Synopsis
Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work.
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About the Author
Edna Longley is a Professor Emerita in the School of English, Queen's University Belfast. Her publications include an edition of Edward Thomas's prose writings, A Language Not To Be Betrayed (1981) from Carcanet, and four critical books: Louis MacNeice: A Study (1988) from Faber, and Poetry in the Wars (1986), The Living Stream: Literature & Revisionism in Ireland (1994) and Poetry & Posterity (2000) from Bloodaxe. She also edited The Bloodaxe Book of 20th Century Poetry (2000).
"About this title" may belong to another edition of this title.
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The Annotated Collected Poems
Published by
Bloodaxe Books Ltd, United Kingdom, Tyne and Wear, 2008
ISBN 10: 1852247460
ISBN 13: 9781852247461
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Paperback. Condition: Very Good. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR002954656
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Paperback. Condition: New. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work. Seller Inventory # LU-9781852247461
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The Annotated Collected Poems (Paperback)
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ISBN 10: 1852247460
ISBN 13: 9781852247461
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Paperback. Condition: new. Paperback. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work. Edward Thomas wrote a lifetime's poetry in just two years during the First World War. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. This edition includes notes containing substantial quotations from Thomas' prose, letters and notebooks, as well as detailed commentary on the poems. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9781852247461
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Paperback. Condition: New. Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914, at the age of 36. In April 1917 he was killed at Arras. Often viewed as a 'war poet', he wrote nothing directly about the trenches; also seen as a 'nature poet', his symbolic reach and generic range expose the limits of that category too. A central figure in modern poetry, he is among the half-dozen poets who remade English poetry in the early 20th century. Edna Longley published an acclaimed edition of Edward Thomas' "Poems" and "Last Poems" in 1973. Her work advanced Thomas' reputation as a major modern poet. Now she has produced a revised version, which includes all his poems and draws on freshly available archive material. The extensive notes contain substantial quotations from Thomas' prose, letters and notebooks, as well as a new commentary on the poems. The prose hinterland behind Edward Thomas' poems helps us to understand their depth and complexity, together with their contexts in his troubled personal life, in wartime England, and in English poetry. Edna Longley also shows how Thomas' criticism feeds into his poetry, and how he prefigured critical approaches, such as 'ecocriticism', that are now applied to his poems. The text of this edition, which has a detailed textual apparatus, differs in small but significant ways from that of other extant collections of Thomas' poems. The Bloodaxe edition is larger (with more comprehensive notes) than Faber's "Collected Poems" by Edward Thomas as well as a pound cheaper. More importantly, for academic sales, the Bloodaxe text is more authoritative than Faber's (which uses R. George Thomas' 1978 text). Edna Longley has used manuscripts, proofs and newly available archive material to establish a text for Edward Thomas' complete poetry which will now be used by scholars and students in all future discussions of his work. Seller Inventory # LU-9781852247461