dot]com | Anbieter: preigu.

Hardback. Condition: New. Point and Line to Plane can be seen as a continuation of Wassily Kandinsky's seminal treatise On the Spiritual in Art. Kandinsky's thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts.

Buch. Condition: Neu. Neuware - Point and Line to Plane, volume 9 of the Bauhausbücher series, can be seen as a continuation of Wassily Kandinsky's seminal treatise On the Spiritual in Art. Kandinsky's thesis is that different constellations of point, line and surface have different emotional effects on the viewer. Starting from the point (which represents the most concentrated and minimal graphic form), he understands all painterly forms as being a play of forces and counterforces: of contrasts.Kandinsky's essay can be read as an aesthetic analysis of form and its effect on the viewer. Based on the various effects of linear elements on our mood, Kandinsky attempts to develop an order of form types. Here, he offers an approach to a theory of the effects of form, which makes volume 9 one of the most important writings on art theory of the 20th century and can be understood as contemporary still today.; Punkt und Linie zur Fläche ist als Fortsetzung von Kandinskys Über das Geistige in der Kunst zu verstehen. Kandinskys These besagt, dass verschiedene Punkt-, Linien- und Flächenkonstellationen eine unterschiedliche emotionale Wirkung auf den Betrachter erzielen. Ausgehend vom Punkt (der die konzentrierteste und minimalste graphische Form darstellt), versteht Kandisnky alle malerischen Formen als ein Spiel von Kräften und Gegenkräften, von Kontrasten. Kandinskys Essay lässt sich als ästhetische Analyse der Form in ihrer Wirkung auf den Betrachter verstehen. Aus den verschiedenen Effekten, die lineareElemente auf unsere Stimmung ausüben, versucht Kandinsky eine Ordnung der Formentypen zu entwickeln. Er bietet hier einen Ansatz zu einer Wirkungslehre der Form, was Band 9 der Bauhausbücher zu einer der wichtigsten Schriften der Kunsttheorie des 20. Jahrhunderts macht, die auch heute noch als kontemporär verstanden werden kann.

112 S. Mit zahlr., teils farb. Abb. 4°, farb. illustr. Orig.-Karton. Kataloge der Anhaltischen Gemäldegalerie Dessau, 8. - 3. unveränderte Aufl. - Sehr gut erhalten. gr.

Condition: New.

Condition: Good. Five Photographs One Negative, VG with some shelf wear. Pasquale Iannetti Art Galleries photo documentation.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 21 × 29,7 cm, 8 ¼ × 11 ¾ in, 316 Seiten/pages, 418 Abbildungen/illustrations,14 issues with separate commentary in transparent slipcase - 100 Jahre nach der Bauhaus-Gründung wird mit der Zeitschrift bauhaus ein bedeutsames Schriftzeugnis dieser Ikone der Moderne wieder zugänglich gemacht. In der von 1926 bis 1931 periodisch erschienenen Zeitschrift kommen bedeutende Stimmen der Bewegung zu Wort, darunter zahlreiche Meister des Bauhauses, wie Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy und Oskar Schlemmer sowie Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld und andere.

Soft cover. Condition: Very Good. 1st Edition. 8° - 190pp - Color & B/w reproductions. Bauhausbücher N°9 KANDINSKY point and line to the surface - contribution to the analysis of the elements of painting. Wassily Kandinsky (1866-1944) Russian artisst, pioneered abstract art in the late 19th and early 20th centuries. His unique perspective on the form and function of art emphasized the synthesis of the visual and the auditory. He heard sounds as color, and this unusual perception was a guiding force in the development of his artistic style. He believed the purpose of art to be the conveyance of the artist's unique inner vision, which required transcendence of the objective world. First edition, text in German language. Original boards. In very good condition.