Taryn Simon (140 results)

Soft cover. Condition: Very good. No jacket. Cover edges are worn. Inside is clean and unmarked.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardbound in dust jacket.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book has mild rubbing/aging to covers with some smudging to back, light nicks to textblocks, light wear to edges. otherwise in great condition, strong binding, clean and unmarked pages; some cosmetic wear but an overall sturdy, well-kept copy. Dust jacket has mild rubbing to front/back, light wear to edges and corners. in very good condition, now in archival cover.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

First Edition. First edition. Softcover. 88 pages. Features a look at the images created by Alec Soth and Brad Zellar on a road trip through the U.S., images by Taryn Simon and an interview of her by Roxana Marocci, images by Sylvia Plachy of two women from Maine, Rick Moody writing on Bruce McBroom's iconic image of Farrah Fawcett. A near fine copy in wrappers. A terrific issue.

Hardcover. Condition: Near Fine. 1st Edition. Near Fine hardcover in illustrated black boards. Overall a bright and attractive copy. The text is clean and free of markings. Color plates throughout. 125 pp.

Ohne Stempel, keine An-und Unterstreichungen, frischer, sehr guter Zustand. Hardcover. Original Leinenband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Hardcover. Condition: As New. A Fine Book in a Fine Dust Jacket. Dust jacket also in original plastic cover. Very Clean. No writing or tears. Solid Binding. Dust Jacket is bright and shiny.

Hardcover. Condition: Very Good. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Tear on acetone dj. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

hardcover. Condition: Good. First Edition. First Edition. Good blue and black cloth boards with blue lettering along spine, water mark to bottom 1/3 of front board. Binding and hinges tight and square; Contents clean and unmarked. No dust jacket. 280 pp. Damp staining to bottom of edge of paste downs, pages look clean, but have slight wrinkle.

Hardcover. Condition: Used - Very Good. Dust Jacket Condition: Very Good. In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled 'Birds of the West Indies.' Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel's lead character. This co-opting of names was the first in a series of substitutions that would become central to the construction of the James Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon inventoried women, weapons and vehicles, constant elements in the films between 1962 and 2012. The contents of these categories function as essential accessories to the narrative's myth of the seductive, powerful and invincible western male. Maintaining the illusion the narrative relies upon--an ageless Bond, state-of-the-art weaponry, herculean vehicles and desirable women--requires constant replacements, and a contract exists between Bond and the viewer, which binds the narrative to that set of expectations. Continually satisfying those obligations allowed Bond to become a ubiquitous brand, a signifier to be activated with each subsequent novel and film. In 'Birds of the West Indies,' Simon presents a visual database of interchangeable variables used in the production of fantasy, through which she examines the economic and emotional value generated by their repetition.Taryn Simon was born in New York in 1975. She is a graduate of Brown University and a Guggenheim Fellow. Her photographs and writing have been the subject of solo exhibitions at institutions including The Museum of Modern Art, New York (2012), Museum of Contemporary Art, Los Angeles (2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); Whitney Museum of American Art, New York (2007) and P.S.1 Contemporary Art Center, New York (2003). In 2011 her work was included in the 54th Venice Biennale. Light rubbing on outer, clear acetate dust jacket; otherwise, very nice, clean, tight copy free of any marks.

First Edition. First edition. Softcover. 120 pages. Special issue published in the wake of the September 11, 2000 attacks. Features poetry by Billy Collins, Stuart Dybek, James Hart, and others. Includes images by Joel Sternfeld, Taryn Simon, Doug and Mike Starn, Mary Ellen Mark and others. A near fine copy in wrappers with some very minor wear. Internally a clean copy.

Exhibition invite / brochure, 9 x 12 inches; very good condition; an unmailed copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket.

Hardback. Condition: New. Born in New York in 1975, Taryn Simon is at the forefront of contemporary photography practice. Her artistic medium is based around three equal elements: photography, text, and graphic design, which combined investigate the limitations of absolute understanding, examining the gaps between each element and how this can lead to disorientation and ambiguity. In the last ten years she has created a suite of projects which deal with a number of theoretical and visual concerns. Her formal interest in arrangement and cataloguing has seen her experiment with different methods of presentation and display, particularly in A Living Man Declared Dead and Other Chapters (2008-11) in which she travelled around the world researching bloodlines: splitting each work in the final piece up into three segments, she presented large portrait sequences of related individuals on the left, a text panel containing details and narratives in the centre, and 'footnote images' on the right of fragmented pieces of established narratives and other photographic evidence. Simon has also skilfully and poetically tackled aspects of the underbelly of American life.Her 2009 project, Contraband, saw her systematically photograph thousands of items received through customs and the international postal service at JFK airport, categorising them into often grotesque and bizarre groupings. In An American Index of the Hidden and Unfamiliar, Taryn Simon documents spaces that are integral to America's foundation, mythology and daily functioning, but remain inaccessible or unknown to a public audience. Taryn Simon has been the subject of a number of monographic exhibitions, including MoMA, New York (2012), Tate Modern, London (2011), Neue Nationalgalerie, Berlin (2011) and the Whitney Museum, New York (2007). Taryn's work was recently featured in the 2013 Carnegie International. Published in close collaboration with the artist, this brand new book will provide a complete overview of her practice to date. With new and re-published essays by amongst others Salman Rushdie, Homi Bhabha, Daniel Baumann, Tim Griffin, Tina Kuklieski, Hans Ulrich Obrist and Elisabeth Sussman. With an introduction by Simon Baker, Curator of Photography at Tate Modern.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Simon, Taryn (photog.) (illustrator). 103 pages, color photographs. Light corner bumping, smudges on the boards, small patch of scratches on the rear board. Dust jacket is lightly edge worn, similar group of scratches as the rear board.

hardcover. Condition: New. Still sealed in original plastic. Hardcover. (1h).

