Tsai Eugenie (151 results)

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Acceptable. Satisfaction 100% guaranteed.

Condition: good. Paperback Book.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover, staple bound, 16 pages; fair condition: ex-museum library copy with two 1-inch square blank white sticker taped to upper left corner of front cover; library sticker on inside front cover; no other internal marks. As is; reference copy.

Condition: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: good. Signs of wear and consistent use.

Trade paperback. Condition: Very Good. Annotated. The Book is in Very Good+ condition. This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works; it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades.Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology.With contributions by Alexander Alberro, Suzaan Boettger, Cornelia Butler, Thomas Crow, Mark Linder, Ann Reynolds, Jennifer L. Roberts, Moira Roth, Richard Sieburth, Robert A. Sobieszek, and Eugenie Tsai.

Paperback. Condition: Very Good. No Jacket. This book shows minimal sign of wear to the cover, binding, or pages. Secure packaging for safe delivery.

Condition: As New. Unread book in perfect condition.

Condition: New.

paperback. Condition: near fine. SMITHSON, Robert (illustrator). With 8 color plates, and 87 black & white illustrations. 200 pages. 4to, glossy pictorial wrappers. New York: Columbia University Press, (1991). A near fine copy.

Soft cover. Condition: Very Good. 1st Edition. 4to, card covers, xvii, 200pp., ills. First edition, paperback issue. VG+: a clean, bright and sound copy; very mild fanning of the covers. Extra postage may be asked (3).

Soft cover. Condition: Fine. No Jacket. 1st Edition. Fine in large quarto wraps. Bright, snug & unmarked. First Simultaneous Paperback printing.

Paperback. Condition: Fine. 1st. 280 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Museum of Contemporary Art, Los Angeles, September 12 to December 13, 2004; the Dallas Museum of Art, January 14 to April 3, 2005; and the Whitney Museum of American Art, June 23 to October 16, 2005. Firm binding, clean inside copy. *** "This fully illustrated 248-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential career. Straddling the movements of minimalism and land art, Smithson, who died in a plane crash at the age of 35, had a profound impact on the cultural landscape that resonates to this day. Robert Smithson presents essays by top Smithson scholars alongside both archival imagery and specially commissioned photography of the artist's works it considers the interrelationship of Smithson's complete artistic output, from the earliest figurative work up to his famed earthworks. Smithson's revolutionary ideas positioned art as existing beyond the walls of the museum in media such as writing and film, and even in the landscape itself. This volume and the exhibition it accompanies explore Smithson's work within the context of the artistic climate of the late 1960s as well as ensuing decades. Perhaps most renowned as the creator of Spiral Jetty (1970), a fifteen-hundred-foot rock coil dramatically situated in the Great Salt Lake, Smithson also broke new ground with his films, photographs, writing, drawings, and collages. Eugenie Tsai provides a curatorial overview of the exhibition, which includes early writings, drawings, and other work with religious, erotic, and pop culture motifs that deepen our understanding of Smithson's diverse practice. Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth a substantive historical and critical essay by Thomas Crow an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek. The book also features the complete Library List--a posthumously compiled list of publications in Smithson's personal library--with an introduction by Alexander Alberro, as well as an exhibition checklist and annotated exhibition chronology." - Publisher. *** CONTENTS: Robert Smithson: plotting a line from Passaic, New Jersey, to Amarillo, Texas, by Eugenie Tsai; Cosmic exile: prophetic turns in the life and art of Robert Smithson, by Thomas Crow; An interview with Robert Smithson (1973), by Moira Roth; edited by Naomi Sawelson-Gorse; The taste of time: salt and the Spiral Jetty, by Jennifer L. Roberts; Enantiomorphic models, by Ann Reynolds; Robert Smithson's proposal for a monument at Antarctica, by Robert A. Sobieszek; Towards "a new type of building": Robert Smithson's architectural criticism, by Mark Linder; In the Yucata n: mirroring presence and absence, by Suzaan Boettger; "A heap of language": Robert Smithson and American hieroglyphics, by Richard Sieburth; A lurid presence: Smithson's legacy and post-studio art, by Cornelia Butler; The Catalogue of Robert Smithson's library, by Alexander Alberro; Catalogue of Robert Smithson's library: books, magazines, and records. Size: 4to. Collectible.

Condition: Very Good. Great shape! Has a publisher remainder mark. hardcover Used - Very Good 2021.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:0231072597.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. White and color-illustrated wraps with red lettering; 280 pp.; richly illustrated; ephemera laid in. "This fully illustrated 280-page book accompanies the first comprehensive American retrospective of Robert Smithson's (1938-1973) complex and highly influential body of work. Perhaps best known as the creator of Spiral Jetty, a fifteen-hundred-foot rock coil dramatically situated in Utah's Great Salt Lake, Smithson also broke new ground with his films, photographs, writings, drawings, sculptures, and collages. His oeuvre defied convention, utilizing nontraditional art materials such as mirrors, maps, concrete, earth, and asphalt - in addition to language, as both a written and visual medium. Smithson's revolutionary ideas moved art beyond the walls of the museum into the landscape itself."-- Hardcover DJ. Good + (Shelfwear to wraps and bookblock; interior is clean; binding is solid.).

Hardcover. Condition: Good. No Jacket. 1st Edition. Hardcover: 11.25 x 7.75 x .75 in., Front and back cover: missing dust jacket, signs of rubbing, corners slightly worn, overall good condition; Pages: in very good condition; Overall good condition.