Veldhuizen Daan Nap Hanneke Gotink (14 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First edition / First Print. Large hardback copy in grey cloth boards with blind stamped lettering to front and spine. Unclipped dustjacket in new removable protective clear sleeve. 463pp. Colour frontispiece, colour and b/w art throughout. Not library copy, no inscriptions, small indentation to rear dustjacket. Heavy book, weighs 3.240Kg. (50/2).

Condition: New. In.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Qto., 608 pages, colour illustrated. A Fine copy in a Fine dust jacket.Comes with matching slipcase which is also Fine.

Condition: New. pp. 500.

Condition: New. In.

Condition: New. pp. 496.

Condition: New. KlappentextrnrnScholars have traditionally focused on the subjects and meanings of Hieronymus Bosch s works, whereas issues of painting technique, workshop participation, and condition of extant pictures have received considerably less attention.

Hardcover. Condition: New. Dust Jacket Condition: New. Qto., 608 pages, colour illustrated. A New copy, slipcased, in the shrink wrap as issued.

Condition: New. pp. 500.

Condition: New. pp. 496.

Hardcover. Condition: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover, 464 pages, ENG , 330 x 255 x 35 mm, NEW, dustjacket, 300 bw and col. illustrations ISBN 9789462301153. Based on six years of study done by the Bosch Research and Conservation Project, this book represents the most comprehensive study ever done of the materiality of Hieronymus Bosch's paintings. In het verleden hebben de kunsthistorici zich vooral toegespitst op de onderwerpen en betekenissen van Bosch' werken, terwijl aan aspecten als schildertechniek, de medewerking van een atelier en de bewaringstoestand van de nog bestaande schilderijen aanzienlijk minder aandacht werd besteed. Sinds 2010 bestudeert het Bosch Research and Conservation Project de werken aan de hand van moderne onderzoeksmethoden. Het team heeft Bosch' bewaard gebleven schilderijen zo grondig mogelijk gedocumenteerd met infraroodreflectografie en digitale macrofotografie in ultrahoge resolutie, zowel bij infrarood als bij zichtbaar licht. Rontgenfoto's werden gedigitaliseerd en de volledige fotografische documentatie werd in een coregistratieproces verwerkt. Dat alles, samen met de microscopische studie van de schilderijen, verschafte het team de mogelijkheid om uitvoerige en kritische onderzoeksrapporten te schrijven over de techniek en de conditie van de werken. Hun bevindingen, die in dit buitengewone boek voor het eerst worden gepubliceerd, zullen bijdragen tot een beter inzicht in het oeuvre van Bosch. In the past, scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures has received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented as thoroughly as possible Bosch's extant paintings with infraredreflectography and ultra high-resolution digtal macro photography, both in infrared and visible light. X-radiographs have been digitized, and the complete photographic documentation processed via co-registration. Together with microscopic study of the paintings, all of this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time, all of which can further inform our understanding of Bosch's oeuvre. Luuk Hoogstede is a paintings conservator at SRAL, Maastricht. Ron Spronk is professor in art history at Queen's University, Kingston, Ontario, Canada and Radboud University Nijmegen, The Netherlands. Matthijs Ilsink is the project coordinator of the Bosch Research and Conservation Project and teaches art history at Radboud University Nijmegen, The Netherlands. Jos Koldeweij is professor in art history of the Middle Ages at Radboud University Nijmegen, the Netherlands Authors: Bosch Research and Conservation Project: Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap, Daan Veldhuizen 3250 g.

Belser Verlag, Stuttgart, 2016. Grüne Original-Leinwand, grüner Original-Schutzumschlag, 607 Seiten, 4° (33,5 x 25,5 cm). Kunstdruckpapier. Verlagsfrisches, original folienverschweißtes Exemplar ohne Gebrauchsspuren. GEWICHT (mit Verpackung): > 4,5 Kg. - Achtung! Hinweis: Gewichtsbedingt gelten womöglich höhere Portosätze als die automatisch angezeigten. Wir behalten uns vor, das faktische Porto zu berechnen. PLEASE NOTICE: Maybe the shipping costs are more expensive than here automatically marked. Changes reserved due to the de facto shipping. [INTERNER HINWEIS - STANDORT großes weißes Regal, vor dem Malereibestand 'Bo'].