Softcover. 4°, Original brochure with 286 pages, richly illustrated in color. In good condition. -- Originalbroschur mit 286 Seiten, reich farbig bebildert. In gutem Zustand. from the contents: Boa Vista - a new design gallery brings Brazilian stars to London's Soho / Chloe's 60th anniversary / the cocoones creations of Anton Alvarez at London's design museum / swiss fashion house Akris shares ist century-old skills in a new book / Lady Linda Wong Davies brings down artistic borders the world over // numerous advertisement sites, for example: Willem Dafoe, dressed in Prada -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K06449-436839.

Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: As New. WOW! Great find of a most unusual book. Excellent, fine/fine condition.Clear mylar dust jacket. Shelved above Shelf 285 All about the Ian Fleming James Bond connection to the American ornithologist James Bond of the 1930s. Magnificent full plate photographs of images and ideas in that connection plus a few pages about West Indies birds also.No previous owner name, not ex library.

Condition: Good. Top of cover is slightly faded, and has been torn along the right side. Content is clean throughout, overall a good copy.

Hard Cover. Condition: Very Good to Fine. Dust Jacket Condition: Fine. First Edition. 103 pages. Phtographs and interviews by Taryn Simon. Commmentary Peter Neufeld and Barry Scheck. Size: 8vo - over 7¾" - 9¾" tall.

Condition: As New. Unread book in perfect condition.

Sealed in shrink, with one corner of the plastic torn, exposing the board underneath, but showing now flaws. Brand new, factory sealed copy of this exhibition catalogue which gathered some 40 artists together including Cecily Brown, Glenn Brown, John Currin, Dexter Dalwood, Willem De Kooning, Tracey Emin, Tom Friedman, Douglas Gordon, Arshile Gorky, Damien Hirst, Jenny Saville, Ilya and Emilia Kabakov, Jeff Koons, Roy Lichtenstein, Sally Mann, Takashi Murakami, Marc Newson, Richard Phillips, Pablo Picasso, Richard Prince, Mark Rothko, Edward Ruscha, Richard Serra, Taryn Simon, Philip Taaffe, Cy Twombly, Piotr Uklanski, Francesco Vezzoli, Andy Warhol, and Christopher Wool. Text in English and Russian.

Soft cover. Condition: Near Fine. (no date) 6 color postcards in paper folder, just about FINE in wraps. Note this is an exhibition catalog, NOT the book.

Soft cover. Condition: Very Good. Softcover, 9 1/4 by 7 inches, 479 pages. Covers have very slight to minimal wear. Pages clean. mostly a book of photos.

Hardcover. Condition: Near Fine. 1st Edition. First edition. Half-cloth boards. No dust jacket as issued. 394pp. Introduction by Simon Baker; other texts and artwork by Taryn Simon. A near fine copy.

Soft cover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Wrap-around wraps, front litely soiled dry and creased. Text clean, binding tight. First Edition 2010, stated. VG+.

Trade Paperback. Condition: NEAR FINE. Dust Jacket Condition: Very Good. First Edition. 479pp. mostly color photo plates. Plain wraps with printed black, cream, and blue dust jacket, which shows some wear around the edges, now wrapped in mylar.

Hardcover. Condition: new. Hardcover. The fallibility of the criminal legal system and the duplicity of the image: Taryn Simon's acclaimed and beautifully produced first book, available in an expanded edition with previously unpublished images, essays and archival materialTaryn Simon's earliest body of work, The Innocents (2003), documents stories of individuals who were incarcerated for violent crimes they did not commit. The project stands as a photographic record of some of the earliest DNA-based exonerations in the United States and as a searing indictment of America's criminal legal system.The Innocents interrogates photography's credibility as an arbiter of justice. People suspected of committing crimes are identified through photographs and lineups, a procedure that relies on the assumption of precise visual memory. But through exposure to composite sketches, mug shots, Polaroids and lineups, eyewitness memory can change. In the cases in this book, photography aided in convicting and imprisoning people for crimes they did not commit. The Innocents compiles Simon's photographs of 46 individuals at sites that had particular significance to their convictions: the scene of the crime, misidentification, arrest or alibi.This expanded edition includes previously unpublished images; a new introduction by Innocence Project cofounders Peter J. Neufeld and Barry C. Scheck; a new essay by professor and curator Nicole R. Fleetwood based on a conversation with criminal legal and social justice activist Tyra Patterson; as well as police reports, court transcripts and correspondence detailing the procedures behind many of the misidentifications and wrongful convictions in this book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.