Voïnova (41 results)

Softcover. Condition: Très bon. RAEVSCHI, Violetta (illustrator). Légères traces d'usure sur la couverture. Edition 2021. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 2021. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

Hardcover. Condition: Very Good. First Edition. First translation of this Russian classic. Light bump to lower corner of front cover, else a near fine copy.

Quarto, 992 S., OLn.,

Condition: New. In.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:

Pamphlet. Condition: Good+. First Edition. No date (1943?). 12pp Staple a bit rusty.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2011 in the subject Art - History of Art, grade: 1, University College London, language: English, abstract: Britain was undergoing some important changes. Following the Manchester PeterlooMassacre of 1819 the government introduced the so-called Six Acts which prohibitedcongregation of more than fifty persons on matters regarding the state withoutpermission, accelerated the speed of prosecution for libel, and put further restrictionnewspaper publications.1 By 1824 the act was partially revoked, and 1832 marked thelong-awaited Reform Act, which enfranchised more men and revised representation fromnewer boroughs. In this light the Queen Caroline Affair of 1820 provided the occasionfor effective public ridicule of the oppression under the guise of carnivalesqueconviviality and caricature. This movement of the working class from subjects to citizensthrough their engagement with fearless carnivalesque subversions of the establishedsystem using the wronged Queen Caroline as the icon of mistreatment by the governmentwill be the main focus of this essay.The affair at its core is not more than a domestic quarrel between George IV, andhis unwanted wife, Caroline of Brunswick. In 1795, the king ended his illicit marriage toMaria Anne Fitzherbert in order to marry a more noble Caroline, the arrangement wasone of convenience for George IV, as the Parliament promised to pay off his substantialdebt if the notorious dandy agreed to live a more subdued life with his new wife. Themarriage was doomed from the beginning when George IV humiliated Caroline beforeshe even met him when he sent his new mistress Lady Jersey to be her lady-in-waiting.2Shortly after the wedding, with Caroline pregnant, they separated and Caroline livedapart from the court. Already by 1807 George IV was attempting to rid himself of hishomely wife by launching a 'Delicate Investigation' on the grounds of a rumor thatCaroline's adopted son was actually her bastard. The investigation concluded thatalthough some of her behaviour is indiscrete there are no grounds for divorce.3 Despiteher proven innocence, she was ostracized at court, excluded from attending importantstate events, and after a series of humiliations and restrictions on seeing her daughter,Princess Caroline chose to go abroad in 1814.4 After the death of George III, Carolineelected to return to Britain to claim her rightful place as the Queen beside George IV,however this proved to be difficult, and this is where the Affair begins.5.

21 x 14. 3a edicao. 471 Seiten. OLeinen. Ordnungsgemäß aus NVA-Beständen ausgesondertes Bibliotheksexemplar (Stempel, Rückenschild). Guter Zustand. ru Gewicht in Gramm: 700.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Bachelor Thesis from the year 2012 in the subject Art - History of Art, grade: 2.1, , language: English, abstract: Science fiction is always political as it has the power to stage contemporary problems through the lens of impossible events, it imagines theoretical futures out of present issues. The essay will compare the use of science fiction in cinema in the USSR and the United States of the late 1950s and 1960s to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States.The genre provides an opportunity to express the scientific stand-off between the two powers through fiction, it is also a vehicle for dissemination of ideas and propaganda. Post-1956, when the period of de-Stalinisation officially began, science fiction saw a carefully crafted rebirth as a tool to reflect the socialist ideal and quasi-religious faith in science promoted by the Party. Science fiction uniquely demands for an imaginative view of the future, which corresponds with the Marxist- Leninist future-oriented ideology.The fear of external influence from the enemy for both countries results in heavily ideological cinema, especially in the sci-fi genre as an imagined reflection of contemporary issues onto a fictional future. The themes for American science fiction of this period are hyperbolised monsters and invasion, which reflect the fear of the otherness of the Soviet Union and its threat on domestic ideals. Soviet science fiction films focus on the heroic Soviet man, who frequently receives calls for help from outer space and overcomes great trials to save those not living in utopia.

Taschenbuch. Condition: Neu. The Cold War in Science Fiction: Soviet and American Science Fiction Films in the 1950s | Natalia Voinova | Taschenbuch | 44 S. | Englisch | 2013 | Anchor Academic Publishing | EAN 9783954890583 | Verantwortliche Person für die EU: Dryas Verlag, ein Imprint der Bedey und Thoms Media GmbH, Hermannstal 119k, 22119 Hamburg, kontakt[at]dryas[dot]de | Anbieter: preigu.

Taschenbuch. Condition: Neu. Imagining the Future: Science Fiction Cinema in the Early Cold War | Natalia Voinova | Taschenbuch | 44 S. | Englisch | 2012 | GRIN Verlag | EAN 9783656322689 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Couverture souple. Condition: bon. R300316378: 1939. In-12. Broché. Etat d'usage, Couv. légèrement pliée, Dos plié, Papier jauni. 415 pages. Dos plié, léger manque en coiffe de pied. . . . Classification Dewey : 891.7-Littérature russe (slave).

