Vanackere Luc (16 results)

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condition: New. **HARDBACK**.

Condition: Very good.

Hardcover. Quarto, 223 pages. In Very Good minus condition. Bound in the publisher's white cloth bearing green and black lettering to the spine. Boards have slight plus wear including slight soiling and mild tilt to the spine. Text block has slight wear including faint age toning to the edges with remainder mark to the tail edge. Frontispiece. Profusely illustrated. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary for international/expedited orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited shipping, please inquire for rates. 1411823. FP New Rockville Stock.

Soft cover. Condition: Near Fine. 2nd Edition. Second Edition. 8 x 5.5 inches. 123, [21] pp. Texts in German and English. Color illustrations throughout. Illustrated wraps. Minor rubbing to wrap edges. Near Fine.

Condition: Very good.

Softcover. Condition: Très bon. Edition 2010. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2010. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Very good.

Large Hardcover. Condition: Very Good. No Jacket. First Edition. First edition. Minor abrasion on base of front board, light smudge on rear board. Binding tight, pages clean, bright, and unmarked. 2014 Large Hardcover. 223, [1] pp. A monograph released in conjunction with an exhibition of Gericault's artworks. Theodore Gericault was an important artist of the Romantic movement, best known for The Raft of Medusa. From the foreword: "The exhibition focuses on two of the artist's central themes: the physical suffering and mental anguish of modern man. Gericault's depictions of existential situations - madness and illness, suffering and death - produced in the period between 1812 and his early death in 1824, were absolutely revolutionary. To this day his works, with their profoundly human subject matter, have lost none of their shattering impact. Gericault is modern in that he ennobled arbitrary people and creatures by making them the subjects of probing, even tragic portraits. He managed to present a realistic view of social conditions and in so doing expose the presence of violence, suffering, pain and death beneath the surface of everyday life. His engagement with the profound depths of human existence and man's inner nature manifests itself neither in voyeuristic imagined horrors nor in metaphysical speculation, but is rather related to the analytical stance of the inquisitive scientist or unbiased journalist. With his pictures of madness and death, combining the unsentimental gaze of science and Romanticism's positive notion of horror, Gericault played a substantial role in the development of modern subject matter.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: very good(+). Gerricault (illustrator). First. Well-illustrated throughout, much in color. 224 pages. Square 4to, white pictorial boards (a bit scuffed and dust-soiled but internally clean). Frankfurt: Schirn Kunsthalle, (2014). First edition. A very good(+) copy. Published on the occasion of the 2014 exhibition.

Hard Cover. Condition: As New. 4to hardback, pp. 224, 260 b/w and col. ill. and plates, cm 24x28. This beautifully illustrated volume presents the French Romantic painter Théodore Géricault in a fascinating new light: through his works that addressed the physical and psychological torments of contemporary life. It includes four essays by eminent Géricault scholars. Hundreds of Géricault's paintings, reproduced in stunning colour reproductions, show how his emphasis on the suffering inherent in modern existence represented a completely new way of depicting life. Marrying the Romantics' fascination with horror and the unsentimental perspective of science with his images of madness and death, Géricault played a key role in the deliberate visualisation of the modern, existentially isolated, individual. When placed in context with his contemporaries, such as Goya, Fuseli and Adolph Menzel, Géricault's work upends the traditional opposition of realism and Romanticism, presenting them as interrelated, sharing approaches.

Leuven, Davidsfonds, 2010. 25 x 19,5 cm. Paperback / Softcover. Met illustraties in kleur en z/w. 159 pag. NIEUW EXEMPLAAR [Topography / Dutch [Nederlandse Topografie] Kastelen / Buitenplaatsen / Castles ].

Lannoo / Kasteel Gaasbeek. 2016 Softcover met flappen, 123pp., 14x20cm., geïllustreerd in kleur en z/w., in zeer goede staat. ISBN 9789401435208. Gesamtkunstwerk van Abattoir Fermé en het Kasteel van Gaasbeek Theatercollectief Abattoir Fermé en het Kasteel van Gaasbeek slaan de handen in elkaar en gaan samen op zoek naar de essentie van decadentie. Aan de hand van werk van o.a. Jan Fabre, Roberto Ferri, Marc Lagrange, Man Ray, Erwin Olaf, Félicien Rops en Kees van Dongen onderzoeken ze op eigengereide wijze de verschijningsvormen van decadentie. Teleurgesteld door de onvolmaaktheid van de wereld vervielen kunstenaars en intellectuelen aan het einde van de 19e eeuw in een uitgesproken dedain voor de heersende normen en waarden. Kunst, schoonheid en luxe leken voor hen de enige ontsnappingsroutes uit de burgerlijke en banale werkelijkheid. Ook in de hedendaagse kunst komt deze dunne grens tussen sensueel raffinement en perversiteit, tussen esthetiek en hang naar het morbide, tussen taboe en norm overdadig aan bod. Dit boek en de tentoonstelling dagen je uit om deze extremen te rijmen, om de dualiteit onder ogen te zien en de 'symptomen' van decadentie in onze samenleving te vatten. Met nooit eerder getoonde, recente schilderijen van Roberto Ferri en werken van o.a. Berlinde De Bruyckere, Jan Fabre, Fernand Khnopff, David LaChapelle, Marc Lagrange, Erwin Olaf, Hans Op de Beeck, Gérard Rancinan, Terry Rodgers, Félicien Rops, Kees van Dongen, Nicola Verlato, Franz von Stuck en vele anderen.

Hardcover, 325 x 250 x 25 mm, 336p, 300 colour illustrations, English/ Dutch (NL) edition. ISBN 9789490693992. De voorbije jaren schilderde Sam Dillemans zo'n 300 portretten bij elkaar van vooral invloedrijke auteurs, maar ook wetenschappers, componisten en zangers. In zijn typisch dynamische en vloeiende stijl voltooide Dillemans de 300 portretten haast in een ruk. De meesten zijn in zwart-wit in vloeiende vluchtige lijnen op doek gebracht, anderen worden opgelicht door hier en daar subtiele penseellijnen in kleur. Herkenbaar of niet, dat hangt van de kijker af, en van hoeveel de kunstenaar verkiest om prijs te geven in zijn impressionante doeken. Opnieuw kiest Dillemans voor een indrukwekkende serie die de mens, diens gelaat en diens expressie centraal plaatst. Sommige modellen zijn haast onmiddellijk herkenbaar, anderen vragen meer van de kijker. Het resultaat is een bij momenten verontrustende serie die noopt tot diepe observatie, tot het aftasten van het concept portretschilderkunst en tot een diepe waardering voor de knappe koppen die Dillemans op zijn manier picturaal samenbrengt. Expo, 2013 Kasteel van Gaasbeek, schilderijen uit de serie 'Authors'. In recent years Sam Dillemans painted about 300 portraits together, especially influential authors, but also scientists, composers and singers. In his typically dynamic and flowing style Dillemans completed the 300 portraits almost in one sitting. Most are in black and white in volatile flowing lines placed on canvas, others are lifted by subtle hints of brush lines in color. Recognizable or not, it depends on the viewer off, and how the artist chooses to reveal to his impressive canvases. Again choose Dillemans an impressive series that the man, his facial expression and his central place. Some models are almost instantly recognizable, others demand more from the viewer. The result is at times disturbing series that necessitates deep observation, to probing the concept portraiture and a deep appreciation for the clever people who Dillemans on his way pictorial together. Expo, 2013 Gaasbeek Castle, paintings from the series 'Authors'. 1730 g.