Varese Edgard (47 results)

Trade Paperback. Condition: Fine. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 268 pages, with articles by Howard Boatwright, Dennis Marshall, Edgard Varese, Gunther Schuller, Milton Babbit, Chou Wen-chung, Andres Imbrie, Roger Sessions, Ernst Krenek on such things as Quarter-tone impressions, Liberation of sound, a composer's influences, Aaron copland, an analysis of Connotations, etc. Keywords: Howard Boatwright, Dennis Marshall, Edgard Varese, Gunther Schuller, Milton Babbit, Chou Wen-chung, Andres Imbrie, Rioger Sessions, Ernst Krenek, Quarter-tone impressions, Liberation of sound, A composer's influences, Aaron copland, An analysis of Connotations.

Paperback. Condition: Brand New. r134978 edition. 4 pages. 12.00x9.00x0.04 inches. In Stock.

Soft cover. Condition: Very Good. 31 pp., wraps, very good, octavo, 10 × 7 inches. Previous owner's signature on cover. For soprano voice and chamber orchestra. Revised and edited Chow Wen-Chung ca. 1966. Texts by Vicente Huidobro and Jose Juan Tablada.

Condition: Very Good. Very Good condition. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years. (scores).

Soft cover. Condition: Very Good. 29 pp. Previous owner's signature on title page. Wraps. Very Good. Octavo. Duration circa 4'. Revised and edited Richard Sacks. For flute (piccolo), Eb clarinet, 3 F horns, 2 C trumpets, tenor and bass trombones, and 9 or 10 percussionists playing sleigh bells, indian drum, lion roar, anvil, tambourine, slap stick, bass drum, snare drum, susp cymbal, ratchets, siren, triangle, chinese blocks, tam-tam, and 2 cymbals.

Soft cover. Condition: Very Good. 56 pp. Wraps, very good, octavo. Previous owner's signature on title page, else fine. For bass voice (or unison male chorus), brass, organ, percussion and theremins (revised for ondes-martenots in 1961). Text from the Popul-Vuh, translation from Spanish to English in front matter. "O Builders, O Moulders! You see. You hear. Do not abandon us, Spirit of the Sky, Spirit of the Earth. Give us our descendants, our posterity as long as there are days, as long as there are dawns. May green roads be many, the green roads you give us. Peaceful, very peaceful may the tribes be. Perfect, very perfect may life be, the existence you give us. . . ." "I conceived the music as having something of the same elemental rude intensity of those strange primitive works. The execution should be dramatic and incantatory, guided by the imploring fervor of the text.".

Soft cover. Condition: Very Good. 26 pp. Very good, octavo, 10 × 7 inches, wraps. Previous owner's signature on cover. Octet for bassoon, clarinet, flute, horn, oboe, trombone, trumpet, double bass. Revised and edited by Chow Wen-Chung with respect to the Curwen edition of 1924, the 1956 Ricordi edition, and Varèse's reference copy of Curwen and ms.

Soft cover. Condition: Very Good. 56 pages. (M9).

Soft cover. Condition: Very Good. 1st edition. VG+. 4to, 52pp, stapled wrappers. Uncommon 1966 issue, includes John Illo on The Rhetoric of Malcolm X, Jacques Barzun on Edgard Varese, poems by Andrei Voznesensky, other interesting content. Unmarked copy, light wear, minor residue from removed subscription label on back cover. Not Signed.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: Très bon. 1. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Size: 8vo. [iii], 47pp. Stapled as issued in publisher's printed wrappers.

Size: 8vo. [iii], 47pp. Stapled as issued in publisher's printed wrappers.

Size: 8vo. [ii], 82pp. Publisher's printed wrappers (sunned).

Condition: New.

No Binding. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. THIS IS A 12", 33 1/3 RPM,MONOPHONIC RECORD IN IT'S ORIGINAL FORMAT AND PACKAGING IN A PROTECTIVE VINYL OUTER SLEEVE TO BE CAREFULLY WRAPPED AND BOXED FOR SAFE SHIPMENT.SHIPPING RATES OUTSIDE THE US WILL BE ADJUSTED FOR ACTUAL COST. Side 1 contains Integrales by New York Wind Ensemble and Julliard Percussion and |Density 21.5 with Rene Leroy, flute. Side 2 is Ionisation with Julliard Percussion and Octandre with New York Wind.The record is in near mint condition as is the jacket and will be carefully wrapped and boxed for safe shipping.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Neuware - (Woodwind Solo). Written in January 1936, at the request of Georges Barrere for the inauguration of his platinum flute. 21.5 is the density of platinum.

Soft cover. Condition: Very Good. 1st Edition. First edition (copyright held by Ricordi). Company name was later changed to Colfran, so this is the earliest printing. Code no. N. Y. 1794. Wrappers, 82 pp. Very good condition. Complete orchestral score with copious instructions from the composer. Orchestral ensemble included magnetophones. "Complimentary Copy" stamped on face.

Taschenbuch. Condition: Neu. Density 21.5 | For Solo Flute | Edgard Varese | Taschenbuch | Buch | Englisch | 1989 | Ricordi | EAN 9781480304765 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Condition: Brand New. 104 pages. 11.75x8.50x0.50 inches. In Stock.