Softcover/Paperback. Condition: New. Elen Besset 1918Nr.2000 - znakovaya figura frantsuzskogo avangarda, rodonachalnitsa 'poeticheskogo romana', lyubimitsa Rajmona Keno, Natali Sarrot, Simony de Bovuar i Andre Malro. Poyavlenie Besset na literaturnoj arene serediny XX vekanbsp;proizvelo nastoyashchij furor, ona po pravu sniskala slavu 'frantsuzskogo Dzhojsa'. Margerit Dyuras, kotoruyu kak-to sprosili, kogo iz sovremennykhnbsp;pisatelej stoit chitat, zayavila: 'Elen Besset, nikogo bolee!''Dvadtsat minut tishiny' - odin iz glavnykh romanov Besset.nbsp;Eto avangardistskij tekst, odnovremenno poeticheskij i prozaicheskij, v kotorom burnoe dejstvo razygryvaetsya lish v voobrazhenii rasskazchitsy. Plyus ko vsemu - eto detektiv s chernymnbsp;yumorom. A eshche - roman-obmanka, poskolku zaputannoe rassledovanie okazyvaetsya istoriejNr. obychnoj svechki.

Couverture souple. Livre en français. Traduit du russe par Thérèse Monceaux. Broché. 415 pages. Couverture défraîchie. Dos muet. Papier légèrement bruni. Littérature russe. Livre.

471 S. OKldr. ru,pt 0 gr.

Couverture souple. Condition: bon. R160111333: 1939. In-12. Broché. Etat passable, Couv. convenable, Dos abîmé, Intérieur frais. 415 pages. Bandes adhésives sur les tranches du dos, ainsi que sur une légère partie des plats. Bords de couverture frottés, et quelques petites déchirures. . . . Classification Dewey : 891.7-Littérature russe (slave).

Condition: leido. Media piel con nervios. Buen estado. 415.

Couverture souple. Condition: bon. R160090066: 1939. In-12. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Quelques rousseurs. 415 pages. Couverture illustrée en couleur. . . . Classification Dewey : 891.7-Littérature russe (slave).

Hardcover. Condition: Wie neu. 4. Auflage. Hardback, new, unused. 472 pp. (Practical dictionary Portuguese-Russian, ein praktisches Portugiesisch-Russisches Wörterbuch). Clean pages, no names, no markings, in stock, sofort lieferbar.

Hardcover. Condition: Good. In Russian. Voinova, Natalya Yaroslavovna. Portuguese Language. Moscow: MGPIIA, 1976-. All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU7584882.

Hardcover. Condition: Good. In Russian. Voinova, Nonna Vladimirovna. Normalization of the production process by the method of two-way observation as a factor in increasing labor productivity. Moscow: TsNIITEIpischprom, 1977. All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU7661254.

Hardcover. Condition: Good. In Russian. Voinova, Natalya Yaroslavovna. Portuguese Language. Moscow: 1975. All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU6776684.

Soft Cover. Condition: Good. 7000 Palavras. 4-a Edição, estereotipada. Edições «Russki Yazik». Moscovo. 1989. 1.ª Edição facsimilada. Ulmeiro. Lisboa. 2000. De 20,5x13 cm. Com 471 págs. Brochado. Ilustrado no texto com tabelas. Exemplar manuseado. Tem folha de rosto em russo. Language: Bilingue / Bilingual Location/localizacao: SACO MA551-06.

Hard Cover. Condition: Good. Compreende cerca de 47000 palavras. Em anexo, tabelas morfológicas da língua russa organizadas por A. Zalizniak, Doutor em Letras. Editora «Língua Russa». Moscou. 1975. De 26,5x17 cm. Com 992 págs. Encadernação em tela. Exemplar com pastas manuseada, mancha na pasta posterior, picos de acidez nas pastas, lombada, folhas preliminares e finais. O livro contém duas folhas de rosto, uma em língua portuguesa e outra em língua russa. Language: Bilingue / Bilingual Location/localizacao: I-142-B-4.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Bachelor Thesis from the year 2012 in the subject Art - History of Art, grade: 2.1, , language: English, abstract: Science fiction is always political as it has the power to stage contemporary problems through the lens of impossible events, it imagines theoretical futures out of present issues. The essay will compare the use of science fiction in cinema in the USSR and the United States of the late 1950s and 1960s to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States.The genre provides an opportunity to express the scientific stand-off between the two powers through fiction, it is also a vehicle for dissemination of ideas and propaganda. Post-1956, when the period of de-Stalinisation officially began, science fiction saw a carefully crafted rebirth as a tool to reflect the socialist ideal and quasi-religious faith in science promoted by the Party. Science fiction uniquely demands for an imaginative view of the future, which corresponds with the Marxist- Leninist future-oriented ideology.The fear of external influence from the enemy for both countries results in heavily ideological cinema, especially in the sci-fi genre as an imagined reflection of contemporary issues onto a fictional future. The themes for American science fiction of this period are hyperbolised monsters and invasion, which reflect the fear of the otherness of the Soviet Union and its threat on domestic ideals. Soviet science fiction films focus on the heroic Soviet man, who frequently receives calls for help from outer space and overcomes great trials to save those not living in utopia. 44 pp. Englisch.