Thomas Edward Longley (42 results)

Paperback. Condition: Very Good. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. 1st Edition. 431 pages, a very good paperback [0004603192].

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Condition: Near Fine. 1st Edition. First edition of this soft cover volume of a poet who died in the First World WArrinting. Text is clean and unmarked, binding tight, but book has a crease on the front cover that can be seen when the book is held up to the light. No indications of previous ownership.

Condition: New.

Paperback. Condition: New. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work.

Paperback. Condition: new. Paperback. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work. Edward Thomas wrote a lifetime's poetry in just two years during the First World War. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. This edition includes notes containing substantial quotations from Thomas' prose, letters and notebooks, as well as detailed commentary on the poems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work.

Paperback or Softback. Condition: New. The Annotated Collected Poems. Book.

Paper Back. Condition: New.

Condition: New. pp. 336.

Condition: new.

paperback. Condition: New.

Condition: New. In.

Paperback. Condition: New.

Soft cover. Condition: Very Good. Minor reading wear. Page edges are starting to tan. Otherwise a square, tight, unmarked book. Index. xxii, 290 pp.

Paperback. Condition: New.

Hardcover. Condition: Good+. Dust Jacket Condition: Good+. First Edition. 290 pages. Pleasant hardback and jacket. No inscriptions. Cloth creasing to top and bottom edge of cover spine. Light age toning to interior. Light tanning and minor wear to jacket. --- General information: please email for any more information or condition photos. There may be other minor faults not included here, but this description should include all important points and convey accurately the overall conditon of the book(s). We are happy to give a more detailed description (by volume where applicable) on request. Posted next day (Mon-Fri) from the UK. We normally post by Royal Mail 1st class within the UK, but may use a slower service for books over 1kg or multiple orders or a tracked service for higher value orders. We normally post by Royal Mail Tracked for overseas deliveries, and may request additional postage (at cost) for heavier books (buyers always have the option to cancel the order if we do so).

Condition: Very Good. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. This title includes notes that contain substantial quotations from Thomas' prose, letters and notebooks, as well as a commentary on the poems. Editor(s): Longley, Edna. Num Pages: 352 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 235 x 157 x 21. Weight in Grams: 622. From the library of Michael Viney. Signed and inscribed by the editor, Edna Longley. Good clean copy. Covers showing light shelf wear. Lightly toned, text is crisp and clear and remains a very good copy. 2008. paperback. First edition copy. . Signed Copy. . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: Very Good. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. This title includes notes that contain substantial quotations from Thomas' prose, letters and notebooks, as well as a commentary on the poems. Editor(s): Longley, Edna. Num Pages: 352 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 235 x 157 x 21. Weight in Grams: 622. From the library of Michael Viney. Signed and inscribed by the editor, Edna Longley. Good clean copy. Covers showing light shelf wear. Lightly toned, text is crisp and clear and remains a very good copy. 2008. paperback. First edition copy. . Signed Copy. .

paperback. Condition: Very Good. Reprint. Light shelf wear to extremities.

Paperback. Condition: Brand New. 352 pages. 9.13x6.14x1.10 inches. In Stock.

Condition: New. pp. 336.

Condition: New. pp. 336.

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. xxii + 290pp; Slight yellowing to edges else a bright and sound copy; Size: 8vo. Book.

Soft cover. Condition: As New. As-new softback edition. Second impression, 2008.

Out of print Very good in very good dust jacket. book.