Condition: Gut. 12 S.; 20 cm; geheftet. Gutes Ex.; Einband etwas berieben. - Deutsch; italienisch. - Text von "R. Z." : . Die Akustik wird für ihn zur unentbehrlichen Stütze und damit zum ersten Mal Hauptfaktor der kompositorischen Mittel. Komponieren heißt, die tönenden Objekte anordnen, die aus einer unermeßlich weiten und unbegrenzten Gesamtheit ausgewählt wurden aufgrund nirgends nachzulesender Beobachtungen über ihre Dichte oder Kargheit, über die Verteilung der Gewichte, der Register, der Frequenzen, der jeweils möglichen Reichweite. Notwendigerweise gehört zu einer so wagemutigen intellektuellen Leistung, wie derjenigen Vareses, eine überschäumende, instinkthafte Vitalität, die imstande ist, mit dem bahnbrechenden Eifer des Experimentators die phantasievolle Betätigung der Erfindungsgabe zu verbinden sowie den historischen und menschlichen Weitblick in dem tiefen Wissen um die existenziellen Probleme.' Darin liegt der erforderliche Ausgleich zu den Laboratoriumsanalysen, zu dem durchleuchtenden Rationalismus, zu der wissenschaftlichen Härte. Man möge in diesem Zusammenhang noch einmal die Zeilen lesen, die C. Vuillermoz den Integrales gewidmet hat (" Excelsior " 1931): "Das Schlagzeug tritt dort oft mit der "grandeur" und der Majestät einer Naturkatastrophe auf, womit eine innere Erregung sich in neuer Form musikalisch darstellt. Dies schließt nicht aus, daß der Einsatz der Oboe bei dem großen "bouleversement" die Gebärde eines ungewöhnlichen Pathos annimmt. Ungeachtet seines wissenschaftlichen Titels ist das Werk jedoch in keiner Weise leidenschaftslos oder reine Gehirnarbeit. (vielmehr). tief menschlich empfunden". Oder die Äußerung von J. Ray über Deserts (1955): "ein Werk voll menschlicher Wärme, dem Gerechtigkeit widerfahren zu lassen es an der Zeit ist ". Varese hat also wirklich einen neuen Grenzbereich erschlossen. Mit seiner geräuschvollen Bilderstürmerei, mit seinem radikalen Sichverlassen auf die Wissenschaft - alles Dinge, die hier die echteste Ausdrucksform innerhalb der modernen Kunst finden - hat er einen Dialog wieder angeknüpft und in Gang gebracht, der allzu lange erstarrt war, den Dialog des Menschen mit der Natur und mit den Objekten der Klangwelt. (S. 7) Sprache: Deutsch Gewicht in Gramm: 550.

191 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit einigen Abbildungen. Buchdeckel mit Falzspuren. Gut erhalten. Sprache: deu.

kart. Condition: Gut. 103 S. : Ill., Noten. Gutes Ex. Einband ist etwas verschmutzt und berieben. 4 Seiten sind mit Textmarker markiert. - Edgar(d) Victor Achille Charles Varèse (* 22. Dezember 1883 in Paris; 6. November 1965 in New York) war ein amerikanischer Komponist und Dirigent französischer Herkunft. . (wiki) // INHALT : Vorwort ---- Zeittafel ---- Klaus Angermann: Aus den Neuen Welten ---- Helga de la Motte-Haber: Simultane Klangkörper und kontrapunktische Dynamik - ---- Materialien und Dokumente ---- Komponisten über Varese ---- Werkverzeichnis ---- Dokumentation. ISBN 9783631433010 Sprache: Deutsch Gewicht in Gramm: 238.

Geheftet. Condition: Gut. 31 S. Einband leicht berieben. Papierbedingt leicht gebräunt. - Edgard Varèse (1883-1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm. He coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?" Sprache: Deutsch Gewicht in Gramm: 550.

sonst. Bücher. Condition: Neu. Neuware - (Study Score). Revised in 1997 by Chou Wen-chung.

Hardback. First Edition. 22 x 29cm 280pp near fine hardback in dust jacket. The pavilion designed by Le Corbusier for the Philips Company at the 1958 Brussels World's fair broadcasted a landmark multimedia production. The nearly two million visitors who entered the pavilion were treated not to the usual display of consumer products, but to a dazzling demonstration of cutting-edge technology in the service of the arts. This totally automated spectacle consisted of colour, voice, sound, and images sperimposed in a curvilinear space of concrete, orchestrated by Le Corbusier and his colleagues into a 480-second program. Here, Marc Treib looks at both this collaboration and the significance of the Philips project. Achieving for the first time his interest in using electronic media as a synthesis of the arts, Le Corbusier worked with the filmaker Philippe Agostini, the graphic designer and editor Jean Petit, the architect/composer Iannis Xenakis, and the composer Edgar Varese, whose piece "Poeme electronique" was composed for this project. Treib explains the idea and development of the building design - based on the geometry of the hyperbolic paraboloid - and how this ambitious vision materialized through an innovative system of precast concrete panels, engineer. With black and white reproductions throughout. Near fine in near fine dustjacket.

Condition: New.

Condition: New.